‘CODA’ Breaks New Ground for Deaf Movie Theater-Goers

This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)
This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)
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‘CODA’ Breaks New Ground for Deaf Movie Theater-Goers

This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)
This image released by the Sundance Institute shows Emilia Jones in a scene from “CODA.” Sundance Institute via AP)

Going to the movies isn’t much fun for deaf people. Screenings in theaters with captions are limited and the special glasses and equipment needed to read them are often broken or unavailable.

“CODA,” a coming-of-age story about the only hearing member of a deaf family, will change that when it is screened with open captions that need no special equipment in all US and UK movie theaters and showtimes, starting Friday.

“It couldn’t be more groundbreaking, (just) as the film is groundbreaking in support of the deaf community and the hard-of-hearing community,” said Marlee Matlin, who plays a deaf mother in the film. Matlin is the only deaf performer to ever win an Oscar, for best actress in “Children of a Lesser God” in 1987.

“CODA,” an acronym for child of deaf adults, won four awards at the Sundance Film Festival earlier this year. It also will be streamed with full subtitles in more than 36 languages on Apple TV+, starting Friday.

Apple worked with movie theater operators to ensure the film would be played everywhere, for deaf and hearing audiences alike, with the captions burned into the print in what is thought to be a first for a feature film release in theaters.

“It is historic. It is huge for all us,” said Daniel Durant, a deaf actor who plays son Leo. “This is a day we have waited to see for so many years.”

“CODA” tells the story of high school student Ruby who has grown up having to interpret for her deaf father, mother and brother in situations ranging from doctor visits to their small fishing business. The family communicates with sign language, and all three of the deaf characters are played by deaf actors.

It follows “Sound of Metal” about a drummer who loses his hearing, which earned six Oscar nominations earlier this year, including for best picture.

Durant said while some scenes give the specific viewpoint of deaf people, the appeal of “CODA” is universal.

“Anyone who watches this can feel connected with it because everyone comes from a family, and every family goes through similar struggles - kids growing up, what are they going to do in their future, becoming independent, maybe they’re moving away from their family,” he said.

Writer-director Sian Heder, who is hearing, learned American Sign Language for the project and wanted to ensure the film was accessible to everyone.

“Oftentimes I think deaf people are left out of the movie-going experience because of devices that don’t work and lack of devices in theaters,” Heder said.

The filmmakers hope the open caption screenings for “CODA” will persuade other studios to follow their example, and will encourage deaf people to try movie theaters again.

Heder recalled the emotional reaction of a deaf man at a recent screening with the open captions in Gloucester, Massachusetts, where the film was shot.

“He was, like, ‘I don’t go to the movies. I can’t wear those glasses. They make me nauseous. Half the time they don’t work so I’ve just stopped going to the theater.’ He hadn’t seen a movie in the theater in 10 years and he was very moved and excited.”



‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
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‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

In the box office showdown between a deadly assassin and a chaotic CG alien, “Lilo & Stitch” still had the edge. The Disney juggernaut celebrated a third weekend at the top of the charts, while the John Wick spinoff “Ballerina” did not jeté as high as expected.

According to studio estimates Sunday, “From the World of John Wick: Ballerina” earned $25 million from 3,409 theaters in the US and Canada, The Associated Press reported. Several weeks ago it was tracking to open in the $35 to $40 million range, but that was adjusted down several times. Ultimately, it still came in lower than forecasts. The movie, directed by Len Wiseman, makes a sideline character out of Keanu Reeves’ John Wick and focuses on Ana de Armas. It takes place during the events of “John Wick 3.”

The box office performance is a bit perplexing result considering that “Ballerina” got good critic reviews and audience exit polls. Conventional wisdom would say that word of mouth might have given it a boost over the weekend. But, recently, opening weekend isn’t the end all that it used to be. “Ballerina” could be in the game for the long haul.

The Lionsgate release, a Thunder Road Films and 87Eleven Entertainment production, had a hefty production price tag reported to be in the $90 million range. But much of that cost has already been offset by foreign pre-sales. Internationally, it earned $26 million from 82 countries, bringing its global opening to $51 million.

As the first spinoff, it’s the second lowest opening of the five-film franchise – above only the first film which opened just over $14 million in 2014, which does not account for inflation. The franchise overall has grossed more than $1 billion worldwide.

First place once again went to “Lilo & Stitch,” which added another $32.5 million in North America, bringing its domestic total to $335.8 and global tally to $772.6 million. In just 17 days, it's already made more domestically than the live-action “The Little Mermaid” did in its entire run ($298 million).

“Mission: Impossible — The Final Reckoning” slid to third place with $15 million, bringing its worldwide total to $450.4 million. “Karate Kid: Legends” earned $8.7 million to take fourth place. And “Final Destination: Bloodlines" rounded out the top five with $6.5 million.

The new Wes Anderson movie “The Phoenician Scheme” expanded beyond New York and Los Angeles to 1,678 theaters nationwide. The Focus Features release starring Benicio del Toro made an estimated $6.3 million and landed in sixth place.