Carnivorous Dinosaur with Short Snout and Strong Bite Menaced Patagonia

An artist's impression of the Cretaceous Period meat-eating dinosaur Llukalkan aliocranianus is seen in this handout photo obtained by Reuters on March 30, 2021. (Handout via Reuters)
An artist's impression of the Cretaceous Period meat-eating dinosaur Llukalkan aliocranianus is seen in this handout photo obtained by Reuters on March 30, 2021. (Handout via Reuters)
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Carnivorous Dinosaur with Short Snout and Strong Bite Menaced Patagonia

An artist's impression of the Cretaceous Period meat-eating dinosaur Llukalkan aliocranianus is seen in this handout photo obtained by Reuters on March 30, 2021. (Handout via Reuters)
An artist's impression of the Cretaceous Period meat-eating dinosaur Llukalkan aliocranianus is seen in this handout photo obtained by Reuters on March 30, 2021. (Handout via Reuters)

Scientists in Argentina have unearthed the well-preserved skull of a meat-eating dinosaur that roamed northern Patagonia about 85 million years ago - a beast with a short snout, keen hearing and stout bite strength that made it a daunting predator.

The dinosaur, named Llukalkan aliocranianus, measured roughly 16 feet (5 meters) long and was a member of a carnivorous group called abelisaurids that prospered in South America and other parts of Earth’s Southern Hemisphere during the Cretaceous Period, researchers said on Tuesday.

Llukalkan, meaning “one who causes fear” in the local native Mapuche language, may have competed directly against a cousin that was equally impressive and slightly larger. Only about 700 yards (meters) away from where Llukalkan’s fossilized skull was found, scientists previously had dug up the remains of another meat-eating dinosaur called Viavenator exxoni.

Both were abelisaurids, a group of two-legged predators with short skulls, sharp and serrated teeth, extremely short arms with tiny fingers and heads sometimes featuring unusual ridges and small horns. Abelisaurids generally were medium-sized compared to huge carnivorous dinosaurs such as Tyrannosaurus rex, which lived in North America approximately 15 million years after Llukalkan, and Giganotosaurus, which lived in Patagonia about 15 million years before Llukalkan.

“Yes, it is very unusual to find two abelisaurids that lived in the same locality and at approximately the same time,” said paleontologist Federico Gianechini of Argentina’s National Scientific and Technical Research Council (CONICET) and the National University of San Luis, lead author of the study published in the Journal of Vertebrate Paleontology.

“Llukalkan was a little smaller than Viavenator, although, if they lived together, they surely shared the same ecological niche and fed on the same prey, so they would have competed with each other and - why not - even eaten each other,” Gianechini added. “Today, predators of different species but from the same family co-exist in the same ecosystem, such as lions, leopards and cheetahs.”

Llukalkan’s skull measured about 20 inches (50 cm) long. A large percentage of the cranial bones were found, including a nicely preserved braincase.

“A peculiarity of this dinosaur is that it has cavities in the ear area that other abelisaurids did not have, which could have given this species different auditory capacities, possibly a greater hearing range,” Gianechini said.

“The good preservation allowed us to make studies of the internal part of the braincase through tomography and thus infer the shape of the brain,” Gianechini added.

Llukalkan had a powerful bite, based on the musculature of its jaws, and its teeth could tear flesh from its prey. Unlike some abelisaurids, its skull was not bumpy.

No bones from the rest of its body were found, though the researchers have a good idea of its body plan based on other abelisaurids. They estimate Llukalkan weighed between one and five tons.

Patagonia has produced important dinosaur finds in recent decades. Llukalkan’s discovery allows for a deeper understanding of northern Patagonia’s ecosystems during the Cretaceous, the final chapter of the dinosaur age. Llukalkan inhabited a semi-arid environment with a seasonal climate, hunting a variety of plant-eating dinosaurs.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”