London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
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London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi

Movies from 77 countries will screen at the 2021 London Film Festival, as Britain’s leading cinema showcase welcomes mass audiences back to movie theaters after a pandemic-disrupted year.

The festival program, announced Tuesday, includes 158 features, down from 225 during its last pre-pandemic edition in 2019. The 2020 festival was a curtailed collection of 58 films, most screened online.

This year, mask-wearing, full-capacity audiences will be able to attend gala screenings at London’s riverside Southbank Centre, with many of the premieres screened simultaneously at movie theaters across the UK.

About 37% of the features are directed by women — not yet parity, but up from a quarter four years ago and “heading in the right direction,” The Associated Press quoted festival director Tricia Tuttle as saying.

The festival opens Oct. 6 with the world premiere of “The Harder They Fall” — a Western from British director Jeymes Samuel with a Black-led cast — and closes Oct. 17 with the European premiere of Joel Coen’s “The Tragedy of Macbeth,” starring Denzel Washington and Frances McDormand as Shakespeare’s murderous Scottish royals.

The lineup includes 21 world premieres alongside prize-winners and headline-grabbers from the Cannes and Venice film festivals, including Jane Campion’s Montana-set Western “The Power of the Dog” and Edgar Wright’s swinging-60s horror romp “Last Night in Soho,” both of which premiered in Venice this month.

Also on the schedule are French director Julia Ducournau’s techno-sexual thriller “Titane” — winner of Cannes' top prize, the Palme d'Or — Paul Verhoeven’s lesbian nun drama “Benedetta” and Wes Anderson’s whimsical “The French Dispatch,” both of which also premiered at the French Riviera festival.

The London festival will also feature Maggie Gyllenhaal’s Elena Ferrante adaptation “The Lost Daughter”; Reinaldo Marcus Green’s “King Richard,” which stars Will Smith as the father of Venus and Serena Williams; Kenneth Branagh’s homage to his home town, “Belfast”; Jacques Audiard’s “Paris, 13th District” and Todd Haynes’ music documentary “The Velvet Underground.”

Another highlight is Chilean director Pablo Larrain’s “Spencer” — a film whose first publicity shot of Kristin Stewart as Princess Diana was enough to set off a frenzy of anticipation.

“I don’t think there’s a film fan alive who doesn’t want to see this film after that still was released,” Tuttle said.
Embracing television as well as cinema, the festival is also screening the first two episodes of the third series of media-dynasty drama “Succession.”

Festival organizers are still unsure how the coronavirus pandemic will affect plans for red-carpet premieres and parties. Four-fifths of British adults are fully vaccinated, and there are few restrictions on social life. But infections remain high, and are expected to climb further now that children are back at school.

Tuttle says a few films in the lineup deal explicitly with the pandemic, including Matthew Heineman’s documentary “The First Wave” and “7 Days,” a coronavirus romcom about a couple locked down together after a disastrous first date.

“We were wary of going too heavily into the pandemic,” Tuttle said. “We’ve just chosen films that charmed us or felt too urgent not to include in the program.”



Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
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Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)

Kendrick Lamar gave music listeners an early holiday present Friday with the surprise drop of a new album.

The Grammy winner's 12-track “GNX” is his first release since 2022's “Mr. Morale & The Big Steppers” and his sixth studio album overall. It also comes just months after his rap battle with Drake.

Lamar first teased the album with a cover art and video snippet of “GNX,” which features multi-instrumentalist Jack Antonoff as a co-producer on every track except for “Peekaboo.” Other notable producers include Sounwave and DJ Mustard, who both contributed production on the hit “Not Like Us,” the ubiquitous diss track emanating from the Drake feud.

Lamar's former Top Dawg Entertainment labelmate SZA appears on a couple songs including “Gloria” and “Luther,” which also features sampled vocals from Luther Vandross and Cheryl Lynn through “If This World Were Mine."
On the opening track “Wacced Out Murals,” Lamar raps about cruising in his Buick GNX (Grand National Experimental) car with listening to Anita Baker. He brings up Snoop Dogg posting Drake's AI-assisted “Taylor Made Freestyle” diss track on social media and Nas congratulating Lamar for being selected to headline February's Apple Music Super Bowl Halftime Show in New Orleans.
Lamar also shows admiration for Lil Wayne, who expressed his hurt feelings after being passed over as the headliner in his hometown.
Lamar, 37, has experienced massive success since his debut album “good kid, m.A.A.d city” in 2012. Since then, he’s accumulated 17 Grammy wins and became the first non-classical, non-jazz musician to win a Pulitzer Prize for his 2017 album “DAMN.”
The surprise release caps a big year for Lamar, who was featured on the song “Like That” with Future and Metro Boomin — a track that spent three weeks at No. 1 on the Billboard Hot 100 this year.
Lamar is up for seven Grammys, fueled by “Not Like Us,” which earned nods for record and song of the year, rap song, music video as well as best rap performance. He has two simultaneous entries in the latter category, a career first: “Like That” is up for best rap performance and best rap song, too.