Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.
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Pascale Machaalani to Asharq Al-Awsat: No One Can be Called ‘Lebanon’s Top Singer’ with Fairouz Around

Pascale Machaalani.
Pascale Machaalani.

Lebanese singer Pascale Machaalani has released her new song “Jnan Bijnan” (Insanity over insanity), her first track for 2021. She also 30 years on the Arab music scene.

In an interview with Asharq Al-Awsat, Machaalani said that she wants to achieve great things in the coming period, including the release of an exciting new album. She stressed that she is not interested in being called “Lebanon’s top singer,” believing it would be disrespectful to be labeled as such while legendary Lebanese singers like Fairouz and Majida El Roumi are around.

What prompted you to make the song “Jnan Bijnan” your first of 2021?
I wanted my first song for the new year to carry a message of positive energy, joy and hope, as we’re currently living in times of crisis, especially with the Covid-19 pandemic and the aftermath of the August 4 Beirut port explosion. When the Egyptian poet Ramadan Mohammad wrote the lyrics for me, I liked them very much, and I immediately started recording the album in the studio of my husband, the composer Melhem Abu Shadid.

Can you tell us more about your new album?

My album has been ready for release on the market and online platforms for nearly a year and a half, but, as I have said, the conditions in the Arab world, especially in Lebanon, are not stable. However, I will release the album two weeks after Eid al-Fitr if the conditions over the next few weeks allow it. If not, then I would only release one song and postpone the rest of the album’s release until mid-summer. I collaborated with very well-known poets and composers from Egypt and Lebanon when producing my new album, which is actually a mini-album and not a complete one.

Can you tell us the differences that you have seen between the era when you first ascended onto the music scene in the 1990s and now?

Every era has its own distinctive events that define it. I first made my debut on the Arabic music scene at the end of 1992, a time when many Lebanese artists were facing many difficulties in making a name in the music industry because of the Lebanese civil war. However, what’s unique about that period is that we only had a few Arabic TV channels for publicity, so an ascending artist had to work very hard to ensure that the audiences remember their name. In my opinion, that’s the main reason why the stars of that era continue to be successful today, because they had to work hard for it and their names are engraved in stone, unlike the stars of today, who have it easy with online platforms. But their success lasting for long is not guaranteed.

What does Machaalani strive for after three decades in the music industry?

I’d like to do a large theatrical performance, similar to those of the artists Wadih El Safi and Sabah. I’d also like to produce a complete musical album, and finally, I hope I will have the opportunity to act in a film that combines romance and comedy.

Can you tell us why you’re not interested in being labeled as “Lebanon’s first singer”?

In the presence of icons like Fairouz, any other singer in the Arab world would come in second place. For me personally, I don’t care about titles because I believe that every artist has their own personality and voice that distinguishes them from the others.

Why have you been late to get into the film industry?

I think it is due to contingencies that I wasn’t able to fulfill my dream of acting. I once worked on a production that never saw the light of day because the producer and director were replaced in mid-production. I have no objections to acting, but if I decide to do it, it will be in a romantic comedy, not a drama, as I will show my true personality to the audience.

When will you consider retiring?

When my voice and my physical appearance fail me, and I’m not able to make good songs, I will announce my retirement, but so far, I have been able to continue in my career.



Jeff Beck Was One of Rock's Greatest Guitarists. Now His Instruments are Up For Auction

Britain Jeff Beck Auction (AP 2011)
Britain Jeff Beck Auction (AP 2011)
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Jeff Beck Was One of Rock's Greatest Guitarists. Now His Instruments are Up For Auction

Britain Jeff Beck Auction (AP 2011)
Britain Jeff Beck Auction (AP 2011)

Musicians, collectors and fans have a chance to own guitar tools of the trade — instruments owned by the late Jeff Beck are going up for auction.
Christie’s announced Friday it will sell more than 130 items, including 90 guitars, from the collection of the Yardbirds and Jeff Beck Group guitarist, who died in January 2023 at age 78, The Associated Press said.
Valued at more than 1 million pounds ($1.3 million), the collection includes an oxblood 1954 Gibson Les Paul that Beck bought in Memphis in 1972 and played for the rest of the decade. The guitar, which is featured on the cover of Beck’s Grammy-winning 1975 jazz-fusion album “Blow by Blow,” is expected to sell for between 350,000 pounds and 500,000 pounds ($450,000 and $640,000).
Amelia Walker, head of Private and Iconic Collections at Christie's, called it “a really beautiful instrument, covered in grime and dust and signs of use.”
“I think it’s part of the appeal,” she said. “These are things that he used. They’ve got the indents of his fingernails on the fret boards. Some of them, the strings haven’t been changed for years. He played them hard. He didn’t see them as precious works of art -– they were his tools to ply his trade with.”
Beck came to prominence in the 1960s with hard-rock progenitors the Yardbirds and went on to a solo career that incorporated rock, jazz, blues and even opera. Twice inducted into the Rock and Roll Hall of Fame — with the Yardbirds and as a solo artist -– he played with everyone from Rod Stewart to Davie Bowie, Stevie Wonder and Tina Turner, and was known for his improvisational skill and the unique sound he got from the whammy bar on his preferred guitar, the Fender Stratocaster.
“He had an unparalleled ability to bend entire tones” on the Strat, Walker said. The sale includes Beck’s 1954 Sunburst Fender Stratocaster, valued at between 50,000 pounds and 80,000 pounds ($65,000 and $100,000), and a white Strat that was his staple instrument for 16 years, played everywhere from Ronnie Scott’s jazz club to the Obama White House. It has an estimated value between 20,000 pounds and 30,000 pounds ($26,000 and $39,000).
One of a group of 1960s guitar heroes that included Eric Clapton, Jimmy Page and Jimi Hendrix, Beck was revered by many peers as “the ultimate maestro,” Walker said.
As well as Beck’s beloved Strats, the sale features other models including a Telecaster-Gibson hybrid “Tele-Gib” valued at between 100,000 pounds and 150,000 pounds ($130,000 and $190,000).
“It didn’t really matter what he was playing, he’d always sound like Jeff Beck,” Walker said. “It didn’t matter what the amp was turned to or which guitar, he could still pick it up and make it sound incredible. It’s all in the fingers, and in his brain.”
The sale follows Christie's auction of some of Dire Straits’ guitarist Mark Knopfler’s collection, which raised more than 8.8 million pounds ($11.2 million) earlier this year, and memorabilia from model, artist and 1960s musicians’ muse Pattie Boyd, which sold for 2.8 million pounds ($3.6 million) in March.
Beck’s widow, Sandra Beck, said it was a “massive wrench” to part with the collection, but that “I know Jeff wanted for me to share this love.”
“After some hard thinking I decided they need to be shared, played and loved again,” she said.
A selection of the guitars will go on display at Christie's Los Angeles showroom Dec. 4-6, and the whole collection will be at Christie’s in London from Jan. 15 until the sale on Jan. 22.