UK Salsa Enthusiasts Get Back on the Dance Floor

File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS
File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS
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UK Salsa Enthusiasts Get Back on the Dance Floor

File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS
File Photo: The original disco floor from the 1977 movie "Saturday Night Fever" is shown in this handout provided by Profiles in History auctioneers in Calabasas, California May 31, 2017. Courtesy Profiles in History/Handout via REUTERS

Salsa dancing was among the first casualties of restrictions on close-contact indoor activities during the coronavirus pandemic -- and among the last in the UK to see bans lifted.

Now enthusiasts of the paired-dance technique set to Latin beats of the same name have wasted no time shimmying back onto the dance floor.

"Go out and dance while it's still allowed, while it's still legal," dance teacher Dani K tells his students at a studio in the British capital.

At an evening class in the Angel area of north London, the 40-year-old Frenchman and his partner Sarah Rowe, 32, reflect on the difficulties of the past 15 months.

Students in plimsolls spin partners round on the dance floor, counting steps diligently and high-fiving each other after each dance.

No one wears a facemask but the studio has air conditioning.

"To be among people again, it feels great," says Vitaliy Zasadnyy, a 29-year-old systems engineer.

"Salsa is a social dance and without people, it's not really salsa -- you're dancing on your own."

Restrictions on indoor events were lifted in England on July 19, allowing a host of activities to resume, from mingling in pubs to sitting inside at restaurants.

Before then, Dani had to adapt, teaching some classes where students learned the basic steps on their own but without any contact with their partners.

"Partner dance is more difficult... because we need to touch," he tells AFP.

"It was difficult because I could feel the frustration of the students."

One of those who took the socially distanced class, Joana Castro, a nurse originally from Portugal, joins Wednesday's class.

"This is my first ever lesson touching a partner," she says, smiling. "It's hard to let someone lead, but it's so much more fun. I really enjoyed it."

Both teachers have led online classes, too, teaching people at home.

Despite the limitations of the format, Rowe calls the virtual classes "a lifeline for us mentally and obviously financially".

The couple, who are expecting a child, say that the lockdown from March 2020 was a huge blow.

"You go from 100 percent to probably 5 percent of your income, while your rent didn't go down, your expenses didn't go down," says Dani.

Rowe says she felt apprehensive about coming out for her first in-person class.

But by the end of the session, she relaxes enough not just to demonstrate steps with Dani, but also dance with students.

It's "really great to be back doing what we love", she says.



‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
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‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)

A white house in a quiet corner of the city of Rio de Janeiro, Brazil, has been attracting a stream of visitors in recent weeks.

They are eager to see the family home portrayed in the Academy Awards nominee film "I’m Still Here", in which a mother of five rebuilds her life while struggling to uncover the truth about her husband's forced disappearance during Brazil’s military regime in the 1970s.

"We came here to pay homage to the family," said visitor Daniela Gurgel, as she roamed through the house. "Raising this story at this time is very important."

The film's three Oscar nominations - best picture, best international feature, and best lead actress - cast a global spotlight on both the real story of Eunice Paiva and her husband Rubens Paiva, and the authoritarian government that upended their lives. The military ruled Brazil between 1964 and 1985.

"Seeing the world watch this story is the recognition of a struggle that my family has been fighting for over 50 years," said Marcelo Rubens Paiva, the son of Eunice and Rubens and the author of the book on which the movie is based.

This struggle, he added, is one "for respect for human rights and democracy."

Brazil's dictatorship ended four decades ago but no one has ever been held accountable for the murder of hundreds of its critics or the torture of what many believe were tens of thousands. Even Rubens Paiva's disappearance, one of the most emblematic cases of human rights abuse of that time, is still an open case before Brazil's Supreme Court. His body was never found.

In 2010, the court upheld a 1979 law, passed during the dictatorship, that pardoned the crimes committed by the regime. But prosecutors and others who oppose the ruling still have cases pending before the court, including Paiva's.

On Friday, the Brazilian government provided families some relief.

Rubens Paiva's death certificate was amended to register that the cause of his death was "unnatural, violent, caused by the Brazilian State in the context of systematic persecution of the population identified as political dissidents of the dictatorial regime established in 1964".

Actress Fernanda Torres, who plays Eunice Paiva in the movie, said: "They did everything they could so that there would be no body, so that there would be no memory, so that it would not be spoken of, so that it would remain hidden in a corner."

But, she added: "This story will not be forgotten."

More than 400 other death certificates from victims of the military dictatorship all over Brazil will be rectified in an effort led by the Special Commission on Political Deaths and Disappearances under former human rights minister Nilmario Miranda.

"The film came as a gift from heaven for us, because it deals with a political disappearance," Miranda said. "The families feel that Brazil needs it. This debt to democracy is being redeemed now."