‘CODA’ Breaks New Ground for Deaf Movie Theater-Goers

This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)
This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)
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‘CODA’ Breaks New Ground for Deaf Movie Theater-Goers

This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)
This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)

Going to the movies isn’t much fun for deaf people. Screenings in theaters with captions are limited and the special glasses and equipment needed to read them are often broken or unavailable.

“CODA,” a coming-of-age story about the only hearing member of a deaf family, will change that when it is screened with open captions that need no special equipment in all US and UK movie theaters and showtimes, starting Friday.

“It couldn’t be more groundbreaking, (just) as the film is groundbreaking in support of the deaf community and the hard-of-hearing community,” said Marlee Matlin, who plays a deaf mother in the film. Matlin is the only deaf performer to ever win an Oscar, for best actress in “Children of a Lesser God” in 1987.

“CODA,” an acronym for child of deaf adults, won four awards at the Sundance Film Festival earlier this year. It also will be streamed with full subtitles in more than 36 languages on Apple TV+, starting Friday.

Apple worked with movie theater operators to ensure the film would be played everywhere, for deaf and hearing audiences alike, with the captions burned into the print in what is thought to be a first for a feature film release in theaters.

“It is historic. It is huge for all us,” said Daniel Durant, a deaf actor who plays son Leo. “This is a day we have waited to see for so many years.”

“CODA” tells the story of high school student Ruby who has grown up having to interpret for her deaf father, mother and brother in situations ranging from doctor visits to their small fishing business. The family communicates with sign language, and all three of the deaf characters are played by deaf actors.

It follows “Sound of Metal” about a drummer who loses his hearing, which earned six Oscar nominations earlier this year, including for best picture.

Durant said while some scenes give the specific viewpoint of deaf people, the appeal of “CODA” is universal.

“Anyone who watches this can feel connected with it because everyone comes from a family, and every family goes through similar struggles - kids growing up, what are they going to do in their future, becoming independent, maybe they’re moving away from their family,” he said.

Writer-director Sian Heder, who is hearing, learned American Sign Language for the project and wanted to ensure the film was accessible to everyone.

“Oftentimes I think deaf people are left out of the movie-going experience because of devices that don’t work and lack of devices in theaters,” Heder said.

The filmmakers hope the open caption screenings for “CODA” will persuade other studios to follow their example, and will encourage deaf people to try movie theaters again.

Heder recalled the emotional reaction of a deaf man at a recent screening with the open captions in Gloucester, Massachusetts, where the film was shot.

“He was, like, ‘I don’t go to the movies. I can’t wear those glasses. They make me nauseous. Half the time they don’t work so I’ve just stopped going to the theater.’ He hadn’t seen a movie in the theater in 10 years and he was very moved and excited.”



Spielberg, De Niro, Freeman Praise Francis Ford Coppola as He Accepts the AFI Life Achievement Award

Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
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Spielberg, De Niro, Freeman Praise Francis Ford Coppola as He Accepts the AFI Life Achievement Award

Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Steven Spielberg proclaimed “The Godfather” the “greatest American film ever made,” Robert De Niro teasingly bemoaned being cast in the sequel and not the original and Harrison Ford fought back tears reflecting on his role in the 1974 film, “The Conversation.”
At the center of it all was Francis Ford Coppola, who on Saturday received the AFI Life Achievement Award at a ceremony at Dolby Theatre that brought together legendary stars from a seemingly bygone era of cinema,
A founding AFI trustee, Coppola’s recognition from the organization was a kind of full circle moment for the “Apocalypse Now” director.
“When I was a kid there was the Oscars and that was it. Now they’re going to have an award show for the best award show,” the 86-year-old said on the red carpet ahead of the show. “But this is a little different because it’s a personal recognition of the people that you’ve known all your life and your colleagues over many years, so it’s like a homecoming in a way.”
“You, sir, are peerless. You have taken what came before and redefined the canon of American film,” Spielberg said.
Coppola sat between Spielberg and George Lucas, as actors and fellow filmmakers like Spike Lee, Dustin Hoffman, Al Pacino and Morgan Freeman took turns gushing over the Oscar winner.
“Dreamer of dreams on a dime, teller of tales that cost and lost millions. But tonight, (expletive) the bankers and the bank,” Freeman said to laughs and cheers.
Lucas, Coppola’s longtime friend and colleague, presented him with the award. The pair have known each other for decades and cofounded their own production company, American Zoetrope, in 1969.
“You rounded up a bunch of young film students, gathered us together. We moved to San Francisco, hoping to beat the system. And we did. Like the filmmakers from the dawn of the art form, we had no rules. We wrote them, and you were holding the pen,” Lucas said.
Coppola was mostly stoic throughout the ceremony as Hollywood sang his praises — until he accepted the award at the end of the night. He beamed as he approached the stage and thanked the room, which was filled with some of his family members as well as multigenerational A-listers.
“Now I understand here, this place that created me, my home, isn’t really a place at all, but you — friends, colleagues, teachers, playmates, family, neighbors, all the beautiful faces are welcoming me back,” he said. “I am and will always be nothing more than one of you.”
Coppola was the 50th recipient of the award first handed out to John Ford in 1973.
Guests were served wine from the Francis Ford Coppola Winery and after dinner — true to his Italian heritage — a trio of cannolis. Actors who have worked with Coppola painted a unified picture of him as a director, reminiscing on how they were invited to participate and educated about film in a way that empowered them.
“He’s very professorial. He talks about history and things and even older movies in the scene he’s inspired by,” said “The Godfather III” star Andy Garcia. “You go into working with him in a movie, and you go in seeking an associate’s degree and you would walk out with a master’s.”
Coppola last year released his long-in development “Megalopolis,” a Roman epic set in a modern New York. The film drew mixed reviews from critics and flopped with audiences. Coppola, though, has maintained he was compelled to make “Megalopolis” as an artist, not as a businessman. He self-financed the film.
“For a year in our culture when the importance of the arts is minimized, and our industry is seemingly out in the open that the only metric to judge a film’s success is by how much money it makes, I hang on to individuals like Francis for inspiration, who live through their convictions,” said Adam Driver, who starred in the film.
Last year’s AFI honoree was Nicole Kidman. Other recent recipients include John Williams, Mel Brooks, Denzel Washington and Julie Andrews.