Excitement as Cannes Film Festival Reopens after Pandemic Hiatus

Members of the public walk in front of the Palais des Festival prior to the 74th international film festival, Cannes, southern France, July 5, 2021. The Cannes film festival runs from July 6 - July 17, 2021. (AP Photo/ Brynn Anderson)
Members of the public walk in front of the Palais des Festival prior to the 74th international film festival, Cannes, southern France, July 5, 2021. The Cannes film festival runs from July 6 - July 17, 2021. (AP Photo/ Brynn Anderson)
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Excitement as Cannes Film Festival Reopens after Pandemic Hiatus

Members of the public walk in front of the Palais des Festival prior to the 74th international film festival, Cannes, southern France, July 5, 2021. The Cannes film festival runs from July 6 - July 17, 2021. (AP Photo/ Brynn Anderson)
Members of the public walk in front of the Palais des Festival prior to the 74th international film festival, Cannes, southern France, July 5, 2021. The Cannes film festival runs from July 6 - July 17, 2021. (AP Photo/ Brynn Anderson)

The famed Cannes Film Festival opens Tuesday, and despite social distancing subduing some of its signature glamour, excitement is rife for the first fully fledged film festival since the start of the coronavirus pandemic.

Last year's edition was cancelled over the health crisis, and although stars will be allowed to go maskless on the red carpet this year, a health pass is required for entrance and many of the glitzy after-parties that are the festival's calling card have been postponed because of distancing measures.

"Covid is still there, but being here for the return of the festival, in the opening film... it's a huge sense of relief and excitement," US actor Adam Driver told the Agence France Presse.

Driver co-stars with French actor Marion Cotillard in the opening night film, "Annette", a musical directed by cult favourite Leos Carax.

Members of the jury -- headed for the first time by a black man, US director Spike Lee -- arrived Monday night and will give their traditional press conference on Tuesday afternoon, before embarking on their 24-film marathon.

The festival palace -- a squat, concrete construction dubbed "the bunker" -- is draped in a poster featuring Lee, in oversize spectacles, peering between two palm trees.

His jury this year has a female majority, including US actor Maggie Gyllenhaal, Canadian-French singer Mylene Farmer and French-Senegalese actor Mati Diop.

Other members include Tahar Rahim, star of 2009 film "A Prophet", and South Korean actor Song Kang-ho, who dazzled in the festival's last winner two years ago, "Parasite".

- 'Be transported' -
As evening falls, stars will strut down the recycled red carpet, which has been chopped in size as part of a green makeover.

American actor and director Jodie Foster is guest of honour at the opening ceremony, and will be awarded an honorary Palme d'Or before the screening of "Annette" gets underway.

The film is Carax's first since "Holy Motors" nine years ago, which also competed at Cannes.

It tells the story of a celebrity couple and their mysterious child, the titular Annette.

Cotillard told AFP that after months of pandemic-induced confinement, the tragic love story "invites the spectators to come and be transported, to be present at a great spectacle".

Her co-star Driver famously hates watching himself on screen, and said this film will be no exception.

When the lights go out, he said he will flee to an office until it is finished.

"I sit there playing with a stapler or some scotchtape and come back when the lights are back on," he smiled.

"And I act as if I'd been there the whole time!"

- 'Packs a punch' -
This year, 24 films will compete for the festival's top prize, the Palme d'Or.

Festival director Thierry Fremaux has promised that the line-up "packs a punch".

The directors vying for glory include such perennial Cannes favourites as Italy's Nanni Moretti with his new film "Tre Piani," France's Jacques Audiard ("Les Olympiades") and Thailand's master of the slow burn, Apichatpong Weerasethakul, with his English-language debut ("Memoria").

Other contenders include Sean Penn, whose Africa-based humanitarian love story "The Last Face" bombed at Cannes in 2016; Iran's two-time Oscar winner Asghar Farhadi; and Russian director Kirill Serebrennikov, who is barred from leaving the country due to an embezzlement conviction widely seen as punishment for his criticism of President Vladimir Putin.

With just four female directors in the competition, the festival's tendency to pick the usual (male) suspects of the arthouse elite is once again under scrutiny.

Only one woman has won the Palme d'Or in 73 editions of the festival: Jane Campion for "The Piano" in 1993.



'Social Studies' TV Series Takes Intimate Dive into Teens' Smartphone Life

This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
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'Social Studies' TV Series Takes Intimate Dive into Teens' Smartphone Life

This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File
This is the first generation born into a world with widespread social media. LOIC VENANCE / AFP/File

Sifting through the smartphones of dozens of US teens who agreed to share their social media content over the course of a year, filmmaker Lauren Greenfield came to a somber observation.
The kids are "very, very conscious of the mostly negative effects" these platforms are having on them -- and yet they just can't quit.
Greenfield's documentary series "Social Studies," premiering on Disney's FX and Hulu on Friday, arrives at a time of proliferating warnings about the dangers of social networks, particularly on young minds.
The show offers a frightening but moving immersion into the online lives of Gen Z youths, AFP said.
Across five roughly hour-long episodes, viewers get a crash course in just how much more difficult those thorny adolescent years have become in a world governed by algorithms.
In particular, the challenges faced by young people between ages 16 and 20 center on the permanent social pressure induced by platforms like Instagram and TikTok.
For example, we meet Sydney, who earns social media "likes" through increasingly revealing outfits; Jonathan, a diligent student who misses out on his top university picks and is immediately confronted with triumphant "stories" of those who were admitted; and Cooper, disturbed by accounts that glorify anorexia.
"I think social media makes a lot of teens feel like shit, but they don't know how to get off it," says Cooper, in the series.
'Like me more'
This is the first generation born into a world with widespread social media.
Via its subjects' personal smartphone accounts, the show offers a rare glimpse into the ways in which that hyper-connected reality has distorted the process of growing up.
We see how young people modify their body shapes with the swipe of a finger before posting photos, the panic that grips a high school due to fake rumors of a shooting.
"It's hard to tell what's been put into your mind, and what you actually like," says one anonymous girl, in a group discussion filmed for the docuseries.
These discussion circles between adolescents punctuate "Social Studies," and reveal the contradictions between the many young people's online personas, and their underlying anxieties.
Speaking candidly in a group, they complain about harassment, the lack of regulation on social media platforms, and the impossible beauty standards hammered home by their smartphones.
"If I see people with a six pack, I'm like: 'I want that.' Because maybe people would like me more," admits an anonymous Latino boy.
'Lost your social life'
The series is not entirely downbeat.
But the overall sense is a generation disoriented by the great digital whirlwind.
There are no psychologists or computer scientists in the series.
"The experts are the kids," Greenfield told a press conference this summer. "It was actually an opportunity to not go in with any preconceptions."
While "Social Studies" does not offer any judgment, its evidence would appear to support many of the recent health warnings surrounding hyper-online young people.
The US surgeon general, the country's top doctor, recently called for warning labels on social media platforms, which he said were incubating a mental health crisis.
And banning smartphones in schools appears to be a rare area of bipartisan consensus in a politically polarized nation.
Republican-led Florida has implemented a ban, and the Democratic governor of California signed a new law curbing phone use in schools on Monday.
"Collective action is the only way," said Greenfield.
Teenagers "all say 'if you're the only one that goes off (social media), you lost your social life.'"