Dilip Kumar, Bollywood’s Great ‘Tragedy King,’ Dies at 98

In this Sept. 2, 2008, file photo, veteran Bollywood actor Dilip Kumar, right, receives a Lifetime Achievement award at the 54th National Film Award ceremony in New Delhi, India. (AP)
In this Sept. 2, 2008, file photo, veteran Bollywood actor Dilip Kumar, right, receives a Lifetime Achievement award at the 54th National Film Award ceremony in New Delhi, India. (AP)
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Dilip Kumar, Bollywood’s Great ‘Tragedy King,’ Dies at 98

In this Sept. 2, 2008, file photo, veteran Bollywood actor Dilip Kumar, right, receives a Lifetime Achievement award at the 54th National Film Award ceremony in New Delhi, India. (AP)
In this Sept. 2, 2008, file photo, veteran Bollywood actor Dilip Kumar, right, receives a Lifetime Achievement award at the 54th National Film Award ceremony in New Delhi, India. (AP)

Bollywood icon Dilip Kumar, hailed as the “Tragedy King” and one of Hindi cinema’s greatest actors, died Wednesday in a Mumbai hospital after a prolonged illness. He was 98.

The “Tragedy King” title came from Kumar’s numerous serious roles. In several, his character died as a frustrated lover and a drunkard. He also was known as Bollywood’s only Method actor for his expressive performances identifying a character’s emotions.

Kumar was hospitalized twice last month after he complained of breathlessness, and his family tweeted “with a heavy heart and profound grief” the announcement of his passing.

“Dilip Kumar will be remembered as a cinematic legend. He was blessed with unparalleled brilliance, due to which audiences across generations were enthralled. His passing away is a loss to our cultural world,” Indian Prime Minister Narendra Modi said in a tweet.

“An institution has gone,” Bollywood superstar Amitabh Bachchan tweeted. “Whenever the history of Indian Cinema will be written, it shall always be ‘before Dilip Kumar, and after Dilip Kumar.’”

Kumar’s body, draped in the Indian flag, was accorded a state funeral led by a police band. He was buried in a Muslim graveyard in Mumbai city.

Major Bollywood stars, including Shah Rukh Khan, visited Kumar’s residence to pay their respects.

“It’s the end of an era,” filmmaker Madhur Bhandarkar said.

Kumar was born Muhammad Yusuf Khan, a Muslim, on Dec. 11, 1922. His Pathan family hailed from Peshawar, in what became Pakistan after the Partition, and he visited his ancestral home in the late 1980s.

Kumar was hugely popular among cinema lovers in Pakistan as well. In 1998, he was awarded the “Nishan-e-Imtiaz,” Pakistan’s highest civilian honor, becoming the only Indian citizen to receive it.

Pakistan Prime Minister Imran Khan said he was saddened to learn of Kumar’s death. “For my generation, Dilip Kumar was the greatest and most versatile actor,” he tweeted.

Khan also recalled Kumar’s generosity in helping to raise funds in Pakistan and London for a trust to set up cancer hospitals in his mother’s memory.

He changed his name as he debuted in Bollywood, the Hindi-language film industry centered in Mumbai, with “Jwar Bhata,” or “Sea Tides,” in 1944.

Kumar’s career spanned over six decades with over 60 films. His first major box-office hits were “Jugnu,” or “Firefly,” in 1947 in which he starred alongside Noor Jehan, and the 1948 film “Shaheed,” or “Martyr.”

He played a variety of characters — a romantic hero in “Andaz,” a swashbuckler in “Aan,” a dramatic drunkard in “Devdas,” a comic role in “Azaad.” But his portrayal of a Muslim prince in the historical epic “Mughal-e-Azam” cemented his popularity among the masses and catapulted Indian cinema to the world stage.

Mehboob Khan’s blockbuster “Aan” in 1952 was his first film in Technicolor and was among a string of light-hearted roles he took at the suggestion of his psychiatrist to shed his “Tragedy King” image.

He starred in many social drama films like “Footpath”, “Naya Daur” (“New Era”), “Musafir” (“Traveler”) and “Paigham” (“Message”) in 1950s.

