Journey of Abdul Malik Al-Sheikh…From Diriyah to the US

Journey of Abdul Malik Al-Sheikh…From Diriyah to the US
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Journey of Abdul Malik Al-Sheikh…From Diriyah to the US

Journey of Abdul Malik Al-Sheikh…From Diriyah to the US

"My Journey from Diriyah to the United States" by Saudi Writer Abdul Malik Al-Sheikh, is a biography-like book in which he wrote about a valuable experience and explored different situations and events in his life that started in a simple environment far from the sophistication of modern cities…before he moved to the crowded and lively city of New York to study.

He lived between the palms of Diriyah, the first capital of Saudi Arabia, and the old neighborhoods of Riyadh, where he witnessed the growth of his country, and its urban advancement, and studied in its schools. But, when the opportunities of studying abroad emerged, he was the first to join. He traveled to the US and started a new academic journey. After years of fatigue and bitter separation from his family and beloved ones, he returned to his home country to serve in leading positions in both the private and public sectors. Then, he decided to retire, took a break, and started recalling memories that took him back to many unforgettable scenes, which he highlighted in a book that speaks of his journey.

The writer's memory unleashed all the scenes it stored from Diriyah, his hometown, where he spent his childhood. He kept visiting the city and enjoyed spending time in it as a child, mostly in his uncles' farm "Om Jarrar", where he was born in 1955. Then, he moved to a mud house in the "Al-Bujairi" neighborhood, which has been restored and turned into a park, an open space, and a tourist landmark in the capital. He explored the challenges from his childhood, like crossing the route leading from the palace to the other side of the farm, passing by a pool currently known as "Al Litha;" and the small store that children and residents visited every day. Sweets, dinner table essentials, and parental orders were an integral part of the day in that region.

He also wrote about the children of Diriyah and their hobbies. At the time, they believed that burning one of their hands could help them hunt birds with a small tool similar to a catapult, and played a popular local game named "Tash ma Tash," during which they used to gather and open an agitated soda bottle.

Among the many things he recalled in his book were his memories in Riyadh, including the region nearby the Grand Mosque also known as Imam Turki bin Abdullah Mosque. It was a commercial area featuring many markets, the popular streets "Tamiri" and "Al-Wazir, and the "Dakhna" street, also known as "The Street of Scholars," in the heart of the city, where scholars and judges lived, including Saudi Arabia's Mufti Sheikh Mohammad Ibrahim.

Al Sheikh recalled the Mohammadiya School established in 1953, where he studied, in Al Salam Street, in which lived Prince Abdullah bin Abdul Rahman, the brother of King Abdul Aziz. The prince owned a palace and a farm to the west of the school, which were turned into a museum many years ago. The writer then joined an institute in the "Al Batha" neighborhood, which included a street that had the same name, and is considered one of the most prominent streets in Riyadh. He also didn't forget the capital's historic towns, and the popular hobbies in each of them.

While reading the book, you might be surprised by some situations that the author lived while studying in the United States, in 1975. New York was his first stop. He arrived in the city on a Friday, on which his country's consulate was closed. He had to wait until Monday, and spent three days in the hotel, afraid of the so-called New York criminal groups.

"I pictured Abu Al Ala' Al Ma'arri as a prisoner, and I had two choices: to stay in my room and never come out; or to get out and face my fears and assumptions regardless of the results. I decided not to waste my days with illusions, because I didn't leave my country and travel to New York to lock myself and live like a prisoner," he wrote.

He finally decided to get out and was surprised to find that all his assumptions were not true.

After returning to Saudi Arabia, he served in major posts. He represented his country's justice ministry in the Saudi-US strategic dialogue commission founded after September 11.

The commission contributed to facilitating mutual visits, in which he took part with other judges and consultants, to many US courts, including the reconciliation office, and the Minnesota Federal Court.

Al Sheikh began his writing journey after he retired from his career, and has joined the Asharq Al-Awsat family.



