UK Salsa Enthusiasts Get Back on the Dance Floor

File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS
File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS
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UK Salsa Enthusiasts Get Back on the Dance Floor

File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS
File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS

Salsa dancing was among the first casualties of restrictions on close-contact indoor activities during the coronavirus pandemic -- and among the last in the UK to see bans lifted.

Now enthusiasts of the paired-dance technique set to Latin beats of the same name have wasted no time shimmying back onto the dance floor.

"Go out and dance while it's still allowed, while it's still legal," dance teacher Dani K tells his students at a studio in the British capital.

At an evening class in the Angel area of north London, the 40-year-old Frenchman and his partner Sarah Rowe, 32, reflect on the difficulties of the past 15 months.

Students in plimsolls spin partners round on the dance floor, counting steps diligently and high-fiving each other after each dance.

No one wears a facemask but the studio has air conditioning.

"To be among people again, it feels great," says Vitaliy Zasadnyy, a 29-year-old systems engineer.

"Salsa is a social dance and without people, it's not really salsa -- you're dancing on your own."

Restrictions on indoor events were lifted in England on July 19, allowing a host of activities to resume, from mingling in pubs to sitting inside at restaurants.

Before then, Dani had to adapt, teaching some classes where students learned the basic steps on their own but without any contact with their partners.

"Partner dance is more difficult... because we need to touch," he tells AFP.

"It was difficult because I could feel the frustration of the students."

One of those who took the socially distanced class, Joana Castro, a nurse originally from Portugal, joins Wednesday's class.

"This is my first ever lesson touching a partner," she says, smiling. "It's hard to let someone lead, but it's so much more fun. I really enjoyed it."

Both teachers have led online classes, too, teaching people at home.

Despite the limitations of the format, Rowe calls the virtual classes "a lifeline for us mentally and obviously financially".

The couple, who are expecting a child, say that the lockdown from March 2020 was a huge blow.

"You go from 100 percent to probably 5 percent of your income, while your rent didn't go down, your expenses didn't go down," says Dani.

Rowe says she felt apprehensive about coming out for her first in-person class.

But by the end of the session, she relaxes enough not just to demonstrate steps with Dani, but also dance with students.

It's "really great to be back doing what we love", she says.



‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.