Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam
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Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam

The 7th edition of the Saudi Film Festival has kicked off on Friday and will run until July 7. The event is managed and organized by Ahmed Al Mulla.

The Saudi Film Festival is one of two cinema-related events in the Kingdom. The other is the Red Sea International Film Festival, and it's scheduled for November. The first is dedicated to Saudi cinema and aims at developing the movie industry, and enhancing the cultural activity in the country, by sponsoring all sorts of cinema-related activities, movies, forums, and books.

The festival is set to screen a large number of works including short, small, narrative, and non-narrative films, aiming at offering "opportunities for Saudi young talents interested in movie making, and celebrating them."

The jury is composed of five members: Saudi Ali Alkalthami (head of the jury), Egyptian actress Bushra, Tunisian director Kawthar bin Haniyeh, Jordanian producer Monzer al-Rayahneh, and American critic Deborah Young.

The festival also organizes a scriptwriting contest featuring 254 participants, 14 of them already reached the finals (six long film scenarios, and eight short films scenarios). The jury of this contest is composed of Saad al-Dossari (president), and members Mohammed al-Bashir, and Raja Sayer Al-Mutairi.

The festival celebrates two cinema stars, Maamoun Hassan (who was head of production at the British Film Institute for several years), and Bahraini director Bassam al-Thawadi.

The Saudi Film Festival was launched in 2008, but its second edition was held in 2015, followed by two successive editions in 2016 and 2017, and then it returned in a sophisticated edition in 2019. Last year, the event went virtual due to the coronavirus pandemic.

This year, the Saudi Film Festival is back with more momentum, purpose, and a team that insists on maintaining progress. It is held in the same location as the past years, at the King Abdulaziz Center for World Culture's Ithra Hall, Dammam. A large, beautifully designed venue surrounded by vast gardens, and housing a massive library, two screening halls, and a conference hall that could accommodate a wide audience.

The festival's manager, Ahmed Al Mulla has given special attention to the health measures imposed by the concerned authorities. In a conference he attended a few days ago, he discussed health concerns, and praised "the huge efforts the wise leadership and concerned authorities made to combat the pandemic, enabling the center to organize the event, and host a large audience with all the necessary health precautions."

This is not all. In an interview with Asharq Al-Awsat, Al Mulla answered six questions and revealed further details about the festival and the importance of this edition for the Saudi cinema.

• When you look at the past editions and the current one, how do you see the progress? And does it meet your aspirations?

The Saudi Film Festival has faced many challenges since its launch in 2008, especially the compulsive interruption that separated its first and second editions. The festival has faced many challenges, and the pandemic was the latest but not the last one. We didn't give up, and we redesigned its programs virtually. The digital edition was an adventure, but it achieved remarkable success and reach, which enhanced the plans of the current edition. This year, we managed to organize a live event with a huge audience and keep the virtual platform to ensure that the largest number of spectators watch the festival.

Yes, we dreamed of a wide prospect, we hoped to receive a merited appreciation, and called for support…and our dreams have become true. Our biggest goal was to make a Saudi film with an artistic value that highlights the aesthetics of the country, heritage, and history. In this edition, I feel I am closer to this dream, and I see it approaching for the first time.

• The festival is growing quickly. I attended the 5th edition, and I noticed great organization and planning that I didn't see in other Arab festivals. This makes me ask: What are your ambitions for the coming editions?

My ambition is to see the festival maintain the focus on its main goal: Competition and Saudi movies. I want it to include more diverse programs that inspire movie makers. This will help the movie industry keep growing with constant leaps, similar to those we saw since its debut. I hope the festival will always be a knowledge platform that inspires art and beauty.

• How did the festival benefit moviemakers in the Kingdom so far?

Moviemakers can speak better about the benefits they gained from the festival. For me, the ultimate gain is their gathering at the same place and time in an environment where they can exchange views, and enhance connections. Then there is motivation, decent competition, and development of tools through rich programs providing workshops, forums, books, and regular discussions.

• How did the festival come to light? And who was behind the idea and its implementation?

