Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam
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Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam

The 7th edition of the Saudi Film Festival has kicked off on Friday and will run until July 7. The event is managed and organized by Ahmed Al Mulla.

The Saudi Film Festival is one of two cinema-related events in the Kingdom. The other is the Red Sea International Film Festival, and it's scheduled for November. The first is dedicated to Saudi cinema and aims at developing the movie industry, and enhancing the cultural activity in the country, by sponsoring all sorts of cinema-related activities, movies, forums, and books.

The festival is set to screen a large number of works including short, small, narrative, and non-narrative films, aiming at offering "opportunities for Saudi young talents interested in movie making, and celebrating them."

The jury is composed of five members: Saudi Ali Alkalthami (head of the jury), Egyptian actress Bushra, Tunisian director Kawthar bin Haniyeh, Jordanian producer Monzer al-Rayahneh, and American critic Deborah Young.

The festival also organizes a scriptwriting contest featuring 254 participants, 14 of them already reached the finals (six long film scenarios, and eight short films scenarios). The jury of this contest is composed of Saad al-Dossari (president), and members Mohammed al-Bashir, and Raja Sayer Al-Mutairi.

The festival celebrates two cinema stars, Maamoun Hassan (who was head of production at the British Film Institute for several years), and Bahraini director Bassam al-Thawadi.

The Saudi Film Festival was launched in 2008, but its second edition was held in 2015, followed by two successive editions in 2016 and 2017, and then it returned in a sophisticated edition in 2019. Last year, the event went virtual due to the coronavirus pandemic.

This year, the Saudi Film Festival is back with more momentum, purpose, and a team that insists on maintaining progress. It is held in the same location as the past years, at the King Abdulaziz Center for World Culture's Ithra Hall, Dammam. A large, beautifully designed venue surrounded by vast gardens, and housing a massive library, two screening halls, and a conference hall that could accommodate a wide audience.

The festival's manager, Ahmed Al Mulla has given special attention to the health measures imposed by the concerned authorities. In a conference he attended a few days ago, he discussed health concerns, and praised "the huge efforts the wise leadership and concerned authorities made to combat the pandemic, enabling the center to organize the event, and host a large audience with all the necessary health precautions."

This is not all. In an interview with Asharq Al-Awsat, Al Mulla answered six questions and revealed further details about the festival and the importance of this edition for the Saudi cinema.

• When you look at the past editions and the current one, how do you see the progress? And does it meet your aspirations?

The Saudi Film Festival has faced many challenges since its launch in 2008, especially the compulsive interruption that separated its first and second editions. The festival has faced many challenges, and the pandemic was the latest but not the last one. We didn't give up, and we redesigned its programs virtually. The digital edition was an adventure, but it achieved remarkable success and reach, which enhanced the plans of the current edition. This year, we managed to organize a live event with a huge audience and keep the virtual platform to ensure that the largest number of spectators watch the festival.

Yes, we dreamed of a wide prospect, we hoped to receive a merited appreciation, and called for support…and our dreams have become true. Our biggest goal was to make a Saudi film with an artistic value that highlights the aesthetics of the country, heritage, and history. In this edition, I feel I am closer to this dream, and I see it approaching for the first time.

• The festival is growing quickly. I attended the 5th edition, and I noticed great organization and planning that I didn't see in other Arab festivals. This makes me ask: What are your ambitions for the coming editions?

My ambition is to see the festival maintain the focus on its main goal: Competition and Saudi movies. I want it to include more diverse programs that inspire movie makers. This will help the movie industry keep growing with constant leaps, similar to those we saw since its debut. I hope the festival will always be a knowledge platform that inspires art and beauty.

• How did the festival benefit moviemakers in the Kingdom so far?

Moviemakers can speak better about the benefits they gained from the festival. For me, the ultimate gain is their gathering at the same place and time in an environment where they can exchange views, and enhance connections. Then there is motivation, decent competition, and development of tools through rich programs providing workshops, forums, books, and regular discussions.

• How did the festival come to light? And who was behind the idea and its implementation?

In 2006, I was a member of the literary club in the Eastern Province and its executive manager. I was also responsible for the events it organizes. Driven by my interest in cinema, I suggested organizing a weekly cinema night, and I chose the movies that were screened during it. The idea lured a great audience of young Saudis who formed a team of movie fans (some opposed the idea). After a lot of negotiations, the club and the Culture and Arts Association in Dammam agreed to organize the first festival. Those who participated in the organization were many, but I won't say names because I don't want to forget anyone.

• Did other Arab film festivals support Saudi films? And how?

Of course, they did. Before, within, and after the Saudi Film Festival, every Saudi movie that partakes in an Arab or international contest will bring many advantages for moviemakers and colleagues. It would contribute to developing the content, encourage others, mark a presence in other festivals, and leave a beautiful trace in the audience's imagination about the Saudi movie.

• A number of Saudi movies will be screened at the Red Sea International Film Festival. How do the Saudi Movie Festival, and moviemakers benefit from this participation?

The Red Sea International Film Festival is an important platform that plays a major role in Saudi Arabia's aspirations for the future because it seeks to fulfill Arab and international ambitions and motivate Saudi movie makers to exert more effort. The festival has already launched several support and development programs, along with its upcoming edition in November. I believe the integration between the two festivals is possible and is actually happening.



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."