Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam
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Saudi Film Festival Brightens Future of Cinema in the Kingdom

 King Abdulaziz Center for World Culture's Ithra Hall, Dammam
King Abdulaziz Center for World Culture's Ithra Hall, Dammam

The 7th edition of the Saudi Film Festival has kicked off on Friday and will run until July 7. The event is managed and organized by Ahmed Al Mulla.

The Saudi Film Festival is one of two cinema-related events in the Kingdom. The other is the Red Sea International Film Festival, and it's scheduled for November. The first is dedicated to Saudi cinema and aims at developing the movie industry, and enhancing the cultural activity in the country, by sponsoring all sorts of cinema-related activities, movies, forums, and books.

The festival is set to screen a large number of works including short, small, narrative, and non-narrative films, aiming at offering "opportunities for Saudi young talents interested in movie making, and celebrating them."

The jury is composed of five members: Saudi Ali Alkalthami (head of the jury), Egyptian actress Bushra, Tunisian director Kawthar bin Haniyeh, Jordanian producer Monzer al-Rayahneh, and American critic Deborah Young.

The festival also organizes a scriptwriting contest featuring 254 participants, 14 of them already reached the finals (six long film scenarios, and eight short films scenarios). The jury of this contest is composed of Saad al-Dossari (president), and members Mohammed al-Bashir, and Raja Sayer Al-Mutairi.

The festival celebrates two cinema stars, Maamoun Hassan (who was head of production at the British Film Institute for several years), and Bahraini director Bassam al-Thawadi.

The Saudi Film Festival was launched in 2008, but its second edition was held in 2015, followed by two successive editions in 2016 and 2017, and then it returned in a sophisticated edition in 2019. Last year, the event went virtual due to the coronavirus pandemic.

This year, the Saudi Film Festival is back with more momentum, purpose, and a team that insists on maintaining progress. It is held in the same location as the past years, at the King Abdulaziz Center for World Culture's Ithra Hall, Dammam. A large, beautifully designed venue surrounded by vast gardens, and housing a massive library, two screening halls, and a conference hall that could accommodate a wide audience.

The festival's manager, Ahmed Al Mulla has given special attention to the health measures imposed by the concerned authorities. In a conference he attended a few days ago, he discussed health concerns, and praised "the huge efforts the wise leadership and concerned authorities made to combat the pandemic, enabling the center to organize the event, and host a large audience with all the necessary health precautions."

This is not all. In an interview with Asharq Al-Awsat, Al Mulla answered six questions and revealed further details about the festival and the importance of this edition for the Saudi cinema.

• When you look at the past editions and the current one, how do you see the progress? And does it meet your aspirations?

The Saudi Film Festival has faced many challenges since its launch in 2008, especially the compulsive interruption that separated its first and second editions. The festival has faced many challenges, and the pandemic was the latest but not the last one. We didn't give up, and we redesigned its programs virtually. The digital edition was an adventure, but it achieved remarkable success and reach, which enhanced the plans of the current edition. This year, we managed to organize a live event with a huge audience and keep the virtual platform to ensure that the largest number of spectators watch the festival.

Yes, we dreamed of a wide prospect, we hoped to receive a merited appreciation, and called for support…and our dreams have become true. Our biggest goal was to make a Saudi film with an artistic value that highlights the aesthetics of the country, heritage, and history. In this edition, I feel I am closer to this dream, and I see it approaching for the first time.

• The festival is growing quickly. I attended the 5th edition, and I noticed great organization and planning that I didn't see in other Arab festivals. This makes me ask: What are your ambitions for the coming editions?

My ambition is to see the festival maintain the focus on its main goal: Competition and Saudi movies. I want it to include more diverse programs that inspire movie makers. This will help the movie industry keep growing with constant leaps, similar to those we saw since its debut. I hope the festival will always be a knowledge platform that inspires art and beauty.

• How did the festival benefit moviemakers in the Kingdom so far?

Moviemakers can speak better about the benefits they gained from the festival. For me, the ultimate gain is their gathering at the same place and time in an environment where they can exchange views, and enhance connections. Then there is motivation, decent competition, and development of tools through rich programs providing workshops, forums, books, and regular discussions.

• How did the festival come to light? And who was behind the idea and its implementation?

In 2006, I was a member of the literary club in the Eastern Province and its executive manager. I was also responsible for the events it organizes. Driven by my interest in cinema, I suggested organizing a weekly cinema night, and I chose the movies that were screened during it. The idea lured a great audience of young Saudis who formed a team of movie fans (some opposed the idea). After a lot of negotiations, the club and the Culture and Arts Association in Dammam agreed to organize the first festival. Those who participated in the organization were many, but I won't say names because I don't want to forget anyone.

• Did other Arab film festivals support Saudi films? And how?

