‘Potato Eaters’…Controversial Artwork at Amsterdam's Van Gogh Museum

Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)
Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)
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‘Potato Eaters’…Controversial Artwork at Amsterdam's Van Gogh Museum

Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)
Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)

The Dutch painter Vincent Van Gogh is more famous for his cheerful paintings – his bright and light-flooded southern French landscapes. But now for the first time, Amsterdam's Van Gogh Museum is devoting an exhibition exclusively to his early depiction of peasant life, full of darkness but also admiration.

"The Potato Eaters" is one of the first masterpieces by Van Gogh and without a doubt the artist's biggest "failure," at least according to its critics at the time. It depicts five people sitting in a cramped kitchen having dinner, their faces tired and distorted – bulbous noses, bony gnarled hands. The scene is dark and gloomy, according to the German News Agency.

About 50 paintings, sketches, drawings and letters will be on display from October 8, telling the story of the painting – a "story of ambition and perseverance," the director of the museum, Emily Gordenker, said. "The painting was never sold and never exhibited during Van Gogh's lifetime. Today, however, it is world-famous and considered a key work in the painter's development," she said.

Vincent Van Gogh painted "De aardappeleters" (potato eaters) in 1885 during a turbulent period he spent with his parents in Nuenen, in the southeast of the Netherlands. He made numerous studies and sketches for it.

It's one of Van Gogh's "most thought-out paintings," said Bregje Gerritse, curator of the museum. The painter himself described it as a "master's test" and, according to the curator, wanted to make his breakthrough with it. But the painting failed. Van Gogh received harsh criticism for this work, especially because of its use of gloomy colors and the distorted depiction of people's faces.

To bring the painting to life, the museum has now recreated the scene with a life-size, walk-in model for its spotlight exhibition.

"The Potato Eaters: Mistake or Masterpiece?" Van Gogh wanted to depict the harsh reality of peasant life, a life he himself admired. He deliberately showed the characters with coarse faces and bony hands worn from labor, Gerritse said. "Van Gogh wanted to show the peasants in all their roughness."



Hungary's Oldest Library is Fighting to Save Books from Beetle Infestation

Books are kept in hermetically sealed plastic sacks for disinfection at the Pannonhalma Archabbey's library in Pannonhalma, Hungary, Thursday, July 3, 2025, as a beetle infestation threatens its ancient collection. (AP Photo/Bela Szandelszky)
Books are kept in hermetically sealed plastic sacks for disinfection at the Pannonhalma Archabbey's library in Pannonhalma, Hungary, Thursday, July 3, 2025, as a beetle infestation threatens its ancient collection. (AP Photo/Bela Szandelszky)
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Hungary's Oldest Library is Fighting to Save Books from Beetle Infestation

Books are kept in hermetically sealed plastic sacks for disinfection at the Pannonhalma Archabbey's library in Pannonhalma, Hungary, Thursday, July 3, 2025, as a beetle infestation threatens its ancient collection. (AP Photo/Bela Szandelszky)
Books are kept in hermetically sealed plastic sacks for disinfection at the Pannonhalma Archabbey's library in Pannonhalma, Hungary, Thursday, July 3, 2025, as a beetle infestation threatens its ancient collection. (AP Photo/Bela Szandelszky)

Tens of thousands of centuries-old books are being pulled from the shelves of a medieval abbey in Hungary in an effort to save them from a beetle infestation that could wipe out centuries of history.

The 1,000-year-old Pannonhalma Archabbey is a sprawling Benedictine monastery that is one of Hungary's oldest centers of learning and a UNESCO World Heritage site.

Restoration workers are removing about 100,000 handbound books from their shelves and carefully placing them in crates, the start of a disinfection process that aims to kill the tiny beetles burrowed into them, The Associated Press reported.

The drugstore beetle, also known as the bread beetle, is often found among dried foodstuffs like grains, flour and spices. But they also are attracted to the gelatin and starch-based adhesives found in books.

They have been found in a section of the library housing around a quarter of the abbey's 400,000 volumes.

“This is an advanced insect infestation which has been detected in several parts of the library, so the entire collection is classified as infected and must be treated all at the same time,” said Zsófia Edit Hajdu, the chief restorer on the project. “We've never encountered such a degree of infection before.”

The beetle invasion was first detected during a routine library cleaning.

Employees noticed unusual layers of dust on the shelves and then saw that holes had been burrowed into some of the book spines. Upon opening the volumes, burrow holes could be seen in the paper where the beetles chewed through.

The abbey at Pannonhalma was founded in 996, four years before the establishment of the Kingdom of Hungary. Sitting upon a tall hill in northwestern Hungary, the abbey houses the country's oldest collection of books, as well as many of its earliest and most important written records.

For over 1,000 years, the abbey has been among the most prominent religious and cultural sites in Hungary and all of Central Europe, surviving centuries of wars and foreign incursions such as the Ottoman invasion and occupation of Hungary in the 16th century.

Ilona Ásványi, director of the Pannonhalma Archabbey library, said she is “humbled” by the historical and cultural treasures the collection holds whenever she enters.

“It is dizzying to think that there was a library here a thousand years ago, and that we are the keepers of the first book catalogue in Hungary,” she said.

Among the library’s most outstanding works are 19 codices, including a complete Bible from the 13th century. It also houses several hundred manuscripts predating the invention of the printing press in the mid-15th century and tens of thousands of books from the 16th century.

While the oldest and rarest prints and books are stored separately and have not been infected, Ásványi said any damage to the collection represents a blow to cultural, historical and religious heritage.

“When I see a book chewed up by a beetle or infected in any other way, I feel that no matter how many copies are published and how replaceable the book is, a piece of culture has been lost,” she said.

To kill the beetles, the crates of books are being placed into tall, hermetically sealed plastic sacks from which all oxygen is removed. After six weeks in the pure nitrogen environment, the abbey hopes all the beetles will be destroyed.

Before being reshelved, each book will be individually inspected and vacuumed. Any book damaged by the pests will be set aside for later restoration work.

The abbey, which hopes to reopen the library at the beginning of next year, believes the effects of climate change played a role in spurring the beetle infestation as average temperatures rise rapidly in Hungary.

Hajdu, the chief restorer, said higher temperatures have allowed the beetles to undergo several more development cycles annually than they could in cooler weather.

“Higher temperatures are favorable for the life of insects,” she said. “So far we've mostly dealt with mold damage in both depositories and in open collections. But now I think more and more insect infestations will appear due to global warming.”

The library’s director said life in a Benedictine abbey is governed by a set of rules in use for nearly 15 centuries, a code that obliges them to do everything possible to save its vast collection.

“It says in the Rule of Saint Benedict that all the property of the monastery should be considered as of the same value as the sacred vessel of the altar,” Ásványi said. “I feel the responsibility of what this preservation and conservation really means.”