Robotic Police Dogs: Useful Hounds or Dehumanizing Machines?

Honolulu Police Acting Lt. Joseph O’Neal demonstrates a robotic dog in Honolulu, Friday May 14, 2021. Jennifer Sinco Kelleher/AP
Honolulu Police Acting Lt. Joseph O’Neal demonstrates a robotic dog in Honolulu, Friday May 14, 2021. Jennifer Sinco Kelleher/AP
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Robotic Police Dogs: Useful Hounds or Dehumanizing Machines?

Honolulu Police Acting Lt. Joseph O’Neal demonstrates a robotic dog in Honolulu, Friday May 14, 2021. Jennifer Sinco Kelleher/AP
Honolulu Police Acting Lt. Joseph O’Neal demonstrates a robotic dog in Honolulu, Friday May 14, 2021. Jennifer Sinco Kelleher/AP

If you’re homeless and looking for temporary shelter in Hawaii’s capital, expect a visit from a robotic police dog that will scan your eye to make sure you don’t have a fever.

That’s just one of the ways public safety agencies are starting to use Spot, the best-known of a new commercial category of robots that trot around with animal-like agility.

The handful of police officials experimenting with the four-legged machines say they’re just another tool, like existing drones and simple wheeled robots, to keep emergency responders out of harm’s way as they scout for dangers. But privacy watchdogs — the human kind — warn that police are secretly rushing to buy the robots without setting safeguards against aggressive, invasive or dehumanizing uses.

In Honolulu, the police department spent about $150,000 in federal pandemic relief money to buy their Spot from robotics firm Boston Dynamics for use at a government-run tent city near the airport.

“Because these people are houseless it’s considered OK to do that,” said Jongwook Kim, legal director at the American Civil Liberties Union of Hawaii. “At some point it will come out again for some different use after the pandemic is over.”

Acting Lt. Joseph O’Neal of the Honolulu Police Department’s community outreach unit defended the robot’s use in a media demonstration earlier this year. He said it has protected officers, shelter staff and residents by scanning body temperatures between meal times at a shelter where homeless people could quarantine and get tested for COVID-19. The robot is also used to remotely interview individuals who have tested positive.

“We have not had a single person out there that said, ‘That’s scary, that’s worrisome,’” O’Neal said. “We don’t just walk around and arbitrarily scan people.”

Police use of such robots is still rare and largely untested — and hasn’t always gone over well with the public. Honolulu officials faced a backlash when a local news organization, Honolulu Civil Beat, revealed that the Spot purchase was made with federal relief money.

Late last year, the New York Police Department starting using Spot after painting it blue and renaming it "Digidog." It went mostly unnoticed until New Yorkers starting spotting it in the wild and posting videos to social media. Spot quickly became a sensation, drawing a public outcry that led the police department to abruptly return Digidog to its maker.

“This is some Robocop stuff, this is crazy,” was the reaction in April from Democratic US Rep. Jamaal Bowman. He was one of several New York politicians to speak out after a widely shared video showed the robot strutting with police officers responding to a domestic-violence report at a high-rise public housing building in Manhattan.

Days later, after further scrutiny from elected city officials, the department said it was terminating its lease and returning the robot. The expensive machine arrived with little public notice or explanation, public officials said, and was deployed to already over-policed public housing. Use of the high-tech canine also clashed with Black Lives Matter calls to defund police operations and reinvest in other priorities.

The company that makes the robots, Boston Dynamics, says it’s learned from the New York fiasco and is trying to do a better job of explaining to the public — and its customers — what Spot can and cannot do. That’s become increasingly important as Boston Dynamics becomes part of South Korean carmaker Hyundai Motor Company, which in June closed an $880 million deal for a controlling stake in the robotics firm.

“One of the big challenges is accurately describing the state of the technology to people who have never had personal experience with it,” Michael Perry, vice president of business development at Boston Dynamics, said in an interview. “Most people are applying notions from science fiction to what the robot’s doing.”

For one of its customers, the Dutch national police, explaining the technology includes emphasizing that Spot is a very good robot — well-behaved and not so smart after all.

“It doesn’t think for itself,” Marjolein Smit, director of the special operations unit of the Dutch national police, said of the remote-controlled robot. “If you tell it to go to the left, it will go to the left. If you tell it to stop, it will stop.”

Earlier this year, her police division sent its Spot into the site of a deadly drug lab explosion near the Belgian border to check for dangerous chemicals and other hazards.

Perry said the company's acceptable use guidelines prohibit Spot’s weaponization or anything that would violate privacy or civil rights laws, which he said puts the Honolulu police in the clear. It's all part of a year-long effort by Boston Dynamics, which for decades relied on military research grants, to make its robots seem friendlier and thus more palatable to local governments and consumer-oriented businesses.

By contrast, a lesser-known rival, Philadelphia-based Ghost Robotics, has no qualms about weaponization and supplies its dog-like robots to several branches of the US military and its allies.

“It’s just plug and play, anything you want,” said Ghost Robotics CEO Jiren Parikh, who was critical of Boston Dynamics’ stated ethical principles as “selective morality” because of the company’s past involvement with the military.

Parikh added that his company doesn’t market its four-legged robots to police departments, though he said it would make sense for police to use them. “It’s basically a camera on a mobile device,” he said.

There are roughly 500 Spot robots now in the wild. Perry said they're commonly used by utility companies to inspect high-voltage zones and other hazardous areas. Spot is also used to monitor construction sites, mines and factories, equipped with whatever sensor is needed for the job, reported The Associated Press.

It’s still mostly controlled by humans, though all they have to do is tell it which direction to go and it can intuitively climb stairs or cross over rough terrain. It can also operate autonomously, but only if it’s already memorized an assigned route and there aren’t too many surprise obstacles.

“The first value that most people see in the robot is taking a person out of a hazardous situation,” Perry said.

Kim, of the ACLU in Hawaii, acknowledged that there might be many legitimate uses for such machines, but said opening the door for police robots that interact with people is probably not a good idea. He pointed to how Dallas police in 2016 stuck explosives on a wheeled robot to kill a sniper, fueling an ongoing debate about “killer robots” in policing and warfighting.

“There’s the potential for these robots to increase the militarization of police departments and use it in ways that are unacceptable,” Kim said. “Maybe it’s not something we even want to let law enforcement have.”



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”