'I've Always Been a Feminist': Jean-Paul Gaultier Becomes Curator

Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File
Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File
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'I've Always Been a Feminist': Jean-Paul Gaultier Becomes Curator

Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File
Gaultier has straddled the worlds of film and fashion. STEPHANE DE SAKUTIN AFP/File

Having achieved pretty much everything there was to achieve in the fashion world, Jean Paul Gaultier is opening himself up to new horizons since retiring from the business last year.

The former "enfant terrible" of French fashion has curated an exhibition in Paris on the power of women, taking in screen icons from Marilyn Monroe to this year's shocking Palme d'Or winner "Titane".

"I've always been a feminist," the 69-year-old told AFP on a tour of the exhibition.

"I wanted to show the evolution of women and men in cinema and fashion. Men becoming more feminine and women taking on more and more power and freedom."

"Cinemode", which opens at the Cinematheque Francaise this Wednesday, brings together hand-picked film clips, photos and costumes.

Gaultier has himself straddled the worlds of film and fashion, having designed costumes for Spanish auteur Pedro Almodovar, and most famously for the 1990s sci-fi hit "The Fifth Element".

He has a particular taste for icons of the 1950s and 1960s, Marilyn Monroe and Brigitte Bardot.

"In the same era, Brigitte Bardot was extremely modern and free, while Marilyn was the female-object par excellence," he said.

He stops to observe Bardot dancing wildly in a scene from "And God Created Woman".

"This was demented for the 1950s!" he exclaims gleefully.

He also loves Bardot's pink chequered wedding dress that is on display: "She had an incredible fashion sense."

- 'A new stage' -

Gaultier surprised everyone in January 2020 when he announced his retirement after half a century at the top of the fashion world.

He now invites a young designer to create an haute couture collection for his house each season, but wants new challenges for himself.

"It's a new stage. I don't want to do simply fashion anymore," he said.

"This feels like I'm creating a new collection. It's a new adventure, mixing fashion with cinema.

"The theme is the mix of styles -- the poor with the rich, the working class with the aristocracy, the extremes meeting each other and creating new babies."

Still with a finger on the pulse of popular culture, the collection runs right up to the present moment, with images from "Titane", the Palme-winning body horror movie about a woman exacting violent revenge on men.

"It's enormously well-made film that shows a very powerful woman in a very modern way," said Gaultier.

The exhibition also features a return to his origins, since it includes the 1945 film "Paris Frills" by director Jacques Becker that set a young Jean-Paul on his career path.

"That was my bible. I didn't go to fashion school, so it was my education -- a fabulous portrait of the world of couture," he said.

"There was a catwalk show and the spectators were applauding and I told myself: 'I want to do that job!'"



Frasers Executive David Epstein Becomes Hugo Boss CEO after Takeover

FILE PHOTO: Plastic toilet cabins are reflected in a window with the logo of Hugo Boss fashion company in central Moscow, Russia, May 8, 2025. REUTERS/Maxim Shemetov//File Photo
FILE PHOTO: Plastic toilet cabins are reflected in a window with the logo of Hugo Boss fashion company in central Moscow, Russia, May 8, 2025. REUTERS/Maxim Shemetov//File Photo
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Frasers Executive David Epstein Becomes Hugo Boss CEO after Takeover

FILE PHOTO: Plastic toilet cabins are reflected in a window with the logo of Hugo Boss fashion company in central Moscow, Russia, May 8, 2025. REUTERS/Maxim Shemetov//File Photo
FILE PHOTO: Plastic toilet cabins are reflected in a window with the logo of Hugo Boss fashion company in central Moscow, Russia, May 8, 2025. REUTERS/Maxim Shemetov//File Photo

Hugo Boss said on Thursday CEO Daniel Grieder would step down and leave the company at his own request, effective January 1, 2027.

The German fashion group said David Epstein from Frasers Group will ⁠succeed him as ⁠CEO, Reuters reported.

Frasers Group, already Hugo Boss's largest shareholder, took majority control of the company in October after raising its stake above 50%, months ⁠after an unsuccessful 2 billion euro takeover bid.

The move follows a series of leadership changes at Hugo Boss this year. In September, the company named Michael Murray, chief executive of Frasers Group, as chairman of its supervisory board.

The British retailer, ⁠controlled ⁠by billionaire Mike Ashley, has been expanding its presence in the premium and luxury segments.

Epstein has served as chief brand partnerships officer at Frasers Group since 2024, overseeing brand partnerships across its Sport, Premium, and Luxury businesses.


Burberry Returns to First-half Profit on Turnaround Plan

© Adrian DENNIS / AFP
© Adrian DENNIS / AFP
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Burberry Returns to First-half Profit on Turnaround Plan

© Adrian DENNIS / AFP
© Adrian DENNIS / AFP

Burberry returned to profit in its first half, the British luxury fashion label said Thursday, thanks to progress in its cost-cutting plan launched two years ago.

Net profit stood at £6 million ($8 million) in the six months to the end of September, compared with a loss of £26 million a year earlier, Burberry said in an earnings statement.

Revenue rose six percent to £1.1 billion, and the company's shares jumped more than seven percent in early deals on the London stock exchange, AFP said.

Burberry began a turnaround plan at the end of 2024 aiming to boost sales and cut costs as the global luxury sector suffers from weaker demand in China.

Under chief executive Joshua Schulman, Burberry has refocused on its staple outerwear, including its famed trench coats, in a bid to improve its fortunes.

Comparable retail sales grew four percent in the first half, lifted by sales in its key China market and in the Americas.

