'Touch of Class' Actor George Segal Dies at Age 87

FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
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'Touch of Class' Actor George Segal Dies at Age 87

FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo

George Segal, the Oscar-nominated actor who sparred with Richard Burton in “Who’s Afraid of Virginia Woolf,” romanced Glenda Jackson in “A Touch of Class” and won laughs in the TV sitcom “The Goldbergs,” has died at the age of 87.

“The family is devastated to announce that this morning George Segal passed away due to complications from bypass surgery,” his wife Sonia Segal said in a statement on Tuesday.

Charming and witty, Segal excelled in dramatic and comedic roles, most recently playing laid-back widower Albert “Pops” Solomon on the comedy series “The Goldbergs.”

“Today we lost a legend,” Adam F. Goldberg, who created the TV series that was based on his own life, wrote on Twitter on Tuesday, Reuters reported.

“It was a true honor being a small part of George Segal’s amazing legacy. By pure fate, I ended up casting the perfect person to play Pops. Just like my grandfather, George was a kid at heart with a magical spark,” Goldberg added.

Segal’s long time manager Abe Hoch said in a statement that he would miss his friend’s “warmth, humor, camaraderie and friendship. He was a wonderful human.”

Segal’s acting career began on the New York stage and television in the early 1960s. He quickly moved into films, playing an artist in the star-studded ensemble drama “Ship of Fools” and a scheming, wily American corporal in a World War Two prisoner-of-war camp in “King Rat” in 1965.

Two years later he earned an Academy Award nomination as best supporting actor in the harrowing, marital drama “Who’s Afraid of Virginia Woolf?” with Burton and Elizabeth Taylor.

“Elizabeth and Richard were the king and queen of the world at that moment and there was a lot of buzz about it,” Segal told The Daily Beast in 2016. “For me, there was a great satisfaction of being involved with it.”

But it was in comedies that Segal cemented his star status in a string of films in the 1970s with A-list directors and co-stars such as Jackson, who won an Oscar for her performance in “A Touch of Class.”

Segal played a lawyer in the 1970 dark comedy “Where’s Poppa” with Ruth Gordon, a gem thief along with Robert Redford in 1972’s “The Hot Rock,” an out-of-control gambler in Robert Altman’s “California Split” and a philandering Beverly Hills divorce attorney in Paul Mazursky’s “Blume in Love” in 1973.

He credited an early appearance on the late-night talk show “The Tonight Show with Johnny Carson” for his switch to comedic roles.

“It was the first time that the people who make movies saw me doing comedy and having this funny interchange with Carson,” Segal told the Orlando Sentinel in 1998.

He said he considered himself lucky in a business that he compared to gambling because you’re always waiting for your lucky number, or a great part, to come up.

He also had a life-long passion for the banjo and performed at New York’s Carnegie Hall in 1981 with his group, the Beverly Hills Unlisted Jazz Band.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."