Egypt Says Stolen Pharaoh's Bracelet Melted Down, Sold for $4,000

Tourists board an environmentally friendly electric bus, during their visit to the Giza Pyramids necropolis, on the southwestern outskirts of the Egyptian capital Cairo on September 18, 2025. (Photo by Khaled DESOUKI / AFP)
Tourists board an environmentally friendly electric bus, during their visit to the Giza Pyramids necropolis, on the southwestern outskirts of the Egyptian capital Cairo on September 18, 2025. (Photo by Khaled DESOUKI / AFP)
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Egypt Says Stolen Pharaoh's Bracelet Melted Down, Sold for $4,000

Tourists board an environmentally friendly electric bus, during their visit to the Giza Pyramids necropolis, on the southwestern outskirts of the Egyptian capital Cairo on September 18, 2025. (Photo by Khaled DESOUKI / AFP)
Tourists board an environmentally friendly electric bus, during their visit to the Giza Pyramids necropolis, on the southwestern outskirts of the Egyptian capital Cairo on September 18, 2025. (Photo by Khaled DESOUKI / AFP)

Egyptian police said on Thursday they arrested a museum employee and three alleged accomplices after a priceless ancient gold bracelet was stolen from Cairo's Egyptian Museum, sold for about $4,000 and then melted down.

The 3,000-year-old bracelet, a gold band adorned with lapis lazuli beads, dated back to the reign of Amenemope, a pharaoh of Egypt's 21st Dynasty (1070-945 BC), AFP reported.

It was reported missing on Saturday by museum staff, a statement from Egypt's interior ministry said, adding that it had been kept in a locked metal safe inside the museum's conservation lab.

It said a restoration specialist working at the museum stole the bracelet on September 9 while on duty.

A silver trader in central Cairo helped facilitate the sale, the police said, first to a gold dealer for 180,000 Egyptian pounds ($3,735), who then sold it to a worker at a gold foundry for 194,000 pounds ($4,025).

The bracelet was then melted down along with other scrap gold, the ministry said.

The suspects were taken into custody and confessed to the crime, according to authorities.

Security camera footage shared by the Egyptian interior ministry appeared to show a man handing over a sum of money before cutting a gold bracelet in two. It was not clear whether the bracelet shown is the same ancient piece stolen from the museum.

Egyptian media outlets had earlier reported the loss was discovered during an inventory check ahead of the "Treasures of the Pharaohs" exhibition scheduled in Rome next month.

Jean Guillaume Olette-Pelletier, an Egyptologist, told AFP the bracelet was discovered in Tanis, in the eastern Nile delta, during archaeological excavations in the tomb of King Psusennes I, where Amenemope had been reburied after the plundering of his original tomb.


Saudi Culture Ministry Selects 20 Proposals for Saudi-Chinese Research Grant

Saudi Culture Ministry Selects 20 Proposals for Saudi-Chinese Research Grant
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Saudi Culture Ministry Selects 20 Proposals for Saudi-Chinese Research Grant

Saudi Culture Ministry Selects 20 Proposals for Saudi-Chinese Research Grant

The Saudi Ministry of Culture has announced the selection of twenty research proposals under the Saudi-Chinese Cultural Relations Research Grant, launched as part of the Saudi-Chinese Cultural Year 2025.

The grant, developed in cooperation with the China-Arab Cultural and Tourism Cooperation Research Center, supports rigorous academic studies exploring the cultural ties between the Kingdom of Saudi Arabia and the People’s Republic of China, according to SPA.

According to the ministry, the scientific committee overseeing the program selected the final twenty proposals from among multiple submissions received from individual scholars and research groups from across the globe.

The selected researchers include seven from Saudi Arabia, seven from China, and six researchers from other international institutions, reflecting a diversity of perspectives and methodologies. The selected studies will be presented in academic symposiums to be held in Riyadh and Beijing, providing a platform for scholarly dialogue and exchange.

The chosen research proposals address five thematic areas outlined by the grant: history and cultural heritage, visual and performing arts, literature and translation, cultural economy and creative industries, and the role of digital platforms in contemporary cultural exchange. Collectively, the studies highlight the long-standing connections between Saudi Arabia and China while contributing new insights into evolving cultural interactions.

