Betty Lynn, Thelma Lou on 'The Andy Griffith Show,' Has Died

FILE - In this Sept. 6, 2007 file photo, actor Betty Lynn, who played Thelma Lou on "The Andy Griffith Show," pauses at a statue of Andy and Opie Taylor in Mount Airy, N.C.  (AP Photo/Gerry Broome, File)
FILE - In this Sept. 6, 2007 file photo, actor Betty Lynn, who played Thelma Lou on "The Andy Griffith Show," pauses at a statue of Andy and Opie Taylor in Mount Airy, N.C. (AP Photo/Gerry Broome, File)
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Betty Lynn, Thelma Lou on 'The Andy Griffith Show,' Has Died

FILE - In this Sept. 6, 2007 file photo, actor Betty Lynn, who played Thelma Lou on "The Andy Griffith Show," pauses at a statue of Andy and Opie Taylor in Mount Airy, N.C.  (AP Photo/Gerry Broome, File)
FILE - In this Sept. 6, 2007 file photo, actor Betty Lynn, who played Thelma Lou on "The Andy Griffith Show," pauses at a statue of Andy and Opie Taylor in Mount Airy, N.C. (AP Photo/Gerry Broome, File)

Betty Lynn, the film and television actor who was best known for her role as Barney Fife's sweetheart Thelma Lou on “The Andy Griffith Show,” has died. She was 95.
Lynn died peacefully Saturday after a brief illness, The Andy Griffith Museum in Mount Airy, North Carolina, announced in a statement.

Lynn appeared as Thelma Lou on the show from 1961 until 1966. She reprised her role in the made-for-TV movie “Return to Mayberry,” in which Thelma Lou and Barney got married.

Born Elizabeth Ann Theresa Lynn on August 29, 1926 in Kansas City, Missouri, Lynn began studying dance and acting at a young age. In 1944, she started performing as a part of USO Camp Shows.

Lynn took her talents overseas, performing in the USO for servicemembers during World War II. She was “thought to be the only American woman to have traveled the dangerous Burma Road during the war,” according to the museum’s statement.

She moved to New York in the late 1940s and began acting in film, and later, television. Her career spanned decades, but fans came to know her best for her role in “The Andy Griffith Show.”

In her later years, Lynn participated in reunions with fellow cast members and various Mayberry-themed festivals.

Director and actor Ron Howard, who played Sheriff Andy Taylor's son, Opie, paid tribute to Lynn in a tweet Sunday saying she “brightened every scene she was in & every shooting day she was on set.”

Lynn moved from Hollywood to Mount Airy in 2007 following a series of break-ins at her home. She expressed her love for the city to The Associated Press in 2015.
“I think God’s blessed me,” Lynn said at the time. “He brought me to a sweet town, wonderful people, and just said, ‘Now, that’s for you Betty.’”

Lynn had been working on an autobiography before her death, which is now expected to be released posthumously, the museum stated.

Lynn is survived by several cousins. A memorial service will take place in Culver City, California. Details are to be released at a later date.



‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.