Superfans Lie Low as China Cracks Down on 'False Idols'

Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP
Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP
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Superfans Lie Low as China Cracks Down on 'False Idols'

Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP
Fans holding cameras wait for celebrities at Beijing’s Capital Airport Jade GAO AFP

Beijing high schooler Chen Zhichu used to spend 30 minutes a day boosting actor Xiao Zhan online as one of a legion of superfans, before the practice fell foul of the government for promoting "unhealthy values".

State regulations last month banned "irrational star-chasing" -- online celebrity rankings, fundraising and other tools used by China's fandoms to get their idols trending on social media -- in the latest of a series of crackdowns across Chinese society.

Known for his androgynous good looks, Xiao earned legions of devoted, mostly female fans through his role in the 2019 fantasy drama The Untamed, and has over 29 million followers on Weibo alone.

"I used to upvote posts in his Weibo fan forum and buy products he promoted," Chen, 16, told AFP in a busy downtown shopping district.

"It was pretty exhausting trying to keep him trending at number one every day."

Fans power China's lucrative idol economy, previously forecast by state media to be worth 140 billion yuan ($21.6 billion) by 2022.

In a country where young people have few other means of influencing public life, full-time fan content creators -- dubbed "zhanjie" or "station sisters" -- can propel a star's rise from obscurity by creating viral images of them.

Critics say fan culture is an exploitative industry aimed at profiting from minors, built on artificially inflated social media engagement -- something the government wants to eliminate through the new regulations.

Authorities say the new rules are needed to curb excessive aspects of fan culture, including cyberbullying, stalking, doxxing and bitter online wars between fandoms.

But many fans say they derive pleasure from seeing their idols flourish and have found a sense of community from the shared online space.

- Morality crackdown -

Communist authorities are also worried about idols for another reason: their ability to mobilize fan armies at a moment's notice, often dominating social media for days.

"It's the beginnings of a mass movement and that is what the government doesn't want," said a social studies professor at a Chinese university who did not wish to be named.

Multiple crackdowns have swept the tech, education and showbiz sectors in recent months, as authorities increasingly target the rich and powerful in a push for greater socioeconomic equality.

But it is also partly to instill "healthy", government-sanctioned societal values in young people, so they are less influenced by wayward celebrities.

"Chinese youth lack other types of idols," said Fang Kecheng, communications professor at the Chinese University of Hong Kong. "It's very hard for them to have other means of civic participation (such as activism)."

China's broadcast regulator last month banned performers with "lapsed morals" and "incorrect political views", as well as what it termed "sissy men" -- an androgynous aesthetic popularized by Korean boybands, and imitated by male Chinese idols like Xiao.

Experts read the latter as a sign of Beijing's increasing discomfort with alternative forms of masculinity at a time of falling birth rates and rising nationalism, as films with macho, military heroes are promoted by the state.

- 'Necessary growth stage' -

For one idol-in-waiting in Shanghai, the crackdown on celebrity culture is a chance for an industry reset.

Regulation "is a growth stage that the industry needs to go through" 26-year-old Li Chengxi told AFP during rehearsals for a reality dance competition filming in Nantong, east China.

Li has been an avid dancer and actress since childhood.

After graduating from the elite Peking University, she tried to make it as an entertainer, starring in a few films and idol talent shows -- a genre now banned by broadcast regulators.

Still, she remains unfazed by the potential for state rules to cramp her progress.

"When huge waves break ashore, the gold left behind will shine even brighter," she said.

Chinese entertainers wanting mainstream success have little choice but to agree with the state, whose disapproval can ultimately sink their careers.

While Li has over 200,000 followers on social media, it's far from viral superstardom.

And for now, Chinese superfans are keeping a low profile both on and offline.

"After this round of clean-ups, there will still be fan activities, but maybe fewer than before," said one Beijing-based fan in her twenties surnamed Geng.

"Everyone's watching and waiting."



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.