Of course, they did. Before, within, and after the Saudi Film Festival, every Saudi movie that partakes in an Arab or international contest will bring many advantages for moviemakers and colleagues. It would contribute to developing the content, encourage others, mark a presence in other festivals, and leave a beautiful trace in the audience's imagination about the Saudi movie.

• A number of Saudi movies will be screened at the Red Sea International Film Festival. How do the Saudi Movie Festival, and moviemakers benefit from this participation?

The Red Sea International Film Festival is an important platform that plays a major role in Saudi Arabia's aspirations for the future because it seeks to fulfill Arab and international ambitions and motivate Saudi movie makers to exert more effort. The festival has already launched several support and development programs, along with its upcoming edition in November. I believe the integration between the two festivals is possible and is actually happening.



Trial Begins in Paris over 2016 Gunpoint Robbery of Kim Kardashian

Kim Kardashian attends the 2019 Creative Arts Emmy Awards on September 14, 2019 in Los Angeles, California. (Getty Images/AFP)
Kim Kardashian attends the 2019 Creative Arts Emmy Awards on September 14, 2019 in Los Angeles, California. (Getty Images/AFP)
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Trial Begins in Paris over 2016 Gunpoint Robbery of Kim Kardashian

Kim Kardashian attends the 2019 Creative Arts Emmy Awards on September 14, 2019 in Los Angeles, California. (Getty Images/AFP)
Kim Kardashian attends the 2019 Creative Arts Emmy Awards on September 14, 2019 in Los Angeles, California. (Getty Images/AFP)

Ten suspects go on trial in Paris on Monday over the 2016 robbery of the US celebrity Kim Kardashian, which saw some $10 million worth of jewelry stolen from the reality TV star and influencer.

Kardashian, now 44 -- who left Paris traumatized hours after the robbery on the night of October 2-3, 2016 -- is due to testify at the trial on May 13 in a court appearance that will be a major event in itself.

Those on trial are mainly men in their 60s and 70s with previous criminal records and underworld nicknames like "Old Omar" and "Blue Eyes" that recall the old-school French bandits of 1960s and 1970s film noirs, AFP said.

Kardashian, then 35, was threatened with a gun to the head and tied up with her mouth taped up. The theft was the biggest against a private individual in France in the past 20 years.

The trial will also go into how the perpetrators received the information as to where Kardashian was staying during Paris Fashion Week, and picked the very moment when her bodyguard was absent, accompanying her sister Kourtney to a night club.

It is thought Kardashian's frequent posts about her wealth, personal life and whereabouts may have facilitated the perpetrators' actions. The trial gets under way from 1230 GMT.

Haul never recovered

The star was staying at an exclusive hotel in central Paris favored by celebrities when two armed and masked men stormed into her room at around 3:00 am after arriving at the establishment by bicycle.

They shouted that they wanted the diamond engagement ring from her now ex-husband, the US rapper Kayne West.

Kardashian had been showing it off on her social media channels -- it alone was valued at $4 million (3.5 million euros).

They made off with the ring among $10 million worth of jewels.

The only item recovered was a diamond necklace dropped in the street while the thieves escaped.

It all lasted just 10 minutes, with Kardashian's bodyguard arriving to rescue his client after he was alerted.

The suspects were arrested three months after the robbery, through DNA evidence.

But the gold seized was apparently melted down and investigators, who took hundreds of thousands of euros from the suspects when they were arrested, believe that much of the stolen haul was sold in Belgium.

'Easy' heist

Twelve suspects were charged, with 10 going on trial from Monday. One died in March this year and another is to be tried separately for health reasons.

"It wasn't a major armed robbery" but an "easy" heist, said the main suspect, Aomar Ait Khedache, 68, known as "Old Omar". His DNA from the scene helped investigators find him and the co-defendants.

He admitted tying up Kardashian, but disputes investigators' claims that he was the mastermind behind the robbery.

He says he was approached by an unnamed "sponsor" who suggested the scheme on behalf of an "informant" very close to the star, who then gave them the green light.

According to his lawyer, Khedache now has severe hearing and speaking problems and can only express himself in writing.

Another key suspect is Didier Dubreucq, 69, known as "Blue Eyes", accused of being the second person who stormed into Kardashian's room. He denies the charges.

Yunice Abbas, 71, meanwhile stayed in the lobby while the two other men went up to her room, it is alleged.

He controversially sought to capitalize on the crime by writing a book titled: "I Kidnapped Kim Kardashian".

Others on trial are accused of being facilitators and informants, including Gary Madar, the brother of Kardashian's long-serving Paris driver.

He is accused of supplying information about her movements, which he denies.

Despite the "media hype", the trial "must allow for calm debates", warned one of the defense lawyers, Margot Pugliese.

The trial is due to last until May 23.