Technical Glitch Blights Virtual Glastonbury Festival

Reuters file photo of people attending the Glastonbury Festival
Reuters file photo of people attending the Glastonbury Festival
TT

Technical Glitch Blights Virtual Glastonbury Festival

Reuters file photo of people attending the Glastonbury Festival
Reuters file photo of people attending the Glastonbury Festival

A technical fault on Saturday left frustrated fans unable to access Glastonbury Festival's livestream concert at the famous farm site in southwest England, after the coronavirus pandemic led to the blockbuster event's cancellation.

The five-hour virtual show kicked off with a performance by British rockers Wolf Alice, but many ticket-holders, who had paid £20 ($28, 23 euros) to access a stream of the event, complained on Twitter that they missed it as their access codes were invalid.

"You've got thousands and thousands of us tweeting you saying we can't get in due to invalid codes. Almost 10 minutes in and we've all missed the start," wrote Twitter user Aimee Young.

Event producers Driift Live tweeted: "Hello! We're looking into the issues of invalid codes urgently."

Organizers later sent out a free link in time for an atmospheric sunset performance by US pop rock trio Haim in Worthy Farm's stone circle.

They were followed by Glastonbury veterans Coldplay, who performed in front of the skeleton of the Pyramid stage, where the headline acts usually perform.

Frontman Chris Martin joked that he had "never played in front of thousands of cows before" as he and his band braved the rain to perform classic hits such as "The Scientist", "Clocks" and "Fix You".

Other performers include Blur's Damon Albarn and Michael Kiwanuka.

Organizer Emily Eavis, who announced in January that the annual event was cancelled for a second year, said had hoped the event would be "like the festival but without people".

"We're very excited to be able to show the farm in a way that people have never really seen it, with these incredible artists," she told BBC radio.

The event will also be played on delay across four international time zones, with Eavis adding there will be "a number of unannounced surprise performances".

Paul Dugdale, the event's director, said he hoped to recreate the event's sense of adventure.

"The overarching vision of it was to... just try and take people on a bit of a journey.

"Glastonbury is an adventure, and you never quite know what's around the corner and often the best parts of the festival are the parts you weren't expecting, and that's really fun," he said.



‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
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‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)

The Spider-Man spinoff “Kraven the Hunter” got off to a disastrous start in North American theaters this weekend.
The movie starring Aaron Taylor-Johnson earned only $11 million, according to studio estimates Sunday, making it one of the worst openings for a Marvel-adjacent property. Its box office take was even less than the film “Madame Web,” The Associated Press reported.
The weekend's other major studio release was Warner Bros.’ animated “The Lord of the Rings: The War of the Rohirrim,” which made $4.6 million. Made for about $30 million, the movie is set 183 years before the events of “The Lord of the Rings” films and was fast-tracked to ensure New Line did not lose the rights to Tolkien’s novels. Peter Jackson, Fran Walsh and Philippa Boyens have been working on future live-action films for the franchise.
Meanwhile, the top of the charts again belonged to “Moana 2" and “Wicked.”
“Moana” added $26.6 million to its domestic total in its third weekend and $57.2 million internationally, bringing its global tally to $717 million. It's now the fourth highest grossing film of the year, surpassing “Dune: Part Two."
“Wicked,” which is in its fourth weekend, brought in another $22.5 million to take second place. The Universal musical has made over $359 million domestically and over $500 million worldwide.
“Gladiator II” also made $7.8 million, bringing its domestic total to $145.9 million in four weeks.
“Kraven the Hunter” is the latest misfire from Sony in its attempt to mine the Spider-Man universe for spin-off franchises without the lucrative web slinger himself. “Kraven” joins “Madame Web” and “Morbius” in franchise additions that fell flat with both audiences and critics. The one exception on this rollercoaster journey has been the “Venom” trilogy, which has made over $1.8 billion worldwide.
The R-rated “Kraven the Hunter” was directed by J.C. Chandor and faced a number of delays, partly due to the Hollywood strikes. It was shot nearly three years ago and originally slated to hit theaters in January 2023. The film cost a reported $110 million to produce and was co-financed by TSG. Internationally, it made $15 million, but its potential for longevity appears limited: It currently carries a 15% “fresh” rating on Rotten Tomatoes and got a C grade on CinemaScore from opening weekend audiences.
“It’s not always a guarantee that you’ll be able to connect with audiences when you have a spinoff character," said Paul Dergarabedian, the senior media analyst for Comscore. “General audiences seem to want to know exactly what they’re getting.”
Several awards contenders opened in limited release over the weekend, including Paramount’s “September 5” about ABC's coverage of the Munich Olympics hostage crisis. Amazon MGM and Orion's “Nickel Boys,” based on Colson Whitehead’s Pulitzer-winner about an abusive reform school in Florida, opened in two theaters in New York. It averaged $30,422 per screen and will be expanding to Los Angeles before going nationwide in the coming weeks.
The box office has seen a dramatic recovery since June, when it was down nearly 28% from the previous year. The deficit now stands at 4.8%.
Final domestic figures will be released Monday.