'I've Always Been a Feminist': Jean-Paul Gaultier Becomes Curator

Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File
Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File
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'I've Always Been a Feminist': Jean-Paul Gaultier Becomes Curator

Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File
Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File

Having achieved pretty much everything there was to achieve in the fashion world, Jean Paul Gaultier is opening himself up to new horizons since retiring from the business last year.

The former "enfant terrible" of French fashion has curated an exhibition in Paris on the power of women, taking in screen icons from Marilyn Monroe to this year's shocking Palme d'Or winner "Titane".

"I've always been a feminist," the 69-year-old told AFP on a tour of the exhibition.

"I wanted to show the evolution of women and men in cinema and fashion. Men becoming more feminine and women taking on more and more power and freedom."

"Cinemode", which opens at the Cinematheque Francaise this Wednesday, brings together hand-picked film clips, photos and costumes.

Gaultier has himself straddled the worlds of film and fashion, having designed costumes for Spanish auteur Pedro Almodovar, and most famously for the 1990s sci-fi hit "The Fifth Element".

He has a particular taste for icons of the 1950s and 1960s, Marilyn Monroe and Brigitte Bardot.

"In the same era, Brigitte Bardot was extremely modern and free, while Marilyn was the female-object par excellence," he said.

He stops to observe Bardot dancing wildly in a scene from "And God Created Woman".

"This was demented for the 1950s!" he exclaims gleefully.

He also loves Bardot's pink chequered wedding dress that is on display: "She had an incredible fashion sense."

- 'A new stage' -

Gaultier surprised everyone in January 2020 when he announced his retirement after half a century at the top of the fashion world.

He now invites a young designer to create an haute couture collection for his house each season, but wants new challenges for himself.

"It's a new stage. I don't want to do simply fashion anymore," he said.

"This feels like I'm creating a new collection. It's a new adventure, mixing fashion with cinema.

"The theme is the mix of styles -- the poor with the rich, the working class with the aristocracy, the extremes meeting each other and creating new babies."

Still with a finger on the pulse of popular culture, the collection runs right up to the present moment, with images from "Titane", the Palme-winning body horror movie about a woman exacting violent revenge on men.

"It's enormously well-made film that shows a very powerful woman in a very modern way," said Gaultier.

The exhibition also features a return to his origins, since it includes the 1945 film "Paris Frills" by director Jacques Becker that set a young Jean-Paul on his career path.

"That was my bible. I didn't go to fashion school, so it was my education -- a fabulous portrait of the world of couture," he said.

"There was a catwalk show and the spectators were applauding and I told myself: 'I want to do that job!'"



Sandal Scandal: Prada Credits New Design's Indian Legacy

Customers shop for 'Kolhapuri' sandals, an Indian ethnic footwear, at a store in New Delhi, India, June 27, 2025. REUTERS/Adnan Abidi
Customers shop for 'Kolhapuri' sandals, an Indian ethnic footwear, at a store in New Delhi, India, June 27, 2025. REUTERS/Adnan Abidi
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Sandal Scandal: Prada Credits New Design's Indian Legacy

Customers shop for 'Kolhapuri' sandals, an Indian ethnic footwear, at a store in New Delhi, India, June 27, 2025. REUTERS/Adnan Abidi
Customers shop for 'Kolhapuri' sandals, an Indian ethnic footwear, at a store in New Delhi, India, June 27, 2025. REUTERS/Adnan Abidi

Luxury fashion powerhouse Prada has acknowledged the ancient Indian roots of its new sandal design after the debut of the open-toe footwear sparked a furor among Indian artisans and politicians thousands of miles from the catwalk in Italy.

Images from Prada's fashion show in Milan last weekend showed models wearing leather sandals with a braided design that resembled handmade Kolhapuri slippers with designs dating back to the 12th century.

A wave of criticism in the media and from lawmakers followed over the Italian brand's lack of public acknowledgement of the Indian sandal design, which is named after a city in the western state of Maharashtra.

Lorenzo Bertelli, son of Prada's owners, responded to the sandal scandal in a letter to a trade group on Friday recognizing their Indian heritage.

"We acknowledge that the sandals... are inspired by traditional Indian handcrafted footwear, with a centuries-old heritage," Bertelli, Prada's head of corporate social responsibility, wrote in the letter to the Maharashtra Chamber of Commerce, seen by Reuters.

The sandals are at an early stage of design and it is not certain they will be commercialized, but Prada is open to a "dialogue for meaningful exchange with local Indian artisans" and will arrange follow-up meetings, he wrote.

A Prada spokesperson issued a statement acknowledging the sandal's inspiration from India, adding the company has "always celebrated craftsmanship, heritage and design traditions".

Prada products are beyond the reach of most Indians. Its men's leather sandals retail for $844 and up, while the Kolhapuri slippers, sold in Indian shops and street markets, start at about $12.

India's luxury market is small but growing fast, with rising numbers of rich people buying Louis Vuitton bags, Lamborghini cars, luxury homes and watches.

Conversely, Indian culture and crafts are increasingly finding their way into global brand designs. High-end jeweler Bulgari offers a $16,000 Mangalsutra necklace inspired by a chain traditionally worn by married women.

Bertelli's homage to Indian design was sent in a response to a complaint from the head of the trade group that represents 3,000 Kolhapuri sandal artisans, as the online uproar gathered momentum.

"From the dusty lanes of Kolhapur to the glitzy runways of Milan... will the world finally give credit where it's due?" India's DNA News posted on X.

Sambhaji Chhatrapati from the Kolhapur Royal family told Reuters by phone he was upset that craftsmen had not been acknowledged for the "history and heritage of 150 years."

Kolhapur-based businessman Dileep More, however, said images of the Prada sandal were bringing cheer to some artisans as they show their traditional product going global.

"They are happy that someone is recognising their work," he said.