"The CEO is now over two years into his tenure and has injected a breath of fresh air into the brand's fortunes," said Richard Hunter, head of markets at Interactive Investor.

He said the company's "strategy is gaining momentum as the brand increasingly resonates with the Gen Z cohort", while noting "the transformation is still in its early stages, and that of course the fashion industry can be a fickle business."

China is a key market for the luxury sector, but as the country's post-pandemic recovery continues to struggle, consumption has flagged, sending jitters across the globe.


Prada’s New Milan Exhibition Turns a Century of Fashion into Fresh Discoveries

Visitors enjoy the Prada fashion brand permanent exhibition called "Pradasphere", offering a rare deep dive into the history, craftsmanship, and evolution of the iconic Italian fashion house, located inside the historic Galleria Vittorio Emanuele, in Milan, Italy, Friday, Nov. 6, 2026. (AP)
Visitors enjoy the Prada fashion brand permanent exhibition called "Pradasphere", offering a rare deep dive into the history, craftsmanship, and evolution of the iconic Italian fashion house, located inside the historic Galleria Vittorio Emanuele, in Milan, Italy, Friday, Nov. 6, 2026. (AP)
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Prada’s New Milan Exhibition Turns a Century of Fashion into Fresh Discoveries

Visitors enjoy the Prada fashion brand permanent exhibition called "Pradasphere", offering a rare deep dive into the history, craftsmanship, and evolution of the iconic Italian fashion house, located inside the historic Galleria Vittorio Emanuele, in Milan, Italy, Friday, Nov. 6, 2026. (AP)
Visitors enjoy the Prada fashion brand permanent exhibition called "Pradasphere", offering a rare deep dive into the history, craftsmanship, and evolution of the iconic Italian fashion house, located inside the historic Galleria Vittorio Emanuele, in Milan, Italy, Friday, Nov. 6, 2026. (AP)

Iconic A-line skirts twirl overhead, silver-covered handbags gleam in a secret underground passage and a spacesuit prototype brings more than a century of fashion history into the future at Prada’s new permanent exhibition in Milan, called “Pradasphere.”

The highly visual journey through the Italian luxury brand’s evolution is connecting Prada aficionados with the fashion house’s heritage in ways that go beyond nostalgia, and already is promising a commercial payoff.

“The exhibition is a multiplier,” said Lorenzo Bertelli, Prada Group's chief group marketing officer.

Prada projects that the Pradasphere exhibition anchoring the brand's expansion in the Galleria Vittorio Emanuele shopping arcade will add 100 million euros ($111 million) in annual revenues, and Bertelli said that target could be surpassed.

Pradasphere is fully booked into the new year and Bertelli said visitors have shown a tendency to spend more after immersing themselves in the brand’s history, sometimes going back to make an additional purchase after walking through the eight Pradasphere spaces.

“We see that the customers who go through the museum have a completely different perspective of the brand and also they browse the store with completely different minds,” said Bertelli, who has been identified as the future leader of the Prada Group. The 38-year-old, whose roles include executive chairman of Versace, is the son of creative director Miuccia Prada and Prada Group chairman Patrizio Bertelli.

Longtime Prada lovers will know that Mario and Martino Prada founded Fratelli Prada in 1913 in the historic Galleria. But they may never have seen in person the luxury bags and accessories, including a pleated evening bag with a devilish head-shaped clasp, its tongue sticking out, a detail that appeared on the Spring-Summer 2024 runway.

And it may be news that the brothers designed the brand’s signature inverted triangle logo.

Miuccia Prada’s third-generation entrance into the family business is announced with trademark nylon bags that she began designing in the 1970s, embodying the Prada high-low, industrial-luxury paradox, and a chocolate brown opera coat from her first runway collection presented in 1988.

The exhibition contains many runway hits, including the 2012 Flame heels and the Formica tile prints that gave birth to Prada’s “ugly chic” reputation, while also highlighting Miuccia Prada’s and the senior Bertelli’s reach into art, architecture, film and sport.

“Curiosity and having fun is what drives my parents,” the younger Bertelli said, adding that experimentation doesn't always bring immediate financial success, “but for sure it drives the enrichment of our story, and our culture and our knowledge.”

He cited as an example investments in sports and engineering made with the formation of the Luna Rossa America’s Cup sailing team in the 1990s, which helped develop the kind of materials expertise that led Prada to collaborate with Axiom Space on a space suit, a prototype of which is displayed at the end of the exhibition.

Prada helped design the suit’s outer layer, which is engineered to withstand extreme thermal conditions, as well as the high-performance inner layer, with a focus on thermal regulation and comfort. It is intended for astronauts walking on the moon on NASA’s Artemis IV mission, targeted for 2028.

Just 20 visitors are admitted to Pradasphere by appointment each hour to explore the compact eight rooms of the exhibition, which Bertelli promises will be in constant evolution.

Prada’s presence in the Galleria now spans eight floors, encompassing the existing Marchesi 1824 pastry shop and Osservatorio Fondazione Prada contemporary art space, alongside the new exhibition, private salon and apartment.

Most visitors end their journey in a secret underground passage connecting the menswear and womenswear boutiques, the latter occupying the original Fratelli Prada premises.

The passage contains “lesser-known” chapters from the brand’s history, including a chandelier dress created for Baz Luhrmann’s “The Great Gatsby.”

“It was a great experience,” said Luca Missio, an architect from the northeastern Italian city of Udine. “I recognized the stores I’ve visited around the world, in Tokyo and New York, in the models and displays. That was lovely.”