New this Week: ‘Cinderella,’ Imagine Dragons, Selena Gomez

This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)
This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)
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New this Week: ‘Cinderella,’ Imagine Dragons, Selena Gomez

This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)
This combination of photos shows promotional art for the Hulu original series "Only Murders in the Building," premiering Aug. 31, left, the Amazon original movie "Cinderella" premiering Sept. 3, center, and the Netflix film "Worth," premiering Sept. 3. (Hulu/Amazon/Netflix via AP)

The Associated Press’ journalists prepared a collection of entertainment arriving on TV, streaming services and music platforms this week.

MOVIES

— Michael Keaton leads the new Netflix film “Worth,” available starting Sept. 3, about the lawyer tasked with putting a dollar value lives of those killed in the Sept. 11 attacks. Based on a true story, Keaton’s character is forced to reevaluate his priorities after meeting a widower played by Stanley Tucci. The cast also includes Amy Ryan and Tate Donovan. Also on Netflix starting Sept. 1 are “Blade Runner: The Final Cut,” “Clear and Present Danger,” “Labyrinth” and “Mars Attacks!”

— “Pose” star Billy Porter plays a non-binary Fairy Godparent named Fab G in the latest version of “Cinderella,” streaming Sept. 3 on Amazon Prime Video. Pop star Camilla Cabello stars as the glass slipper-loser and Idina Menzel plays the Stepmother. Naturally, both are providing original songs for the soundtrack. It’s a stacked cast, too, with Minnie Driver as the Queen, Pierce Brosnan as the King, and James Corden and John Mulaney as the mice/footmen. And it was written and directed by Kay Cannon, who wrote the “Pitch Perfect” movies. Also on Prime, “Apollo 13,” “Sleepless in Seattle” “The Last of the Mohicans” and “The Social Network” are available starting Sept. 1.

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— The Criterion Channel is hosting a series of quintessential New York films starting Sept. 1 from Charlie Chaplin’s “The Immigrant,” from 1917 through Noah Baumbach’s “Frances Ha,” from 2012. It is a murderer’s row of great films across the century. There are ’60s classics like “The Apartment” and “West Side Story” and ’70s greats like “Sisters” and “The Panic in Needle Park.” There are 1980s essentials like “After Hours,” “Moonstruck,” “Do the Right Thing” and “Stranger Than Paradise,” leading up to indie classics from the 1990s and beyond with “Metropolitan,” “Paris Is Burning,” “The Squid and the Whale” and “Margaret.” It might accidentally take up your whole month.

— AP Film Writer Lindsey Bahr

MUSIC

— Imagine Dragons are releasing their fifth studio album on Sept. 3 called “Mercury — Act 1” with Rick Rubin producing. One song, “Wrecked,” was inspired by singer Dan Reynolds’ late sister-in-law, Alisha Durtschi Reynolds, who died following a cancer battle. Another, “Follow You,” is a love song written by Reynolds after re-marrying his wife following a separation. And there’s one of the edgiest tracks yet from the band — “Cutthroat,” an anthem about killing the critic inside of you.

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— If you’re looking for something harder, look no further than Iron Maiden, whose 17th studio album “Senjutsu” drops Sept. 3 and is their first in six years. Though just 10 tracks, each one is long — one song, “The Parchment,” clocks in at over 12 minutes — so “Senjutsu” will be a double CD, just as their last, “The Book of Souls.” This time, taking a nod to the East, the band’s mascot, Eddie, sports a samurai sword on the cover. The first single, “The Writing on the Wall,” is a metal banger with layers of guitar and wailing solos. It paints a bleak picture of life: “Now we are victorious, we’ve become our slaves/A land of hope and glory, building graveyards for the brave.”

— AP Entertainment Writer Mark Kennedy.

TELEVISION

— Steve Martin, Martin Short and Selena Gomez are the odd-triplet stars of Hulu’s “Only Murders in the Building” and enticement enough to check out the comedy-mystery. The premise: A trio of true-crime addicts and neighbors in a posh Manhattan apartment building team up to solve the gory death of a fellow tenant. As they document their sleuthing for a podcast, long-dormant secrets come to light and a killer gets perilously closer. The 10-episode series debuts Tuesday.

— Billie Eilish and the city of LA star in a Disney+ special described as a cinematic concert experience. Eilish will perform her new album, “Happier than Ever,” in “Happier than Ever: A Love Letter to Los Angeles,” debuting Sept. 3. Her performance at the Hollywood Bowl is joined with animation to take viewers on a promised “dreamlike journey” thorough Eilish’s home and its landmarks. The Los Angeles Philharmonic and conductor Gustavo Dudamel, Brazilian guitarist Romero Lubambo and singer-songwriter Finneas, Eilish’s brother, are among those making guest appearances.

