Saudi Arabia’s Film AlUla Continues to Attract More Int’l, Local Productions

Film AlUla provides a package of services that attract many filmmakers from around the world.
Film AlUla provides a package of services that attract many filmmakers from around the world.
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Saudi Arabia’s Film AlUla Continues to Attract More Int’l, Local Productions

Film AlUla provides a package of services that attract many filmmakers from around the world.
Film AlUla provides a package of services that attract many filmmakers from around the world.

Film AlUla, the film commission located in Saudi Arabia’s northwestern governorate of AlUla, is continuing to attract more international and local movie and television productions.

Film AlUla had tremendous success filming scenes of the American movie, “Cherry”, which was the first Hollywood movie by two world-class directors, Anthony and Joe Russo (Avengers: Endgame) to shoot scenes in Saudi Arabia and the debut accomplishment for Film Alula. The scenes for “Cherry” were shot in the capital, Riyadh, in cooperation with Saudi Aramco, as well as multiple locations in AlUla.

Since Saudi Arabia started issuing tourist visas around the world, it has been visited by movie and television production companies that are exploring shooting in AlUla and all throughout the country. With incredible untapped locations, it is a unique and historic location to film.

Recently, another Hollywood production signed a joint agreement with Film AlUla to shoot in the province that is to be directed, produced and starring some of the brightest Hollywood stars. In additional to the increase of international productions, Film AlUla continues to support and build local productions.

Amongst the many local projects to announce, it will support the filming of two Saudi films, namely “Bayn Al-Rimal” (Between the Sand) by Muhammad Al-Atawi and “Noura” by Tawfiq Al-Zaidi, which won Daw' (Light) Film Competition. Film AlUla, a department of the Royal Commission for AlUla, will finance the two films, and provide and coordinate all the filming requirements in AlUla.

The Film Commission was established within 11 cultural commissions in February 2020 and whose Board of Directors is chaired by the Minister of Culture. It is responsible for developing and supporting the film sector in the Kingdom and encouraging individuals, institutions and companies to produce and develop content, among other responsibilities.

To attract international filmmakers, the administration of Film AlUla counts on the governorate’s attraction sites that position it among the best filming locations in the world. This is to implement their vision of leading the creative industries in the Kingdom, establish AlUla as international filming and content destination, and create a film infrastructure in northwestern Saudi Arabia.

Film AlUla provides a package of services that attract many filmmakers from around the world. This includes an already established team of film experts in AlUla to help facilitate the production of international films and building a suitable ecosystem for filmmaking. It handles the issuing of film crew visas, securing ground and air transportation and accommodations between Riyadh and AlUla, granting permits, facilitating the import and export of camera equipment and other production equipment, the information and relationships to help crew productions, and so much more.

In addition to its heritage and cultural depth dating back to more than 200,000 years of human history and 7,000 years of successive civilizations, AlUla has a unique diversity of terrains extending over more than 22,500 km of charming valleys, in which sandstones coexist with black volcanic rocks and amazing rock formations created by wind and water over millions of years. The governorate’s villages, farms, and cities with their old and modern buildings and hotel infrastructures offer a variety of options for filmmakers.

Film AlUla works to support and stimulate local film productions, in partnership with government agencies, based on the Royal Commission’s endeavor to contribute to the realization of Saudi Vision 2030 and empower national talents in the film industry.

Through their strategic partnership, the Film Commission and Film AlUla administration seek to create and develop a sustainable film sector in northwestern Saudi Arabia by facilitating internal investment, attracting international and regional films, television shows and documentaries for filming in AlUla, as well as developing local and regional businesses to serve the film sector. This is in addition to employing and training local talents, creating job opportunities in the film sector, and establishing an industrial value chain throughout the area as part of the filmmaking ecosystem.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."