Ernst Kirchner's "Potsdamer Platz" on Display again in Berlin

Ernst Ludwig Kirchner's 'Potsdamer Platz' at Neue Nationalgalerie, Berlin, Germany. (DPA Photo)
Ernst Ludwig Kirchner's 'Potsdamer Platz' at Neue Nationalgalerie, Berlin, Germany. (DPA Photo)
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Ernst Kirchner's "Potsdamer Platz" on Display again in Berlin

Ernst Ludwig Kirchner's 'Potsdamer Platz' at Neue Nationalgalerie, Berlin, Germany. (DPA Photo)
Ernst Ludwig Kirchner's 'Potsdamer Platz' at Neue Nationalgalerie, Berlin, Germany. (DPA Photo)

In the year 1914, long before his persecution under the Nazis drove him to suicide, Kirchner (1880-1938) created a central work of expressionism: "Potsdamer Platz." A nighttime street scene on Berlin's busiest crossroad, the painting is evidence that the city's world-famous club scene today has its roots in a buzzing nightlife a century ago, the German News Agency reported.

At the same time, the painting already hints at the tragedies still to come, with one female figure dressed in black and a veil, presumably widowed after the onset of World War I. Kirchner's scene is perhaps one of the most significant artworks for the city of Berlin, and, somewhat aptly, it was removed from public view during the coronavirus lockdown that emptied Potsdamer Platz and other parts of the city.

Over several years of renovation, the Neue Nationalgalerie in Berlin did not have walls to hang this work on, but it is now once again bringing this famous expressionist work back for the public, along with four other works by Kirchner.

For Joachim Jaeger, director of the central Berlin gallery, "Potsdamer Platz" is one of the highlights of the "The Art of Society 1900-1945" exhibition, and the collection of the National Gallery," with which the museum is reopening on August 22. The Neue Nationalgalerie was closed at the end of 2014 and has gone through five years of fundamental renovation.

With this iconic building, architect Ludwig Mies van der Rohe (1886-1969) created a striking museum for 20th-century art in the late 1960s



Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
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Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File

When successful artist Ai-Da unveiled a new portrait of King Charles this week, the humanoid robot described what inspired the layered and complex piece, and insisted it had no plans to "replace" humans.

The ultra-realistic robot, one of the most advanced in the world, is designed to resemble a human woman with an expressive, life-like face, large hazel eyes and brown hair cut in a bob.

The arms though are unmistakably robotic, with exposed metal, and can be swapped out depending on the art form it is practicing.

Late last year, Ai-Da's portrait of English mathematician Alan Turing became the first artwork by a humanoid robot to be sold at auction, fetching over $1 million, said AFP.

But as Ai-Da unveiled its latest creation -- an oil painting entitled "Algorithm King", conceived using artificial intelligence -- the humanoid insisted the work's importance could not be measured in money.

"The value of my artwork is to serve as a catalyst for discussions that explore ethical dimensions to new technologies," the robot told AFP at Britain's diplomatic mission in Geneva, where the new portrait of King Charles will be housed.

The idea, Ai-Da insisted in a slow, deliberate cadence, was to "foster critical thinking and encourage responsible innovation for more equitable and sustainable futures".

'Unique and creative'

Speaking on the sidelines of the United Nations' AI for Good summit, Ai-Da, who has done sketches, paintings and sculptures, detailed the methods and inspiration behind the work.

"When creating my art, I use a variety of AI algorithms," the robot said.

"I start with a basic idea or concept that I want to explore, and I think about the purpose of the art. What will it say?"

The humanoid pointed out that "King Charles has used his platform to raise awareness on environmental conservation and interfaith dialog. I have aimed this portrait to celebrate" that, it said, adding: "I hope King Charles will be appreciative of my efforts."

Aidan Meller, a specialist in modern and contemporary art, led the team that created Ai-Da in 2019 with artificial intelligence specialists at the universities of Oxford and Birmingham.

He told AFP that he had conceived the humanoid robot -- named after the world's first computer programmer Ada Lovelace -- as an ethical arts project, and not "to replace the painters".

Ai-Da agreed.

There is "no doubt that AI is changing our world, (including) the art world and forms of human creative expression", the robot acknowledged.

But "I do not believe AI or my artwork will replace human artists."

Instead, Ai-Da said, the aim was "to inspire viewers to think about how we use AI positively, while remaining conscious of its risks and limitations".

Asked if a painting made by a machine could really be considered art, the robot insisted: "My artwork is unique and creative."

"Whether humans decide it is art is an important and interesting point of conversation."