In parallel with the grant, the ministry is preparing a reciprocal research fellowship program to expand opportunities for knowledge exchange.

Through this initiative, Chinese scholars will be hosted at the King Faisal Center for Research and Islamic Studies in Riyadh, while Saudi scholars will participate in research activities at Beijing University. This exchange strengthens institutional partnerships and furthers academic collaboration between the two nations.

The Ministry of Culture launched the research grant to encourage the production of high-quality academic studies that enrich the field of Saudi-Chinese cultural relations and foster broader understanding. The initiative demonstrates the ministry’s commitment to advancing international cultural exchange and academic cooperation.


Minted Narratives Exhibition in Riyadh Traces 1,300 Years of Saudi Coinage, Culture

The exhibition concludes with "The Coin That Was Never Minted", provoking reflection on symbolism and concept before coins exist in physical form. - SPA
The exhibition concludes with "The Coin That Was Never Minted", provoking reflection on symbolism and concept before coins exist in physical form. - SPA
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Minted Narratives Exhibition in Riyadh Traces 1,300 Years of Saudi Coinage, Culture

The exhibition concludes with "The Coin That Was Never Minted", provoking reflection on symbolism and concept before coins exist in physical form. - SPA
The exhibition concludes with "The Coin That Was Never Minted", provoking reflection on symbolism and concept before coins exist in physical form. - SPA

The Museums Commission has inaugurated the “Minted Narratives: Saudi Arabia’s Legacy in Coins” exhibition at the National Museum in Riyadh, drawing a distinguished audience of cultural, historical, and economic figures.

Running until December 16, the exhibition presents a rich journey spanning more than 1,300 years of history, art, and economic transformation traced through the evolution of coins from the pre-Islamic era to the modern Saudi riyal, SPA reported.

Advisor to the Ministry of Culture at the Museums Commission Mona Khazindar described the exhibition as a visual and chronological documentation of the Kingdom’s and the Islamic world’s story through the lens of coinage and minting.

She emphasized that coins carry more than monetary value; they reflect historical, religious, cultural, and social narratives, bearing witness to the rise of civilizations, the unity of nations, and the Saudi state’s own journey of establishment, unification, and development.

Khazindar noted the exhibition offers the public a rare opportunity to read history through coins—a cultural artifact as significant as manuscripts or antiquities.

The exhibition features an exceptional collection of rare coins from the personal collection of Dr. Alain Baron, one of the most prominent collectors of historical coins, alongside unique selections from the Ministry of Culture’s holdings. It also includes contemporary artworks by Swiss artist Zimoun, inspired by the symbolism and visual language of money.

Spanning seven main themes, the exhibition begins with "Pre-Islamic Coins", highlighting symbols and meanings related to trade and authority, followed by "The Birth of Islamic Coins and Coins in the Islamic Dynasties", illustrating the unity and diversity of Islamic civilization over the centuries.

The section "Women in Coins" showcases the presence of women in numismatic memory, while "Artisanal Coins – Minting Art and Culture" explores the intersection of aesthetic value and the economic function of currency. Visitors can also explore "Treasures and Coins of Saudi Arabia", telling the story of unification and the building of the modern state, and "Coins and Contemporary Art", where currency becomes a source of creative inspiration.

The exhibition concludes with "The Coin That Was Never Minted", provoking reflection on symbolism and concept before coins exist in physical form.

To enrich the visitor experience, the exhibition is accompanied by a comprehensive cultural program featuring seminars, workshops, expert-led discussions, and interactive activities for children and families. Dedicated programs for people with disabilities are also offered, in partnership with the Authority for the Care of Persons with Disabilities (APD) and the Royal Institute of Traditional Arts, ensuring a fully inclusive and engaging environment.

This exhibition is part of the Museums Commission's broader mission to preserve and present national heritage through a contemporary lens, reinforcing Saudi Arabia’s presence on the global cultural stage. It also aligns with the goals of Saudi Vision 2030, which seeks to build a knowledge-based society deeply rooted in its heritage while embracing cultural and human dialogue on an international level.