Journey of Abdul Malik Al-Sheikh…From Diriyah to the US

Journey of Abdul Malik Al-Sheikh…From Diriyah to the US
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Journey of Abdul Malik Al-Sheikh…From Diriyah to the US

Journey of Abdul Malik Al-Sheikh…From Diriyah to the US

"My Journey from Diriyah to the United States" by Saudi Writer Abdul Malik Al-Sheikh, is a biography-like book in which he wrote about a valuable experience and explored different situations and events in his life that started in a simple environment far from the sophistication of modern cities…before he moved to the crowded and lively city of New York to study.

He lived between the palms of Diriyah, the first capital of Saudi Arabia, and the old neighborhoods of Riyadh, where he witnessed the growth of his country, and its urban advancement, and studied in its schools. But, when the opportunities of studying abroad emerged, he was the first to join. He traveled to the US and started a new academic journey. After years of fatigue and bitter separation from his family and beloved ones, he returned to his home country to serve in leading positions in both the private and public sectors. Then, he decided to retire, took a break, and started recalling memories that took him back to many unforgettable scenes, which he highlighted in a book that speaks of his journey.

The writer's memory unleashed all the scenes it stored from Diriyah, his hometown, where he spent his childhood. He kept visiting the city and enjoyed spending time in it as a child, mostly in his uncles' farm "Om Jarrar", where he was born in 1955. Then, he moved to a mud house in the "Al-Bujairi" neighborhood, which has been restored and turned into a park, an open space, and a tourist landmark in the capital. He explored the challenges from his childhood, like crossing the route leading from the palace to the other side of the farm, passing by a pool currently known as "Al Litha;" and the small store that children and residents visited every day. Sweets, dinner table essentials, and parental orders were an integral part of the day in that region.

He also wrote about the children of Diriyah and their hobbies. At the time, they believed that burning one of their hands could help them hunt birds with a small tool similar to a catapult, and played a popular local game named "Tash ma Tash," during which they used to gather and open an agitated soda bottle.

Among the many things he recalled in his book were his memories in Riyadh, including the region nearby the Grand Mosque also known as Imam Turki bin Abdullah Mosque. It was a commercial area featuring many markets, the popular streets "Tamiri" and "Al-Wazir, and the "Dakhna" street, also known as "The Street of Scholars," in the heart of the city, where scholars and judges lived, including Saudi Arabia's Mufti Sheikh Mohammad Ibrahim.

Al Sheikh recalled the Mohammadiya School established in 1953, where he studied, in Al Salam Street, in which lived Prince Abdullah bin Abdul Rahman, the brother of King Abdul Aziz. The prince owned a palace and a farm to the west of the school, which were turned into a museum many years ago. The writer then joined an institute in the "Al Batha" neighborhood, which included a street that had the same name, and is considered one of the most prominent streets in Riyadh. He also didn't forget the capital's historic towns, and the popular hobbies in each of them.

While reading the book, you might be surprised by some situations that the author lived while studying in the United States, in 1975. New York was his first stop. He arrived in the city on a Friday, on which his country's consulate was closed. He had to wait until Monday, and spent three days in the hotel, afraid of the so-called New York criminal groups.

"I pictured Abu Al Ala' Al Ma'arri as a prisoner, and I had two choices: to stay in my room and never come out; or to get out and face my fears and assumptions regardless of the results. I decided not to waste my days with illusions, because I didn't leave my country and travel to New York to lock myself and live like a prisoner," he wrote.

He finally decided to get out and was surprised to find that all his assumptions were not true.

After returning to Saudi Arabia, he served in major posts. He represented his country's justice ministry in the Saudi-US strategic dialogue commission founded after September 11.

The commission contributed to facilitating mutual visits, in which he took part with other judges and consultants, to many US courts, including the reconciliation office, and the Minnesota Federal Court.

Al Sheikh began his writing journey after he retired from his career, and has joined the Asharq Al-Awsat family.



Diriyah Art Futures Announces Summer Program Alongside Maknana Exhibition

Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
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Diriyah Art Futures Announces Summer Program Alongside Maknana Exhibition

Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)
Diriyah Art Futures (DAF) announces a program of activities running throughout June and July. (SPA)

Diriyah Art Futures (DAF), the MENA region's first hub dedicated to New Media Arts, has announced a program of activities running throughout June and July. Visitors can immerse themselves in the dynamic world of New Media Art and deepen their understanding through a series of interactive talks, hands-on workshops, and masterclasses led by local, regional, and international artists, SPA reported.

According to a recent DAF press release, these sessions are presented as part of DAF's current exhibition, Maknana: An Archaeology of New Media Art in the Arab World, which explores the evolution of New Media practices across the region. Featuring more than 70 artworks by over 40 artists, Maknana sheds light on how Arab artists have navigated and reimagined technology through four key curatorial themes: Automation, Autonomy, Ripples, and Glitch.

From creating immersive narratives to exploring 3D scanning technologies and from motion design to pixel art, the program caters to artists, enthusiasts, and kids alike. It offers an opportunity to deepen their understanding of New Media Art or explore new technologies.

The release highlighted that on June 19, 2025, a session titled "Experimental Concepts in Educational Practices of Media Arts" will review the experimental strategies and pedagogical approaches that have shaped the teaching of digital and media arts in Egypt and the wider Arab region since the early 2000s. It also addresses the evolving role of education in supporting creative engagement with new technologies.

On June 20-21, a masterclass titled "Ready-Made Dreams – Immersive Narratives" will enable participants to explore the creative potential of archival and found visual materials. Attendees will learn how to layer and transform content into immersive narratives through hands-on exercises using video, photography, text, and animation.

Moreover, on July 3, a dialogue session entitled "Talk and Screening: Cartographies of a Future" delves into how digital tools are reshaping our understanding of photography and perception itself. ScanLAB Projects utilizes 3D scanning to transcend the boundaries of traditional photography, offering new ways to capture, preserve, and critically reflect on the world. Following the session, two short films will be screened.

On July 4-5, a masterclass titled "Memory in Three Dimensions" explores the intersection of cutting-edge 3D scanning technology and the intricate workings of human memory. The two-day, hands-on session will challenge participants to rethink the nature of personal archives in the digital age. Through a blend of practical demonstrations and interactive exercises, participants will explore 3D scanning technologies and create 3D scans, delving into the potential and pitfalls of creating perfect digital replicas of their lives.

On July 5, a workshop entitled "Motion Design for Film and Media" will explore the art and impact of motion design and computer graphics. Participants will delve into the history of these formats, analyze key examples, and ultimately create their title design project. By the end of the session, participants will have a deeper understanding of how motion design influences media and the skills to apply it creatively.

A book symposium, "Rewiring Narratives: New Media Art from the Arab World," will be held on July 12. This symposium marks the launch of Rewiring Narratives: New Media Art from the Arab World, a landmark edited volume.
On July 17, a dialogue session titled "Traces of Change: Processing Reality Through Art" will take place.
A workshop titled "Pixel by Pixel: Introduction to Pixel Art" on July 18 will explore the history and evolution of pixel art, from its roots in early video games to its place in contemporary digital art. Participants will learn key techniques and experiment with creating their pixel artwork in a guided hands-on session.

Also, on July 18, a kids' workshop titled "Art Bot" will teach kids to build drawing robots. Using simple motors, markers, and everyday materials, children will build kinetic machines that move, spin, and scribble, creating vibrant, one-of-a-kind artworks. Blending play with invention, the workshop fosters creativity, curiosity, and a deeper understanding of how design and motion work together.