Saudi Arabia’s Film AlUla Continues to Attract More Int’l, Local Productions

Film AlUla provides a package of services that attract many filmmakers from around the world.
Film AlUla provides a package of services that attract many filmmakers from around the world.
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Saudi Arabia’s Film AlUla Continues to Attract More Int’l, Local Productions

Film AlUla provides a package of services that attract many filmmakers from around the world.
Film AlUla provides a package of services that attract many filmmakers from around the world.

Film AlUla, the film commission located in Saudi Arabia’s northwestern governorate of AlUla, is continuing to attract more international and local movie and television productions.

Film AlUla had tremendous success filming scenes of the American movie, “Cherry”, which was the first Hollywood movie by two world-class directors, Anthony and Joe Russo (Avengers: Endgame) to shoot scenes in Saudi Arabia and the debut accomplishment for Film Alula. The scenes for “Cherry” were shot in the capital, Riyadh, in cooperation with Saudi Aramco, as well as multiple locations in AlUla.

Since Saudi Arabia started issuing tourist visas around the world, it has been visited by movie and television production companies that are exploring shooting in AlUla and all throughout the country. With incredible untapped locations, it is a unique and historic location to film.

Recently, another Hollywood production signed a joint agreement with Film AlUla to shoot in the province that is to be directed, produced and starring some of the brightest Hollywood stars. In additional to the increase of international productions, Film AlUla continues to support and build local productions.

Amongst the many local projects to announce, it will support the filming of two Saudi films, namely “Bayn Al-Rimal” (Between the Sand) by Muhammad Al-Atawi and “Noura” by Tawfiq Al-Zaidi, which won Daw' (Light) Film Competition. Film AlUla, a department of the Royal Commission for AlUla, will finance the two films, and provide and coordinate all the filming requirements in AlUla.

The Film Commission was established within 11 cultural commissions in February 2020 and whose Board of Directors is chaired by the Minister of Culture. It is responsible for developing and supporting the film sector in the Kingdom and encouraging individuals, institutions and companies to produce and develop content, among other responsibilities.

To attract international filmmakers, the administration of Film AlUla counts on the governorate’s attraction sites that position it among the best filming locations in the world. This is to implement their vision of leading the creative industries in the Kingdom, establish AlUla as international filming and content destination, and create a film infrastructure in northwestern Saudi Arabia.

Film AlUla provides a package of services that attract many filmmakers from around the world. This includes an already established team of film experts in AlUla to help facilitate the production of international films and building a suitable ecosystem for filmmaking. It handles the issuing of film crew visas, securing ground and air transportation and accommodations between Riyadh and AlUla, granting permits, facilitating the import and export of camera equipment and other production equipment, the information and relationships to help crew productions, and so much more.

In addition to its heritage and cultural depth dating back to more than 200,000 years of human history and 7,000 years of successive civilizations, AlUla has a unique diversity of terrains extending over more than 22,500 km of charming valleys, in which sandstones coexist with black volcanic rocks and amazing rock formations created by wind and water over millions of years. The governorate’s villages, farms, and cities with their old and modern buildings and hotel infrastructures offer a variety of options for filmmakers.

Film AlUla works to support and stimulate local film productions, in partnership with government agencies, based on the Royal Commission’s endeavor to contribute to the realization of Saudi Vision 2030 and empower national talents in the film industry.

Through their strategic partnership, the Film Commission and Film AlUla administration seek to create and develop a sustainable film sector in northwestern Saudi Arabia by facilitating internal investment, attracting international and regional films, television shows and documentaries for filming in AlUla, as well as developing local and regional businesses to serve the film sector. This is in addition to employing and training local talents, creating job opportunities in the film sector, and establishing an industrial value chain throughout the area as part of the filmmaking ecosystem.



John Ashton, ‘Beverly Hills Cop’ Actor, Dies at 76

John Ashton arrives at the premiere of "Beverly Hills Cop: Axel F" on June 20, 2024, in Beverly Hills, Calif. (AP)
John Ashton arrives at the premiere of "Beverly Hills Cop: Axel F" on June 20, 2024, in Beverly Hills, Calif. (AP)
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John Ashton, ‘Beverly Hills Cop’ Actor, Dies at 76

John Ashton arrives at the premiere of "Beverly Hills Cop: Axel F" on June 20, 2024, in Beverly Hills, Calif. (AP)
John Ashton arrives at the premiere of "Beverly Hills Cop: Axel F" on June 20, 2024, in Beverly Hills, Calif. (AP)

John Ashton, the veteran character actor who memorably played the gruff but lovable police detective John Taggart in the “Beverly Hills Cop” films, has died. He was 76.

Ashton died Thursday in Fort Collins, Colorado, his family announced in a statement released by Ashton's manager, Alan Somers, on Sunday. No cause of death was immediately available.

In a career that spanned more than 50 years, Ashton was a regular face across TV series and films, including "Midnight Run,” “Little Big League” and “Gone Baby Gone.”

But in the “Beverly Hills Cop” films, Ashton played an essential part of an indelible trio. Though Eddie Murphy's Axel Foley, a Detroit detective following a case in Los Angeles, was the lead, the two local detectives — Billy Rosewood (Judge Reinhold) and Ashton's Taggart — were Axel's sometimes reluctant, sometimes eager collaborators.

Of the three, Taggart — “Sarge” to Billy — was the more fearful, by-the-book detective. But he would regularly be coaxed into Axel's plans. Ashton co-starred in the first two films, beginning with the 1984 original, and returned for the Netflix reboot, “Beverly Hills Cop: Axel F," released earlier this year.

Ashton played a more unscrupulous character in Martin Brest's 1988 buddy comedy “Midnight Run.” He was the rival bounty hunter also pursuing Charles Grodin's wanted accountant in “The Duke" while he's in the custody of Robert De Niro's Jack Walsh.

Ashton is survived by his wife, Robin Hoye, of 24 years, two children, three stepchildren, a grandson, two sisters and a brother.