Lebanon Misses Festivals amid Economic Crisis

Musicians from the Lebanese Philharmonic Orchestra perform during
a concert in the ancient northeastern city of Baalbek, Lebanon,
Sunday, July 5, 2020. (AP Photo/Bilal Hussein)
Musicians from the Lebanese Philharmonic Orchestra perform during a concert in the ancient northeastern city of Baalbek, Lebanon, Sunday, July 5, 2020. (AP Photo/Bilal Hussein)
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Lebanon Misses Festivals amid Economic Crisis

Musicians from the Lebanese Philharmonic Orchestra perform during
a concert in the ancient northeastern city of Baalbek, Lebanon,
Sunday, July 5, 2020. (AP Photo/Bilal Hussein)
Musicians from the Lebanese Philharmonic Orchestra perform during a concert in the ancient northeastern city of Baalbek, Lebanon, Sunday, July 5, 2020. (AP Photo/Bilal Hussein)

Over the past two years, Lebanon has lived successive crises that influenced its artistic environment. Yet, some cultural centers and galleries have resumed their activity after a long pause, hosting painting and sculpting exhibitions following a forced recession period. The factors that paralyzed these centers are many, including the pandemic and the Beirut blast, along with many other crises, mainly the worsening economic situation, and the fuel and electricity shortage.

The festivals many Lebanese cities and towns used to host to spice up the summer season, and lure locals, expatriates, and Arab tourists didn't return yet due to the lack of sponsors, and financial funding. The daily and constant devaluation of the local currency has also affected the ticketing prices, considered a major source of profits.

The Beirut Holidays Festival is one of the most awaited events in the capital. It used to be held during the Eid al-Adha holiday every year, gathering many Lebanese, Arab, and Western singers. However, the tough circumstances in the country left the organizers helpless and unable to decide whether to hold it or not.

Amin Abi Yaghi, an organizer at Beirut Holidays said: "We didn't take our final decision yet. In the last few days, we started to consider some measures that could allow us to organize some concerts to bring festivities back to the capital."

"Unfortunately, there are many obstacles, but we believe we can make a small event that hosts local singers like Elissa, Wael Kfoury, and Joseph Atiyeh. Some friends seemed excited about the idea and promised to provide the needed financial support. Of course, bringing foreign artists is not possible given the current circumstances and the currency devaluation, and we still have to consider the cost of equipment, seats, and the lease of the location, among many other factors and logistics that can't be overlooked. Not to mention the daily devaluating Lebanese pound which affects the ticket pricing," he told Asharq Al-Awsat.

Speaking about the ticketing prices, Abi Yaghi suggested: "It would start at 300 LBP, and increase for VIP seats. However, all these ideas are still being considered, especially that the country is not yet ready for such festivals. We won't rush to take the final decision, hoping things would become clearer in the coming days."

On the other hand, the Batroun International Festivals decided to make a comeback, and it's currently preparing its event, but without singers this time. The plan is to organize a mini-festival that runs from July 16 to September 5.

Sayed Fayad, organizer of the Batroun Festivals told Asharq Al-Awsat: "All I can say is that we are not going to give up at all costs. The mini-festival will focus on local activities because we aim to keep the city on Lebanon's cultural and entertainment map. Our village, which is currently in its summer peak, will host a colorful event to enlighten the Lebanese days and nights with some hope."

The festival will open with two special evenings dedicated to local drinks and seafood.

"All the products served on those two nights will be made by locals, and from their produces, which are as good and fancy as the exported goods," said Fayad.

"The participants in those evenings will enjoy a long list of local beverages, including Batroun's popular lemonade, in addition to other juices made of red and white grapes. Visitors will also have the chance to try many popular Lebanese dishes, mainly seafood, made in restaurants across Batroun," he added.

On July 23,24,25, the city's old souk is set to host an art exhibition dedicated to Lebanese designers. The festival is planning a gathering of small wooden boats that will take fans on a marine trip from the Batroun port to the popular Bahasa Bay.

"The event will offer a unique sea scenery in which participate 300 boating fans," explained Fayad.

The Batroun Festivals will also include a photography exhibition by Photographer Fares Jammal, from August 15 to September 5. On September 2,3,4,5, the city is set to host the Batroun Mediterranean Film Festival (BMFF) on an open-air stage.

"BMFF will screen short movies selected from the Mediterranean region, in the expatriate square renovated by the Ministry of Culture's antiquities department. The free-entrance event will be open to the public over four days and will include other activities. The site is equipped with special seats bought from a cinema theater in Tripoli that closed its doors in 1965. The audience will enjoy an excellent cinematic experience that will take them back to the big screen world," the festival's organizer said.

For the closing ceremony, the festival will host a concert performed by Khaled Mouzanar and 10 other musicians who came to Lebanon to partake in this special night. Mouzannar and his team will play famous music pieces from popular movies including Caramel, Capernaum, and Villa Paradiso.

Instead of big events, other festivals like Beirut & Beyond, plan to release musical albums signed by singers who were supposed to perform on stage.

The album will be titled "Beirut 20-21," featuring 20 artists, some of them partook in former editions like Lebanese Rapper Jaafar Toufar, Sandy Chamoun, two members of "Tanjaret Daght" band, Khaled Omran, Tarek, and Marie Abu Khaled, and Scarlet Saad.



