Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.
TT

Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.

Lebanese singer Pascale Machaalani has released her new song “Jnan Bijnan” (Insanity over insanity), her first track for 2021. She also 30 years on the Arab music scene.

In an interview with Asharq Al-Awsat, Machaalani said that she wants to achieve great things in the coming period, including the release of an exciting new album. She stressed that she is not interested in being called “Lebanon’s top singer,” believing it would be disrespectful to be labeled as such while legendary Lebanese singers like Fairouz and Majida El Roumi are around.

What prompted you to make the song “Jnan Bijnan” your first of 2021?
I wanted my first song for the new year to carry a message of positive energy, joy and hope, as we’re currently living in times of crisis, especially with the Covid-19 pandemic and the aftermath of the August 4 Beirut port explosion. When the Egyptian poet Ramadan Mohammad wrote the lyrics for me, I liked them very much, and I immediately started recording the album in the studio of my husband, the composer Melhem Abu Shadid.

Can you tell us more about your new album?

My album has been ready for release on the market and online platforms for nearly a year and a half, but, as I have said, the conditions in the Arab world, especially in Lebanon, are not stable. However, I will release the album two weeks after Eid al-Fitr if the conditions over the next few weeks allow it. If not, then I would only release one song and postpone the rest of the album’s release until mid-summer. I collaborated with very well-known poets and composers from Egypt and Lebanon when producing my new album, which is actually a mini-album and not a complete one.

Can you tell us the differences that you have seen between the era when you first ascended onto the music scene in the 1990s and now?

Every era has its own distinctive events that define it. I first made my debut on the Arabic music scene at the end of 1992, a time when many Lebanese artists were facing many difficulties in making a name in the music industry because of the Lebanese civil war. However, what’s unique about that period is that we only had a few Arabic TV channels for publicity, so an ascending artist had to work very hard to ensure that the audiences remember their name. In my opinion, that’s the main reason why the stars of that era continue to be successful today, because they had to work hard for it and their names are engraved in stone, unlike the stars of today, who have it easy with online platforms. But their success lasting for long is not guaranteed.

What does Machaalani strive for after three decades in the music industry?

I’d like to do a large theatrical performance, similar to those of the artists Wadih El Safi and Sabah. I’d also like to produce a complete musical album, and finally, I hope I will have the opportunity to act in a film that combines romance and comedy.

Can you tell us why you’re not interested in being labeled as “Lebanon’s first singer”?

In the presence of icons like Fairouz, any other singer in the Arab world would come in second place. For me personally, I don’t care about titles because I believe that every artist has their own personality and voice that distinguishes them from the others.

Why have you been late to get into the film industry?

I think it is due to contingencies that I wasn’t able to fulfill my dream of acting. I once worked on a production that never saw the light of day because the producer and director were replaced in mid-production. I have no objections to acting, but if I decide to do it, it will be in a romantic comedy, not a drama, as I will show my true personality to the audience.

When will you consider retiring?

When my voice and my physical appearance fail me, and I’m not able to make good songs, I will announce my retirement, but so far, I have been able to continue in my career.



Music Review: Gwen Stefani’s ‘Bouquet’ Is a Romantic Return to Mellow Rock — With an Ageless Voice

 Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
TT

Music Review: Gwen Stefani’s ‘Bouquet’ Is a Romantic Return to Mellow Rock — With an Ageless Voice

 Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)

Words and phrases like "nostalgia" or "back to her roots" come to mind when listening to Gwen Stefani’s fifth studio album, "Bouquet" — and it is in no way negative.

Across 10-tracks, the powerhouse singer leans into the mellow rock of her youth — think Hall & Oates, Chicago, Fleetwood Mac — with dashes of country vibes here and there. Her voice is ageless, unaltered and distinctive, immediately recalling the early aughts when No Doubt still existed, and Stefani was still a bit of a ska girl.

Thematically, however, the songs are about a woman who’s been through the ringer — but life gave her a reprieve in her second act, and she found stability, lots of flowers and no mo’ drama. In that way, "Bouquet" is a not so furtive ode to husband Blake Shelton — who she met and fell in love with while they were both coaches on the singing reality competition show, "The Voice." At the time, they were both going through divorces to Gavin Rossdale and Miranda Lambert, respectively.

On "Bouquet," the Stefani-Shelton romance arrives through yacht rock sounds and flowery language in songs with titles like "Marigolds,Late to Bloom" and "Empty Vase." When the album reaches its end, it is with a duet with Shelton on "Purple Irises."

If the album tells a story of her relationship, it starts with the opener "Somebody Else's." Stefani starts off the proceedings by listing her previous romantic entanglement and bad choices. "I don’t know what a heart like mine/Was doin’ in a love like that, ah," she sings. "I don’t know what a woman like me/Was doin’ with a man like you, ooh."

It's a direct counter to the title track, where the focus appears to be back on Shelton: "We met when my heart was broken/Thank God that yours was, too," she shares. "So lucky that you were goin'/ Through what I was goin' through."

In "Late to Bloom," she decries the fact that they met so late in life.

A nice bass progression, a clever turn of the phrase and a great voice are what it takes to get this album going. Add a cohesive theme, a pleasant vibe and a charismatic star —- and that's coming up roses.