Saudi Arabia Plans to Train 25,000 Supervisors for School Theater Activities

Prince Badr bin Abdullah bin Farhan
Prince Badr bin Abdullah bin Farhan
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Saudi Arabia Plans to Train 25,000 Supervisors for School Theater Activities

Prince Badr bin Abdullah bin Farhan
Prince Badr bin Abdullah bin Farhan

The Saudi theater is preparing for a significant leap in the coming phase. The Theater and Performing Arts Authority has unveiled a new strategy focusing on establishing an integral theater industry that documents local stories, and provides empowerment opportunities in the theater-related fields.

The announcement came during an event held under the patronage of Prince Badr bin Abdullah bin Farhan, Minister of Culture and head of the Theater and Performing Arts Authority, and attended by prominent playwrights, artists, and media figures at the King Fahad Cultural Center on July 14. It was also attended by Hamed Fayez, deputy minister of culture, who promised a whole development of the sector in his keynote.

The strategy introduced by the authority included a short film, educational and academic projects and plans to establish theaters in partnership with other concerned authorities, improvement of theater education and inclusion of theater activities in educational institutions. It also demonstrated the school theater initiative aiming at training 25,000 teachers (from both genders) within three years to serve as theater supervisors in public schools in collaboration with the education ministry, in addition to providing theater-related majors in the higher education curricula, and scholarships abroad to develop skills in this sector.

The authority also revealed plans to establish the first academy of theater and performing arts by the end of this year, in collaboration with an international partner specialized in theater and performing arts studies.

Regarding the infrastructure, the authority plans to build small theaters in all the kingdom's provinces as part of the Culture Houses Project adopted by the Libraries Authority, which will work on creating an environment that incubates ideas, small plays, and activities of theater groups. It will also provide a constant maintenance of theater assets, launch programs, and host performances all over the year. The authority is currently working on building an integral theatrical environment to achieve a more efficient performance across the kingdom. This system is based on key elements including the national theater, professional theater, regional theater, and social theater.

In a keynote he addressed on behalf of playwrights and actors, Artist Ibrahim al-Hasawi said a theater artist has the right to find a place where he can practice his passion, and authorities that take care of him and defend his rights. He also called for the reopening of school theater, where he learned what school books don't teach, saying: "On stage, I learned what is nation, love, cohabitation, and peace. I learned to invest my time, and that theater is not a place to waste my life."

"We want a theater with a high standards and a heard voice…A theater that brightens the path of those struggling, and enlightens the obscurity of minds and souls…A Saudi theater that is like us, close to us…and this is not impossible in our country," he concluded.



Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
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Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)

Mariah Carey relishes the fact that she has become culturally synonymous with Christmas — thanks in part to the longevity of her iconic song “All I Want for Christmas Is You,” and its ubiquity every year when the holidays roll around.
But the Grammy winner admits she initially wasn’t sure about doing a Christmas record when her label pitched it. “I was a little bit apprehensive,” she recalls, reflecting on her album, “Merry Christmas,” turning 30 this month.
Ahead of her appearance at Sunday’s American Music Awards and an upcoming Christmas tour that kicks off in November, Carey spoke with The Associated Press about the advice she would give to young artists navigating fame and the use of her song, “Always Be My Baby,” in Ari Aster’s 2023 horror comedy, “Beau Is Afraid.”
The interview has been edited for clarity and brevity.
AP: What has it been like to celebrate nearly 20 years of “The Emancipation of Mimi” and reflect on this album’s legacy? CAREY: I think “The Emancipation of Mimi” is one of my albums where there were different boundaries that got pushed aside and I was really happy about that because I needed to come back, apparently. And so, it was a comeback. But it’s one of my favorite albums. And celebrating it this year and this celebration of “Mimi” was really fun because I never get to do those songs. I never do them. And this this time I did.
AP: Because of that kind of underdog feeling, you felt some artistic liberty and empowerment that maybe you hadn’t before? CAREY: Yeah, I feel like people were ready to re-embrace me. And, you know, how did I feel about that? I mean, I feel like the album “Charmbracelet” was a very good album too, but not everybody knew that album. So, you know, when “We Belong Together” came out after “It’s Like That,” which didn’t do as well but still did pretty well. Whatever.
AP: “It’s Like That” is a great song. CAREY: It’s a good song. And I love performing it. You know, I go through stages with these albums. It’s interesting.
AP: Your first Christmas album, “Merry Christmas,” is turning 30 this month. That was obviously a formative record for you and your career. Do you remember anything about its inception? CAREY: So that was the record company saying, “You should do a Christmas album.” And I was like, “I don’t know that I should at this juncture.” Because, you know, I was very young and was just starting out and I felt like people do Christmas albums later in their lives. But now people have started to do them whenever, like right at the top of their career. So, I mean, what was I feeling like? I was a little bit apprehensive and then I was like, “I love this.” And I decorated the studio and just had the best time.
AP: Chappell Roan has made headlines for speaking out about how she is grappling with sudden fame. As someone who has been in the public eye for so long, do you have advice for young artists who are dealing with this? CAREY: Well, I have been through my share of dramas and it’s not fun because you grow up thinking, “I want to be famous.” I mean, really with me, it was always, “I want to be a singer. I want to write songs.” But “I want to be famous” was right there with it. I feel like it was probably because I didn’t feel like I was good enough on my own because of the things I went through growing up. And that’s not a good way to feel, you know?
But my advice would be try your hardest to go into this industry with a love of your talent or what’s really real for you. You know, if it’s like, “I want to be famous. I want to run around with those people, whoever they are, the famous people,” then it’s probably not the best idea.
AP: Have you seen Ari Aster’s “Beau Is Afraid” with Joaquin Phoenix? CAREY: Yes. I had to approve that. I thought it was interesting the way they used my song, “Always Be My Baby.” That was interesting. I mean, it didn’t really match with the movie, but, you know, I was just being edgy by saying, “You know, okay, fine.” It was very different. I mean, I wasn’t reluctant, but I thought, “This is something way different than I’ve done ever.”