Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.
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Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.

Lebanese singer Pascale Machaalani has released her new song “Jnan Bijnan” (Insanity over insanity), her first track for 2021. She also 30 years on the Arab music scene.

In an interview with Asharq Al-Awsat, Machaalani said that she wants to achieve great things in the coming period, including the release of an exciting new album. She stressed that she is not interested in being called “Lebanon’s top singer,” believing it would be disrespectful to be labeled as such while legendary Lebanese singers like Fairouz and Majida El Roumi are around.

What prompted you to make the song “Jnan Bijnan” your first of 2021?
I wanted my first song for the new year to carry a message of positive energy, joy and hope, as we’re currently living in times of crisis, especially with the Covid-19 pandemic and the aftermath of the August 4 Beirut port explosion. When the Egyptian poet Ramadan Mohammad wrote the lyrics for me, I liked them very much, and I immediately started recording the album in the studio of my husband, the composer Melhem Abu Shadid.

Can you tell us more about your new album?

My album has been ready for release on the market and online platforms for nearly a year and a half, but, as I have said, the conditions in the Arab world, especially in Lebanon, are not stable. However, I will release the album two weeks after Eid al-Fitr if the conditions over the next few weeks allow it. If not, then I would only release one song and postpone the rest of the album’s release until mid-summer. I collaborated with very well-known poets and composers from Egypt and Lebanon when producing my new album, which is actually a mini-album and not a complete one.

Can you tell us the differences that you have seen between the era when you first ascended onto the music scene in the 1990s and now?

Every era has its own distinctive events that define it. I first made my debut on the Arabic music scene at the end of 1992, a time when many Lebanese artists were facing many difficulties in making a name in the music industry because of the Lebanese civil war. However, what’s unique about that period is that we only had a few Arabic TV channels for publicity, so an ascending artist had to work very hard to ensure that the audiences remember their name. In my opinion, that’s the main reason why the stars of that era continue to be successful today, because they had to work hard for it and their names are engraved in stone, unlike the stars of today, who have it easy with online platforms. But their success lasting for long is not guaranteed.

What does Machaalani strive for after three decades in the music industry?

I’d like to do a large theatrical performance, similar to those of the artists Wadih El Safi and Sabah. I’d also like to produce a complete musical album, and finally, I hope I will have the opportunity to act in a film that combines romance and comedy.

Can you tell us why you’re not interested in being labeled as “Lebanon’s first singer”?

In the presence of icons like Fairouz, any other singer in the Arab world would come in second place. For me personally, I don’t care about titles because I believe that every artist has their own personality and voice that distinguishes them from the others.

Why have you been late to get into the film industry?

I think it is due to contingencies that I wasn’t able to fulfill my dream of acting. I once worked on a production that never saw the light of day because the producer and director were replaced in mid-production. I have no objections to acting, but if I decide to do it, it will be in a romantic comedy, not a drama, as I will show my true personality to the audience.

When will you consider retiring?

When my voice and my physical appearance fail me, and I’m not able to make good songs, I will announce my retirement, but so far, I have been able to continue in my career.



When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
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When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)

Cruella de Vil wanted to turn Dalmatian puppies into fur coats, Captain Hook tried to bomb Peter Pan and Maleficent issued a curse of early death for Aurora.

But wait, maybe these Disney villains were just misunderstood? That's the premise of a new musical show at Walt Disney World that has some people wondering: When did Disney's villains stop wanting to be so ... villainous?

The live show, "Disney Villains: Unfairly Ever After," debuts May 27 at Disney's Hollywood Studios park at the Orlando, Florida, resort. In the show, the three baddies of old-school Disney movies plead their cases before an audience that they are the most misunderstood villains of them all.

"We wanted to tell a story that's a little different than what's been told before: Which one of them has been treated the most unfairly ever after?" Mark Renfrow, a creative director of the show, said in a promotional video.

That hook - the narrative kind, not the captain - is scratching some Disney observers the wrong way.

"I think it's wonderful when you still have stories where villains are purely villainous," said Benjamin Murphy, a professor of philosophy and religious studies at Florida State University's campus in Panama. "When you have villains reveling in their evil, it can be amusing and satisfying."

Disney has some precedent for putting villains in a sympathetic light, or at least explaining how they got to be so evil. The 2021 film, "Cruella," for instance, presents a backstory for the dog-hater played by actor Emma Stone that blames her villainy on her birth mother never wanting her.

Other veins of pop culture have rethought villains too, perhaps none more famously than the book, theatrical musical and movie versions of "Wicked," the reinterpretation of the Wicked Witch of the West character from "The Wonderful Wizard of Oz."

The blockbuster success of "Wicked, " which was based on the 1995 novel "Wicked: The Life and Times of the Wicked Witch of the West," sparked the trend of rethinking villains in popular entertainment, Murphy said.

"With trends like that, the formula is repeated and repeated until it's very predictable: Take a villain and make them sympathetic," he said.

The centuries-old fairy tales upon which several Disney movies are based historically were meant to teach children a lesson, whether it was not to get close to wolves (Little Red Riding Hood, The Three Little Pigs) or trust strange, old women in the woods (Hansel and Gretel, Rapunzel).

But they often made marginalized people into villains - older women, people of color or those on the lower socioeconomic scale, said Rebecca Rowe, an assistant professor of children's literature at Texas A&M University-Commerce.

The trend toward making villains more sympathetic started in the late 1980s and 1990s as children's media took off. There was a desire to present villains in a manner that was more complicated and less black and white, as there was an overall cultural push toward emphasizing acceptance, she said.

"The problem is everyone has swung so hard into that message, that we have kind of lost the villainous villains," Rowe said. "There is value in the villainous villains. There are people who just do evil things. Sometimes there is a reason for it, but sometimes not. Just because there is a reason doesn't mean it negates the harm."

Whether it's good for children to identify with villains is complicated. There is a chance they adopt the villains' traits if it's what they identify with, but then some scholars believe it's not a bad thing for children to empathize with characters who often are part of marginalized communities, Rowe said.

The Disney villains also tend to appeal to adults more than children. They also appreciate the villains' campiness, with some "Disney princesses" gladly graduating into "evil queens."

Erik Paul, an Orlando resident who has had a year-round pass to Disney World for the past decade, isn't particularly fond of the villains, but understands why Disney would want to frame them in a more sympathetic light in a show dedicated just to them.

"I know friends who go to Hollywood Studios mainly to see the villain-related activities," Paul said. "Maybe that's why people like the villains because they feel misunderstood as well, and they feel a kinship to the villains."