Saudi Arabia Plans to Train 25,000 Supervisors for School Theater Activities

Prince Badr bin Abdullah bin Farhan
Prince Badr bin Abdullah bin Farhan
TT

Saudi Arabia Plans to Train 25,000 Supervisors for School Theater Activities

Prince Badr bin Abdullah bin Farhan
Prince Badr bin Abdullah bin Farhan

The Saudi theater is preparing for a significant leap in the coming phase. The Theater and Performing Arts Authority has unveiled a new strategy focusing on establishing an integral theater industry that documents local stories, and provides empowerment opportunities in the theater-related fields.

The announcement came during an event held under the patronage of Prince Badr bin Abdullah bin Farhan, Minister of Culture and head of the Theater and Performing Arts Authority, and attended by prominent playwrights, artists, and media figures at the King Fahad Cultural Center on July 14. It was also attended by Hamed Fayez, deputy minister of culture, who promised a whole development of the sector in his keynote.

The strategy introduced by the authority included a short film, educational and academic projects and plans to establish theaters in partnership with other concerned authorities, improvement of theater education and inclusion of theater activities in educational institutions. It also demonstrated the school theater initiative aiming at training 25,000 teachers (from both genders) within three years to serve as theater supervisors in public schools in collaboration with the education ministry, in addition to providing theater-related majors in the higher education curricula, and scholarships abroad to develop skills in this sector.

The authority also revealed plans to establish the first academy of theater and performing arts by the end of this year, in collaboration with an international partner specialized in theater and performing arts studies.

Regarding the infrastructure, the authority plans to build small theaters in all the kingdom's provinces as part of the Culture Houses Project adopted by the Libraries Authority, which will work on creating an environment that incubates ideas, small plays, and activities of theater groups. It will also provide a constant maintenance of theater assets, launch programs, and host performances all over the year. The authority is currently working on building an integral theatrical environment to achieve a more efficient performance across the kingdom. This system is based on key elements including the national theater, professional theater, regional theater, and social theater.

In a keynote he addressed on behalf of playwrights and actors, Artist Ibrahim al-Hasawi said a theater artist has the right to find a place where he can practice his passion, and authorities that take care of him and defend his rights. He also called for the reopening of school theater, where he learned what school books don't teach, saying: "On stage, I learned what is nation, love, cohabitation, and peace. I learned to invest my time, and that theater is not a place to waste my life."

"We want a theater with a high standards and a heard voice…A theater that brightens the path of those struggling, and enlightens the obscurity of minds and souls…A Saudi theater that is like us, close to us…and this is not impossible in our country," he concluded.



South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
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South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)

Netflix's Korean cult-horror thriller "Hellbound" returned for its much anticipated second season with a world premiere at Busan International Film Festival, showcasing intense performances from the new cast members, particularly Moon Geun-young.

Created by Yeon Sang-ho, known for zombie flick "Train to Busan", the first season of "Hellbound" achieved critical and commercial success with its portrayal of a world where supernatural beings suddenly appear to tell people of their impending death, followed by monstrous entities that drag the condemned to hell.

Yeon, whose early works included a dark animated film about a Korean cult organization, elevates the dystopian thriller into a more philosophical realm in its second season, while still delivering the spectacle of creatures, violence, and collective religious hysteria.

"I believe that the concept of disaster in the work 'Hellbound' refers more to a mental or ideological catastrophe than to a physical disaster," director Yeon said at a BIFF event late Friday.

The show had to let go of actor Yoo Ah-in, who played a key character in season one, after he was charged with illegal drug use. Yoo was subsequently found guilty.

Kim Sung-cheol takes on the role of the charismatic leader of a cult that arose amid the horrific supernatural deaths that triggered a wave of social media frenzy, delivering a convincing portrayal of this intricate character.

But the most captivating -- and gut-wrenching -- performance of the second season arguably belongs to Moon Geun-young, a much beloved former teen actress in South Korea, who portrays a young wife gradually transforming into a deranged cult fanatic.

Yeon said he decided to cast Moon after seeing her in a 2021 TV drama where she portrayed a tormented wife who succumbs to alcoholism while caring for her alcoholic husband.

Moon did not attend this year's BIFF, but fellow cast member Kim Hyun-joo said: "Moon Geun-young made a tremendous contribution. I already knew (she was immensely talented), but I was pleasantly surprised and delighted by her performance."

The series was featured at BIFF in its big-screen theaters, even as the festival faces criticism from cinephiles for selecting a streaming title, "Uprising", also from Netflix, as its opening film this year.

Cineastes blame OTT streaming platforms for some of the challenges encountered by the traditional theater market and independent filmmakers.

"BIFF has been a key player in showcasing fresh Asian films by young, emerging talents in the region, and this has been their priority," Kay Heeyoung Kim, owner of the film studio K-Dragon, told AFP.

"But the lines between traditional independent cinema and big-budget streaming titles have blurred at this year's festival, which is unfortunate to see."

Yeon, who began his career as an independent animated filmmaker, along with his work "Hellbound," is credited with increasing the global visibility of South Korean content in recent years, alongside works like "Squid Game" and "Pachinko."