In 2006, I was a member of the literary club in the Eastern Province and its executive manager. I was also responsible for the events it organizes. Driven by my interest in cinema, I suggested organizing a weekly cinema night, and I chose the movies that were screened during it. The idea lured a great audience of young Saudis who formed a team of movie fans (some opposed the idea). After a lot of negotiations, the club and the Culture and Arts Association in Dammam agreed to organize the first festival. Those who participated in the organization were many, but I won't say names because I don't want to forget anyone.

• Did other Arab film festivals support Saudi films? And how?

Of course, they did. Before, within, and after the Saudi Film Festival, every Saudi movie that partakes in an Arab or international contest will bring many advantages for moviemakers and colleagues. It would contribute to developing the content, encourage others, mark a presence in other festivals, and leave a beautiful trace in the audience's imagination about the Saudi movie.

• A number of Saudi movies will be screened at the Red Sea International Film Festival. How do the Saudi Movie Festival, and moviemakers benefit from this participation?

The Red Sea International Film Festival is an important platform that plays a major role in Saudi Arabia's aspirations for the future because it seeks to fulfill Arab and international ambitions and motivate Saudi movie makers to exert more effort. The festival has already launched several support and development programs, along with its upcoming edition in November. I believe the integration between the two festivals is possible and is actually happening.



Brooklyn Beckham Accuses David and Victoria of Putting Branding Before Family and Sabotaging Wedding

03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
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Brooklyn Beckham Accuses David and Victoria of Putting Branding Before Family and Sabotaging Wedding

03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)

A Beckham family falling-out has spilled further into public view in a series of social media posts from Brooklyn Beckham alleging that his parents David and Victoria Beckham have tried to sabotage his marriage and have always prioritized public branding over their family relationships.

“For my entire life, my parents have controlled narratives in the press about our family. The performative social media posts, family events and inauthentic relationships have been a fixture of the life I was born into,” Brooklyn Beckham wrote in several pages of text posted via Instagram stories.

At 26, he's the eldest of the four children of the retired English football superstar and former Spice Girl-turned-fashion designer and has worked as a model and photographer, even aspiring to be a chef. He married American actor Nicola Peltz, daughter of activist investor Nelson Peltz, in 2022.

“Recently, I have seen with my own eyes the lengths that they’ll go through to place countless lies in the media, mostly at the expense of innocent people, to preserve their own facade. But I believe the truth always comes out,” the posts said.

The posts make public a barely veiled feud that had been brewing in anonymously sourced stories in tabloids for months. Younger brother Cruz Beckham said on Instagram in December that Brooklyn had blocked family members on social media.

“I do not want to reconcile with my family.” Brooklyn Beckham wrote. “I’m not being controlled, I’m standing up for myself for the first time in my life.”

Unlike his three younger siblings, Brooklyn Beckham did not appear in his mother's recent Netflix docuseries, “Victoria Beckham,” and did not show up at the October premiere as he and Peltz had for the London premiere in 2023 of the one centered on his father, called just “Beckham."

Many of the grievances described in the Instagram stories stem from the Peltz-Beckham wedding in Florida. He accused his mother of bailing at the last minute on designing Peltz's wedding dress, and said she “hijacked” the first dance he was supposed to have with his wife to music performed by Marc Anthony.

“She danced very inappropriately on me in front of everyone,” Brooklyn Beckham wrote. “I’ve never felt more uncomfortable or humiliated in my entire life.”

Without giving specifics he also wrote that before the wedding his parents “repeatedly pressured and attempted to bribe me into signing away the rights to my name.”

David and Victoria Beckham did not have an immediate public response to the posts, and messages to representatives from The Associated Press were not immediately answered.

In a Tuesday appearance on CNBC, David Beckham, who is at the World Economic Forum in Davos, Switzerland, did not directly address his son's statements, but said that children make mistakes on social media and should be allowed to.

“That’s what I try to teach my kids. But you know, you have to sometimes let them make those mistakes as well,” he said.

Married since 1999, David and Victoria Beckham have three other children, 23-year-old Romeo, 20-year-old Cruz and 14-year-old Harper.