His top female co-stars included Madhubala, Nargis, Nimmi, Meena Kumari, Kamini Kaushal and Vyjanthimala.

In 1966, Dilip Kumar married Saira Banu, who was 22 years younger than him, and the couple acted in “Gopi,” “Sagina Mahato” and “Bairaag.” They had no children.

In 1961, he produced and starred in “Ganga Jamuna” in which he and his brother Nasir Khan played the title roles. It was the only film he produced. Indian media reports say he declined the role of Sherif Ali in David Lean’s “Lawrence of Arabia” in 1962. The role went to Egyptian actor Omar Sharif.

He took a break in the late ‘70s but returned with a character role in the successful “Kranti,” or “Revolution” in 1981. He continued playing key roles in films such as “Shakti,” “Karma” and “Saudagar.” His last film was “Qila” (“Fort”) in 1998.

In 1994, he was given the “Dadasaheb Phalke” award, the highest honor for contributions to Indian cinema. He also served in the upper house of Indian Parliament after being nominated for a six-year term.

Kumar is survived by his wife, actor Saira Banu.



Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)

Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit “The Perfect Couple,” have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of “Gossip Girl.” Hewson's first big film role was in 2011's “This Must Be the Place.” They do concede, however, that it's recent TV roles — “The White Lotus” for Fahy and “Bad Sisters” for Hewson — that have led to new frontiers of opportunity, The Associated Press said.
Susanne Bier, who directed “The Perfect Couple,” says both Fahy and Hewson are “going to be big stars.”
“They certainly have proper, profound star quality, Both of them in very different ways,” Bier says. “Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do.”
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of “Bad Sisters, ” out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called “Sirens,” written by Molly Smith Metzler (“Maid”) for Netflix. She also has two films in the can with Josh O'Connor (“The Crown,” “Challengers”) and Brandon Sklenar (“It Ends With Us”).
The two actors spoke candidly with The Associated Press about this phase of their careers. This interview has been condensed for clarity and brevity.
AP: You've both had popular, zeitgeisty TV shows in recent years. TV fans are particularly passionate. Have you experienced any interesting interactions with fans? HEWSON: It’s actually really fun to experience because even when we were in Cape Cod shooting “The Perfect Couple,” I would go to the local shop to get my groceries and little old ladies would follow me down the aisle and be like, “Excuse me. Are you that girl from that ‘Sisters’ show?” Who knew that they were watching it? It doesn’t change my life, so it doesn’t bother me, but when someone comes up to me and says that they love the show, especially when it’s someone unexpected, I’m like, “Oh, cool.”
FAHY: It’s not happening so much to me that it feels like a huge imposition or anything. I feel like I’ve been really lucky. A lot of the people that I’ve met who have been a fan of “The White Lotus,” or whatever, they’re really sweet people. And, I think, part of why we do this is because we want to tell stories that people can connect to and play out scenarios for themselves. So I think it’s always really nice.
AP: What's it like to now be a part of conversations about whom to watch? FAHY: Part of it feels really nice because you work really, really, really hard for a really long time — maybe that’s not how it happens for a lot of people — but I feel like we’ve both been doing this for a minute. So, of course, it feels really good. but I try not to like dwell on any of it. I try to acknowledge it and be like, “Oh, that’s so nice.” And then just kind of keep going.
HEWSON: You hear so many stories of people who were like, “I walked into my first audition and I just became a star.” Or, there’s this element of being an actor where people don’t want to tell you how hard they work. They want it to look like it’s really easy. But we've been doing this for a long time. People just don’t really tell those stories. It's usually about the one that was found on the street.
FAHY: Yeah. You took 15 years to become an overnight success.
AP: Do you notice you're now treated differently by people in the industry? FAHY: Yeah, but I always think that nobody ever knows who I am. It’s always very embarrassing. I embarrass myself in those moments. I don’t always feel like I fit in those rooms.
HEWSON: What’s nice is, I’ve spent so long going into a room and people just being like, “OK,” and act like they’re just not getting it. I know at least like I have work that people understand, what I’m doing a little bit more so they get me as an actor.
FAHY: It’s like a different level of respect.