Belgian Collects a Treasure Trove of 60,000 Vintage Tin Boxes

Yvette Dardenne, 83, from Belgium stands among thousands of vintage lithographed tin boxes at her house in Grand-Hallet, Belgium August 5, 2021. Picture taken August 5, 2021. (Reuters)
Yvette Dardenne, 83, from Belgium stands among thousands of vintage lithographed tin boxes at her house in Grand-Hallet, Belgium August 5, 2021. Picture taken August 5, 2021. (Reuters)
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Belgian Collects a Treasure Trove of 60,000 Vintage Tin Boxes

Yvette Dardenne, 83, from Belgium stands among thousands of vintage lithographed tin boxes at her house in Grand-Hallet, Belgium August 5, 2021. Picture taken August 5, 2021. (Reuters)
Yvette Dardenne, 83, from Belgium stands among thousands of vintage lithographed tin boxes at her house in Grand-Hallet, Belgium August 5, 2021. Picture taken August 5, 2021. (Reuters)

The colorful tins piled high around Belgian collector Yvette Dardenne used to contain goods ranging from chocolates, toffees, coffee and rice to tobacco, talc and shoe polish, and come from as far away as India.

Yvette Dardenne, 83, has accumulated almost 60,000 vintage tin boxes from all over the world since starting her collection some 30 years ago.

The collection, which now occupies four houses, all began with a Cote d'Or chocolate box illustrated with a painting of a blonde girl in a blue hat, Dardenne told Reuters, standing amid the carefully arranged tin boxes in the medieval watermill she owns next to her home.

Later, the tins just came to her, she said.

"I haven't been anywhere. I was not travelling. People still think I have travelled a lot. It quickly became known (that I collected boxes). Sometimes, right after my husband left for the office, someone would show up to offer me something," said Dardenne, who lives in Grand-Hallet in Belgium's Liege province.

One of Dardenne's greatest treasures is an intricately patterned box from 1868 showing an emblem with two horses on top, built to hold biscuits made by Huntley & Palmers of Reading, England.

It is considered to be the first box to have been lithographed, according to Dardenne, whose collection can be visited by appointment.



World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
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World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA

Noor Riyadh, the world’s largest light art festival and a flagship program of Riyadh Art, concluded its successful fourth edition, welcoming over 3 million spectators and bringing together over 60 artworks by more than 60 artists from 18 countries, the Saudi Press Agency (SPA) reported.

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The festival also featured a striking city-scale light installation at Al Faisaliah Tower, transforming Riyadh into a luminous celebration of art and innovation. This year’s festival brought together 18 Saudi and 43 international artists with site-specific and newly commissioned artworks.

Exceptional installations included Chris Levine’s Higher Power, a city-scale laser projection atop Al Faisaliah Tower; Maryam Tariq’s Shifting Perspectives, which explored perceptual ambiguity at Digital City; and Aether by United Visual Artists, a dazzling drone show at King Abdulaziz Historical Center. Another standout work, Rashed AlShashai’s The Fifth Pyramid, symbolized Riyadh’s cultural transformation.

Architect Khalid Al-Hazani, the executive director of Riyadh Art, bid farewell to the festival, saying: “Noor Riyadh 2024 celebrated humanity’s connection to the stars, sparking inspiration and dialogue through the universal language of art. We look forward to continuing Riyadh’s journey of cultural transformation.”
As for Noor Riyadh festival director Nouf Almoneef, he said: “Once again, this year’s festival united local and international artists for a truly world-class festival.”

“I extend my deepest gratitude to the incredible team -- our staff, volunteers, and partners for their exceptional efforts and collaboration, as well as to the millions of spectators whose engagement made this festival unforgettable,” SPA quoted him as saying.

As part of the community engagement program, which attracted over 52,000 participants, Noor Riyadh organized a variety of activities designed to inspire and connect with the community. These included engaging talks, insightful discussions, interactive workshops, creative experiences, family-friendly activities, and guided tours that enriched the festival experience for visitors.

The seamless execution of these activities was made possible by a dedicated team comprising curators, artists, art explainers, tour guides, and installation crews, ensuring every participant enjoyed a memorable experience.