— After a pandemic-forced production break, Showtime’s “Billions” returns for the second half of season five on Sunday (9 p.m. EDT). There’s shifting alliances as the power struggle continues between hedge fund manager Bobby Axelrod (Damian Lewis) and his prosecutor-nemesis Chuck Rhoades (Paul Giamatti). Among those along for the undoubtedly bumpy, five-episode ride, ahead of the announced season six: Corey Stoll as billionaire Mike Prince and Janeane Garofalo as Winslow, who owns a legit cannabis enterprise.



The Music Industry is Battling AI -- with Limited Success

The music industry is particularly concerned about non-authorized use of its content to train generative AI models. LLUIS GENE / AFP
The music industry is particularly concerned about non-authorized use of its content to train generative AI models. LLUIS GENE / AFP
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The Music Industry is Battling AI -- with Limited Success

The music industry is particularly concerned about non-authorized use of its content to train generative AI models. LLUIS GENE / AFP
The music industry is particularly concerned about non-authorized use of its content to train generative AI models. LLUIS GENE / AFP

The music industry is fighting on platforms, through the courts and with legislators in a bid to prevent the theft and misuse of art from generative AI -- but it remains an uphill battle.

Sony Music said recently it has already demanded that 75,000 deepfakes -- simulated images, tunes or videos that can easily be mistaken for real -- be rooted out, a figure reflecting the magnitude of the issue.

The information security company Pindrop says AI-generated music has "telltale signs" and is easy to detect, yet such music seems to be everywhere.

"Even when it sounds realistic, AI-generated songs often have subtle irregularities in frequency variation, rhythm and digital patterns that aren't present in human performances," said Pindrop, which specializes in voice analysis.

But it takes mere minutes on YouTube or Spotify -- two top music-streaming platforms -- to spot a fake rap from 2Pac about pizzas, or an Ariana Grande cover of a K-pop track that she never performed.

"We take that really seriously, and we're trying to work on new tools in that space to make that even better," said Sam Duboff, Spotify's lead on policy organization.

YouTube said it is "refining" its own ability to spot AI dupes, and could announce results in the coming weeks.

"The bad actors were a little bit more aware sooner," leaving artists, labels and others in the music business "operating from a position of reactivity," said Jeremy Goldman, an analyst at the company Emarketer.

"YouTube, with a multiple of billions of dollars per year, has a strong vested interest to solve this," Goldman said, adding that he trusts they're working seriously to fix it.

"You don't want the platform itself, if you're at YouTube, to devolve into, like, an AI nightmare," he said.

Litigation

But beyond deepfakes, the music industry is particularly concerned about unauthorized use of its content to train generative AI models like Suno, Udio or Mubert.

Several major labels filed a lawsuit last year at a federal court in New York against the parent company of Udio, accusing it of developing its technology with "copyrighted sound recordings for the ultimate purpose of poaching the listeners, fans and potential licensees of the sound recordings it copied."

More than nine months later, proceedings have yet to begin in earnest. The same is true for a similar case against Suno, filed in Massachusetts.

At the center of the litigation is the principle of fair use, allowing limited use of some copyrighted material without advance permission. It could limit the application of intellectual property rights.

"It's an area of genuine uncertainty," said Joseph Fishman, a law professor at Vanderbilt University.

Any initial rulings won't necessarily prove decisive, as varying opinions from different courts could punt the issue to the Supreme Court.

In the meantime, the major players involved in AI-generated music continue to train their models on copyrighted work -- raising the question of whether the battle isn't already lost.

Fishman said it may be too soon to say that: although many models are already training on protected material, new versions of those models are released continuously, and it's unclear whether any court decisions would create licensing issues for those models going forward.

Deregulation

When it comes to the legislative arena, labels, artists and producers have found little success.

Several bills have been introduced in the US Congress, but nothing concrete has resulted.

A few states -- notably Tennessee, home to much of the powerful country music industry -- have adopted protective legislation, notably when it comes to deepfakes.

Donald Trump poses another potential roadblock: the Republican president has postured himself as a champion of deregulation, particularly of AI.

Several giants in AI have jumped into the ring, notably Meta, which has urged the administration to "clarify that the use of publicly available data to train models is unequivocally fair use."

If Trump's White House takes that advice, it could push the balance against music professionals, even if the courts theoretically have the last word.

The landscape is hardly better in Britain, where the Labor government is considering overhauling the law to allow AI companies to use creators' content on the internet to help develop their models, unless rights holders opt out.

More than a thousand musicians, including Kate Bush and Annie Lennox, released an album in February entitled "Is This What We Want?" -- featuring the sound of silence recorded in several studios -- to protest those efforts.

For analyst Goldman, AI is likely to continue plaguing the music industry -- as long as it remains unorganized.

"The music industry is so fragmented," he said. "I think that that winds up doing it a disservice in terms of solving this thing."