The ‘Juror #2’ Cast Still Can’t Believe They Got to Work with Clint Eastwood

(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
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The ‘Juror #2’ Cast Still Can’t Believe They Got to Work with Clint Eastwood

(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)
(L-R) Cedric Yarbrough, Zoey Deutch, Nicholas Hoult, Toni Collette, Leslie Bibb, Gabriel Basso and Francesca Eastwood attend the closing night gala premiere of "Juror #2" during the 2024 AFI Fest at TCL Chinese Theatre on October 27, 2024 in Hollywood, California. (Getty Images/AFP)

Nicholas Hoult was certain someone had made a mistake.

Clint Eastwood wanted to talk to him about starring in his new film, a slow burn legal thriller about a normal guy faced with an extraordinary moral dilemma. Surely Eastwood meant someone else, he thought. But soon enough they were chatting on the phone about "Juror #2," opening in theaters Friday.

"I was so nervous," the British actor said. "I remember saying to him, ‘I really like the script.’ I was so eager to please."

For Eastwood’s comeback, Hoult slipped into a pitch-perfect impersonation of his gravelly voice: "If you like it so much, I guess I’ll have to read it."

Suddenly Hoult was laughing. The tension was broken.

"I was like, wow this guy’s cool," he said. "He’s got a great sense of humor and we’re going to get along."

Though there may be a healthy amount of English self-deprecation in the story, the spirit of it isn’t unique to Hoult. Eastwood, 94, is the kind of living legend that has even the most seasoned veterans a little starstruck. "Juror #2," his 42nd film behind the camera, is getting strong reviews for being a smart, original courtroom thriller about an impossible conundrum.

In the original script by Jonathan Abrams, Hoult’s character, a recovering alcoholic with his first child about to be born, gets selected for jury duty on a murder case. But when the facts start to emerge, so do his memories and he’s forced to confront the possibility that he might have been unknowingly responsible.

"After the first read it had me," Eastwood wrote in an email. "It made me think about what would you do if you were put in this situation? What is right? What is wrong? Who would you protect? A true moral dilemma. That’s something I’d want to watch."

And he started rounding out his cast, led by Hoult who he called a true "movie star," with supporting turns from Toni Collette as the ambitious prosecutor, Chris Messina as the public defender, J.K. Simmons as a fellow juror, as well as Zoey Deutch and Kiefer Sutherland, who wrote a letter asking if there might be a role for him.

Sutherland had long imagined he’d cross paths with Eastwood. A lifelong Western fan, Sutherland’s late father Donald Sutherland had even worked with Eastwood a few times ("Kelly’s Heroes,Space Cowboys"). But when he read about the plans for "Juror #2" he felt a new sense of urgency.

"I always thought one day I would arrive at Mr. Eastwood’s doorstep. Then I realized that that time was maybe kind of going away," said Sutherland. "I just said, ‘I’ve always dreamed of working with you and if there is a part, any part, I would just like to be able to have the experience of watching you direct."

He was ultimately cast to play a lawyer and an AA sponsor to Hoult’s character. The screentime was relatively small, but the experience was exactly what he hoped: A masterclass in the truest sense.

"I’ve worked with people that shout and get angry and they’re very demonstrative," Sutherland said. "He was so amazingly quiet and calm and soft spoken. That’s someone who has power, when they can be that and get everything they need."

On one of his first days, an assistant director was explaining to Sutherland how to navigate a doorway in a scene. Eastwood stepped in to stop the tutorial, telling the AD, "He knows what he’s doing." Despite his 40-plus years in the business, Sutherland said he walked a little taller that day.

"It made my life," Sutherland said. "I’m very glad I didn’t work with him when I was 18 years old, because I would have tied myself in knots."

Collette similarly said she’s never felt so trusted.

"He’s so confident as a director, but not in a negative way. He’s just so present and allows it all to unfold," she said. "I’ve never worked with anyone who’s so easygoing, to be honest."

The film would also be the first time she and Hoult would share the screen since they played mother and son in "About a Boy" 23 years ago, when he was only 11. They’d texted a bit prior, but Collette was not prepared for the swell of emotion seeing Hoult, now 34, again. Then came their first scene together and it wasn’t going to be an easy one: In fact, it’s the last shot of the film.

But that’s the Eastwood way. His efficiency on set is the stuff of legend. Sometimes you get two takes, but three is almost unheard of. Hoult said he and the actors on the jury even rehearsed in secret to make sure they would nail the lengthier scenes. No one wanted to be the squeaky wheel.

"He’s not efficient for the sake of being efficient," Sutherland said. "I think Sydney Pollack, for instance, was really efficient and kind of when he became known for being efficient, started trying to show off his efficiency. ... I think Mr. Eastwood just kind of looks at a set and looks at a scene and just finds the straightest way to shoot it."

Much has been made about whether "Juror #2" is going to be Eastwood’s last film. But he’s not saying that, publicly or privately. In fact, when production went on hiatus during the actors strike, he didn’t even use that time as a break.

"I remember when we did come back from the strike, I was like, ’What did you do? And he was like, ‘Well, I was looking for new material,’" Collette said. "It’s nobody’s position to say this is his last movie."

Sutherland added: "His parking spot at the Warner Bros. lot isn’t going anywhere."