China’s Weibo Shuts Accounts Defending Kris Wu Allegations

Kris Wu. (Reuters)
Kris Wu. (Reuters)
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China’s Weibo Shuts Accounts Defending Kris Wu Allegations

Kris Wu. (Reuters)
Kris Wu. (Reuters)

China’s microblogging platform Sina Weibo on Monday closed 145 accounts, some of which had defended pop star Kris Wu over his rape allegations, for publishing what it called “information harmful for maintaining social order.”

Wu, a Chinese-Canadian pop star, was detained on July 31 for “deceiving young women multiple times into having sexual relations” with him, according to Beijing police. His arrest came after several women said they were plied with alcohol and then either pressured to have sex with him or sexually assaulted.

Some of the Weibo accounts which were shut down had previously defended such allegations against Wu, according to state-run media outlet Global Times.

It was not immediately clear how many of the 145 accounts were shut down for defending Wu. Several other celebrities, such as debater and media personality Ma Weiwei, also had their accounts suspended after they defended earlier allegations against Wu in 2016, and have since apologized for their actions, according to the Global Times.

Weibo, often described as China’s Twitter, said in a post published Monday that the 145 accounts were shut down for publishing harmful information related to current affairs, defined as anything from “spreading rumors, disrupting state order and undermining social stability” to “publishing negative information that breaks the bottom line of social morality and the system.”

The shutdown of Weibo accounts highlights how internet and social media platforms are required to strictly comply with content guidelines and censorship rules in China, where authorities dictate what can or cannot be published online.

Authorities in China are quick to censor keywords and search terms deemed politically sensitive or harmful to society, and internet platforms are expected to comply according to the law.

Certain search terms, such as the names of Chinese artist-activist Ai Weiwei or late Chinese dissident Liu Xiaobo, turn up no results when searched on platforms like Weibo.

The shutdown of accounts also come at a time when the Chinese government has tightened its grip over the internet and technology sector.

In recent months, authorities have implemented anti-monopoly rules and data privacy laws to curb unfair market practices and prevent companies from unfairly collecting and profiting off users’ data.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.