China’s Weibo Shuts Accounts Defending Kris Wu Allegations

Kris Wu. (Reuters)
Kris Wu. (Reuters)
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China’s Weibo Shuts Accounts Defending Kris Wu Allegations

Kris Wu. (Reuters)
Kris Wu. (Reuters)

China’s microblogging platform Sina Weibo on Monday closed 145 accounts, some of which had defended pop star Kris Wu over his rape allegations, for publishing what it called “information harmful for maintaining social order.”

Wu, a Chinese-Canadian pop star, was detained on July 31 for “deceiving young women multiple times into having sexual relations” with him, according to Beijing police. His arrest came after several women said they were plied with alcohol and then either pressured to have sex with him or sexually assaulted.

Some of the Weibo accounts which were shut down had previously defended such allegations against Wu, according to state-run media outlet Global Times.

It was not immediately clear how many of the 145 accounts were shut down for defending Wu. Several other celebrities, such as debater and media personality Ma Weiwei, also had their accounts suspended after they defended earlier allegations against Wu in 2016, and have since apologized for their actions, according to the Global Times.

Weibo, often described as China’s Twitter, said in a post published Monday that the 145 accounts were shut down for publishing harmful information related to current affairs, defined as anything from “spreading rumors, disrupting state order and undermining social stability” to “publishing negative information that breaks the bottom line of social morality and the system.”

The shutdown of Weibo accounts highlights how internet and social media platforms are required to strictly comply with content guidelines and censorship rules in China, where authorities dictate what can or cannot be published online.

Authorities in China are quick to censor keywords and search terms deemed politically sensitive or harmful to society, and internet platforms are expected to comply according to the law.

Certain search terms, such as the names of Chinese artist-activist Ai Weiwei or late Chinese dissident Liu Xiaobo, turn up no results when searched on platforms like Weibo.

The shutdown of accounts also come at a time when the Chinese government has tightened its grip over the internet and technology sector.

In recent months, authorities have implemented anti-monopoly rules and data privacy laws to curb unfair market practices and prevent companies from unfairly collecting and profiting off users’ data.



‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
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‘I’m Still Here’ Spotlights Brazil’s Authoritarian Past

Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)
Fernanda Torres poses with the award for Best Performance by an Actress in a Motion Picture — Drama for "I'm Still Here" at the 82nd Golden Globe Awards in Beverly Hills, California, US, January 5, 2025. (Reuters)

A white house in a quiet corner of the city of Rio de Janeiro, Brazil, has been attracting a stream of visitors in recent weeks.

They are eager to see the family home portrayed in the Academy Awards nominee film "I’m Still Here", in which a mother of five rebuilds her life while struggling to uncover the truth about her husband's forced disappearance during Brazil’s military regime in the 1970s.

"We came here to pay homage to the family," said visitor Daniela Gurgel, as she roamed through the house. "Raising this story at this time is very important."

The film's three Oscar nominations - best picture, best international feature, and best lead actress - cast a global spotlight on both the real story of Eunice Paiva and her husband Rubens Paiva, and the authoritarian government that upended their lives. The military ruled Brazil between 1964 and 1985.

"Seeing the world watch this story is the recognition of a struggle that my family has been fighting for over 50 years," said Marcelo Rubens Paiva, the son of Eunice and Rubens and the author of the book on which the movie is based.

This struggle, he added, is one "for respect for human rights and democracy."

Brazil's dictatorship ended four decades ago but no one has ever been held accountable for the murder of hundreds of its critics or the torture of what many believe were tens of thousands. Even Rubens Paiva's disappearance, one of the most emblematic cases of human rights abuse of that time, is still an open case before Brazil's Supreme Court. His body was never found.

In 2010, the court upheld a 1979 law, passed during the dictatorship, that pardoned the crimes committed by the regime. But prosecutors and others who oppose the ruling still have cases pending before the court, including Paiva's.

On Friday, the Brazilian government provided families some relief.

Rubens Paiva's death certificate was amended to register that the cause of his death was "unnatural, violent, caused by the Brazilian State in the context of systematic persecution of the population identified as political dissidents of the dictatorial regime established in 1964".

Actress Fernanda Torres, who plays Eunice Paiva in the movie, said: "They did everything they could so that there would be no body, so that there would be no memory, so that it would not be spoken of, so that it would remain hidden in a corner."

But, she added: "This story will not be forgotten."

More than 400 other death certificates from victims of the military dictatorship all over Brazil will be rectified in an effort led by the Special Commission on Political Deaths and Disappearances under former human rights minister Nilmario Miranda.

"The film came as a gift from heaven for us, because it deals with a political disappearance," Miranda said. "The families feel that Brazil needs it. This debt to democracy is being redeemed now."