‘Snow White’ and ‘War of the Worlds’ Lead Razzie Nominations

Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
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‘Snow White’ and ‘War of the Worlds’ Lead Razzie Nominations

Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)

With Oscar nominations a day away, Hollywood’s annual reckoning with its film failures took shape on ​Wednesday as Disney’s live-action “Snow White” and the remake “War of the Worlds” tied for six nods for the Golden Raspberry Awards.

Popularly known as the Razzies, the awards are an annual Oscar spoof that spotlights what voters deem Hollywood’s worst performances. The 46th ‌Golden Raspberry ‌Awards are set for ‌March 14, ⁠the ​day ‌before the Oscar awards.

Disney’s "Snow White," a 2025 remake of the 1937 animated classic, scored a worst picture nod along with nominations for worst remake, director and screenplay. The fantasy film stars Rachel Zegler as Snow White ⁠and Gal Gadot as the Evil Queen, and its seven ‌computer-generated dwarf characters were ‍also cited for both ‍worst supporting actors and screen combo.

Tying with “Snow ‍White,” the 2025 science fiction film "War of the Worlds," starring rapper Ice Cube and actor Eva Longoria, based on H. G. Wells' 1898 ​novel, also scored six nominations, including worst picture, actors, remake, director, screenplay and screen ⁠combo.

Other nominees include the psychological thriller “Hurry Up Tomorrow,” science fiction film “Star Trek: Section 31,” and the action-adventure Netflix film “The Electric State,” starring “Stranger Things” lead Millie Bobby Brown.

More than 1,100 Razzie members from across the United States and about two dozen other countries vote on the awards, according to the Razzie website. Voters are members of the Golden Raspberry Foundation ‌that consists of film critics and movie experts.


Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
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Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)

Netflix is now offering to buy Warner Bros. Discovery’s studio and streaming business in all cash — in an effort to win over the Hollywood giant's shareholders for its $72 billion merger and potentially thwart a hostile bid from Skydance-owned Paramount.

Back in December, Netflix struck a cash and stock deal with Warner valued at $27.75 per share, giving it a total enterprise value of $82.7 billion, including debt. But on Tuesday, the companies announced that they would be revising the transaction to simplify its structure, provide more certainty of value for Warner stockholders and speed up the path to a shareholder vote — which they said could arrive by April.

The all-cash transaction is still valued at $27.75 per Warner share. Warner stockholders will also receive the additional value of shares of Discovery Global, which would become a separate public company following a previously-announced separation from Warner Bros.

Warner leadership has repeatedly backed a merger with Netflix and the boards of both companies approved the all-cash deal announced Tuesday. In a statement, Warner CEO David Zaslav said the revised agreement “brings us even closer to combining two of the greatest storytelling companies in the world.”

A spokesperson for Paramount declined to comment when reached by The Associated Press on Tuesday. Unlike Netflix, Paramount wants to acquire Warner's entire company — including networks like CNN and Discovery — and went straight to shareholders with all cash, $77.9 billion offer last month.

Warner stockholders have until 5 p.m. ET Wednesday to tender their shares in support of Paramount's bid, which has an enterprise value of $108 billion including debt. But that deadline could be pushed back further. While Paramount declined to share further details on Tuesday, the Wall Street Journal reported last week that the company was planning another extension.

Beyond its tender offer, Paramount has promised a proxy fight. Last week, the company said it would nominate its own slate of directors before the Warner's next shareholder meeting, the date of which has still not been set.

Paramount also filed a suit in Delaware Chancery Court seeking to compel Warner Bros. to disclose to shareholders how it values its bid and the competing offer from Netflix. But a judge on Thursday denied Paramount's request to expedite that proceeding.

In a statement at the time, Warner applauded the court’s decision and called Paramount’s lawsuit “yet another unserious attempt to distract.” Paramount, meanwhile, maintained that the ruling wasn't about the merits of its allegations and said Warner shareholders “should ask why their Board is working so hard to hide this information.”

Regardless of who eventually wins the upper hand, a Warner Bros. Discovery sale could be a long, drawn-out process that is almost certain to attract tremendous antitrust scrutiny. On Tuesday, Netflix and Warner maintained that they expect to close on a merger 12 to 18 months from December's agreement.