Acting with Daughter, Sean Penn Explores Family Ties in Cannes Film

Director Sean Penn and cast member Dylan Penn at Cannes. (Reuters)
Director Sean Penn and cast member Dylan Penn at Cannes. (Reuters)
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Acting with Daughter, Sean Penn Explores Family Ties in Cannes Film

Director Sean Penn and cast member Dylan Penn at Cannes. (Reuters)
Director Sean Penn and cast member Dylan Penn at Cannes. (Reuters)

Sean Penn said on Sunday he nearly passed up the chance to act opposite his daughter Dylan for the first time in “Flag Day”, his latest movie which is vying for awards at the Cannes Film Festival - until actor Matt Damon egged him on.

Oscar-winning Penn plays John Vogel, a real-life wheeler-dealer who lurched from one failed business venture to another, causing heartbreak for daughter Jennifer, who reveres him.

Based on a book by journalist Jennifer Vogel, Penn told a news conference in Cannes that he had an image of daughter Dylan when reading the script - but took some convincing to step into Jennifer’s father’s shoes, when he was already down to direct.

“The last effort I made to not play it was when I sent the script about a month and a half before shooting started to Matt Damon, who called me, not to say that he could do it, not to say that he can’t do it, but to say that I was a stupid schmuck not to do it,” Penn said.

Vogel was a notorious petty criminal who ended up involved in counterfeiting, although “Flag Day” is more interested in how he dupes those he loves and lies to himself.

The “Into The Wild” director’s latest effort behind the camera has so far earned him mixed reviews, with critics at Screendaily pointing to holes in the way the characters are presented, including Jennifer’s transition from an angst-ridden teenager to a budding journalist.

Most reviewers praised the acting duo at its center, however, including Dylan’s performance, and Sean Penn as the exuberant, fun-loving father who tries to keep up his great illusion as his American dream goes awry.

‘Both alpha’
The film is competing against entries from other big name directors such as Wes Anderson, in the festival’s return to the French Riviera after it was cancelled in 2020 due to COVID-19.

Dylan Penn is also joined by her real-life brother Hopper Jack Penn on screen. Their mother Robin Wright, also an actress, divorced Sean Penn in 2010.

“I went into this project looking at it as this is my job, ... this is my boss,” Dylan Penn said, adding that their relationship was very different in real life to that of John and Jennifer Vogel. “We’re both alpha, that can sometimes clash, but think it worked out in the end.”

Penn, who is also involved in philanthropy and organized a COVID-19 testing and vaccination campaign and sites in the United States, lambasted former US President Donald Trump’s handling of the pandemic during the news conference.

“When my team and I would come home from test and vaccinations sites at night ... to maddening news - it really felt like there was someone with a machine gun gunning down communities that were most vulnerable from a turret at the White House,” Penn said.

He said the Trump administration’s main contribution to tackling the health crisis before the late 2020 election had been to pre-order vaccine doses.



South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
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South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)

Netflix's Korean cult-horror thriller "Hellbound" returned for its much anticipated second season with a world premiere at Busan International Film Festival, showcasing intense performances from the new cast members, particularly Moon Geun-young.

Created by Yeon Sang-ho, known for zombie flick "Train to Busan", the first season of "Hellbound" achieved critical and commercial success with its portrayal of a world where supernatural beings suddenly appear to tell people of their impending death, followed by monstrous entities that drag the condemned to hell.

Yeon, whose early works included a dark animated film about a Korean cult organization, elevates the dystopian thriller into a more philosophical realm in its second season, while still delivering the spectacle of creatures, violence, and collective religious hysteria.

"I believe that the concept of disaster in the work 'Hellbound' refers more to a mental or ideological catastrophe than to a physical disaster," director Yeon said at a BIFF event late Friday.

The show had to let go of actor Yoo Ah-in, who played a key character in season one, after he was charged with illegal drug use. Yoo was subsequently found guilty.

Kim Sung-cheol takes on the role of the charismatic leader of a cult that arose amid the horrific supernatural deaths that triggered a wave of social media frenzy, delivering a convincing portrayal of this intricate character.

But the most captivating -- and gut-wrenching -- performance of the second season arguably belongs to Moon Geun-young, a much beloved former teen actress in South Korea, who portrays a young wife gradually transforming into a deranged cult fanatic.

Yeon said he decided to cast Moon after seeing her in a 2021 TV drama where she portrayed a tormented wife who succumbs to alcoholism while caring for her alcoholic husband.

Moon did not attend this year's BIFF, but fellow cast member Kim Hyun-joo said: "Moon Geun-young made a tremendous contribution. I already knew (she was immensely talented), but I was pleasantly surprised and delighted by her performance."

The series was featured at BIFF in its big-screen theaters, even as the festival faces criticism from cinephiles for selecting a streaming title, "Uprising", also from Netflix, as its opening film this year.

Cineastes blame OTT streaming platforms for some of the challenges encountered by the traditional theater market and independent filmmakers.

"BIFF has been a key player in showcasing fresh Asian films by young, emerging talents in the region, and this has been their priority," Kay Heeyoung Kim, owner of the film studio K-Dragon, told AFP.

"But the lines between traditional independent cinema and big-budget streaming titles have blurred at this year's festival, which is unfortunate to see."

Yeon, who began his career as an independent animated filmmaker, along with his work "Hellbound," is credited with increasing the global visibility of South Korean content in recent years, alongside works like "Squid Game" and "Pachinko."