Beloved Entertainer Raffaella Carra’ Dies

Raffaella Carra' is shown in this May 14, 2011 photo. (AP)
Raffaella Carra' is shown in this May 14, 2011 photo. (AP)
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Beloved Entertainer Raffaella Carra’ Dies

Raffaella Carra' is shown in this May 14, 2011 photo. (AP)
Raffaella Carra' is shown in this May 14, 2011 photo. (AP)

Raffaella Carra’, for decades one of Italian television’s most popular and beloved entertainers, died on Monday at age 78 after a long illness, Italian state TV quoted her family as saying.

Rai state TV read a statement from the star’s family, announcing that she died at home after a long illness. It said that in keeping with her wishes medical details weren’t being released.

With her energetic presence and strong singing voice, the petite Carra’ was a beloved staple in the early heyday decades of Rai, especially when it was the only nationwide broadcaster.

With often sexy costumes — daring by state TV’s standards in a country where the Vatican wields considerable influence — Carra’ also was credited with helping Italian women be more confident with themselves. Once, in a then daring move, she barred her belly button during one TV performance. But she could also be devastatingly elegant and classy in her dress and manners.

Her trademark bouncy, blond haircut and bangs — the helmet look, it was dubbed — were imitated by many fans.

“She was the lady of Italian television,” Culture Minister Dario Franceschini said, expressing sorrow for her passing.

Affectionately known as Raffa, Carra’ was born Raffaella Maria Roberta Pelloni in Bologna on June 18, 1943. She started her career as a singer, dancer, TV presenter and actress when still a child.

She wasn’t married, although she had a longtime companion. She had no children, but her former companion, Sergio Japino, a TV director and choreographer, quoted her as often saying, “I didn’t have children but I had thousands of them,” Corriere della Sera quoted Japino as recalling. The reference was to some 150,000 children over the years she helped sponsor financially on one of her TV programs, called “Amore.”

She was also widely popular in Spain and other Spanish-speaking countries.



‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)

With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.