Director Villeneuve Hopes to Win over Fans Old and New with 'Dune' Film

Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)
Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)
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Director Villeneuve Hopes to Win over Fans Old and New with 'Dune' Film

Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)
Actor Actor Timothee Chalamet and director Denis Villeneuve at the 78th Venice Film Festival. (Reuters)

Denis Villeneuve hopes to win over fans of Frank Herbert's epic 1965 science fiction novel "Dune" as well as introduce new ones to the story with his mammoth movie adaptation, the most challenging production of the Canadian director's career.

Timothee Chalamet and Zendaya star in the hotly anticipated film, which hits US and UK cinemas later this month and follows past attempts to take Herbert's 400-page book to the silver screen.

Set in the future where noble families rule planetary fiefs, the story follows Paul Atreides (Chalamet), whose father takes on the stewardship of planet Arrakis, known as Dune to its native Fremen people and contested for its unique spice commodity found in its inhospitable desert.

"It was by far the most challenging thing I've done in my life," Villeneuve, known for "Blade Runner 2049" and "Sicario", told Reuters.

"I had to find an equilibrium between the people who had read the book ... I wanted them to really feel that it was a profound homage to the spirit of the book. At the same time, I wanted people who knew nothing about the book to feel welcome in the world, not left aside."

The two-and-a-half-hour movie, described as part one of the story, is Chalamet's biggest project to date, something he says helped him relate to character Paul overcoming his fears.

"(I've) never been on a project of this size before," Chalamet said. "Sometimes the things you're feeling on set can bleed into the natural arc or progression of a story."

Villeneuve's "Dune" follows Alejandro Jodorowsky's unsuccessful attempt in the mid-1970s and David Lynch's critically-panned 1984 version.

With sweeping landscapes and dark mood, critics have lauded this film as a visual spectacle in reviews.

"It's a book that's been the source material for a lot of bigger ideas like 'Star Wars'," actor Josh Brolin, who plays weapons master Gurney, said.

"The movie's been done in different eras with different technological possibilities. And now we're in an era that's so technologically advanced we're able to see that version of it."

Javier Bardem, who plays Fremen tribe leader Stilgar, said the mood on set was relaxed.

"I never felt that pressure on (Villeneuve) when he was working with us," he said. "It's a huge one, and I wouldn't be able to hold it myself and have the humor, the joy and the attitude that he had on set."

Villeneuve said it was too early to talk about part two but Zendaya hopes her character Chani, who appears in Paul's visions, will be further explored.

"Anyone who's familiar with the books (knows) there’s so much to dive into and there's so much still to come," she said.

"It truly is only the beginning. So I do hope that we get to stay with these characters for a little bit longer."



'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)
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'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)

Tom Hanks has praised the "amazing" use of artificial intelligence to de-age him "in real time" on the set of new movie "Here," even as he accepted that the technology is causing huge concern in Hollywood.
"Here," out in theaters Friday, stars Hanks and Robin Wright as a couple striving to keep their family together through births, marriages, divorces and deaths, across multiple decades and even generations, said AFP.
Hanks portrays his character from an idealistic teen, through various stages of youth and middle age, to a frail, elderly man.
But rather than just relying on makeup, filmmakers teamed up with AI studio Metaphysic on a tool called Metaphysic Live, to rejuvenate and "age up" the actors.
The technology worked so fast that Hanks was able to immediately watch his "deep-faked" performance after each scene.
"The thing that is amazing about it is it happened in real time," said Hanks.
"We did not have to wait for eight months of post-production. There were two monitors on the set. One was the actual feed from the lens, and the other was just a nanosecond slower, of us 'deep-faked.'
"So we could see ourselves in real time, right then and there."
The rapidly increasing use of AI in films including "Here" has triggered vast concern in Hollywood, where actors last year went on strike over, among other things, the threat they believe the technology poses to their jobs and industry.
Hanks acknowledged those fears during a panel discussion with director Robert Zemeckis at last weekend's AFI Fest in Hollywood, saying a "lot of people" were worried about how it will be used.
"They took 8 million images of us from the web. They scraped the web for photos of us in every era that we've ever been -- every event we've filmed, every movie still, every family photo that might have existed anywhere," Hanks explained.
"And they put that into the box -- what is it, 'deepfake technology,' whatever you want to call it."
'Cinematic'
The use of AI is not the only unusual technological feat in "Here."
The film is entirely shot from one static camera, positioned for the most part in the corner of a suburban US home's living room.
Viewers occasionally see glimpses of the same geographic space before the house was built, as the action hops back and forth to colonial and pre-colonial times -- or even earlier.
"Here" is based on a graphic novel by Richard McGuire, which uses the same concept.
"It had to be true to the style of the book, and that's why it looks the way it does," Zemeckis told AFP.
"It worked in levels that I didn't expect. It's got a real powerful intimacy to it, and in a wonderful way, it's very cinematic."
But the film's use of AI has drawn the most attention.
'Very serious subject'
AI was also at the heart of a very different film at AFI Fest -- "Wallace & Gromit: Vengeance Most Fowl," the latest film for the beloved British stop-motion characters.
When Wallace constructs a "smart gnome" to take care of chores, his faithful pooch Gromit immediately sniffs danger.
Once Feathers McGraw -- the nefarious penguin introduced to audiences in 1993 short film "The Wrong Trousers" -- gets involved, the technology takes a sinister turn.
AI becomes "the wedge between Wallace and Gromit," explained co-director Merlin Crossingham.
"It is a very light touch, although it's a very serious subject," he said.
If "we can trigger some more intellectual conversation from our silly adventure with Wallace and Gromit, then that can't be a bad thing."
The film itself did not use AI.
"We don't and we wouldn't," said Crossingham, earning hearty applause from the Hollywood crowd.
"Vengeance Most Fowl" will be broadcast on Christmas Day in the United Kingdom and Ireland, before airing globally on Netflix from January 3.