Foreign Film Thriving in Pandemic, Says Michael Mann

US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
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Foreign Film Thriving in Pandemic, Says Michael Mann

US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP

The growth of streaming and binge-watching during the pandemic have switched more audiences onto foreign cinema, veteran director Michael Mann said Monday at the launch of Hollywood's French film festival.

"Heat" and "The Last of the Mohicans" director Mann was speaking at the 25th anniversary opening night of COLCOA, which celebrates French movies in Los Angeles, but was canceled last year due to Covid-19.

This year's edition is somewhat scaled back, in part as a ban on European travelers imposed at the start of the pandemic remains in place until next week. But COLCOA still boasts a field of 55 movies and series designed to showcase the best in Gallic cinema, AFP reported.

It opened Monday with "Between Two Worlds," in which Oscar-winner Juliette Binoche -- alongside a largely non-professional cast -- goes undercover to expose the insecurity of the gig economy.

"I think the combination of streaming and Covid, where people spend so much time watching video on-demand and streaming, has opened up the whole world of cinema in a really terrific way," Mann told AFP on the red carpet.

The debut earlier this year of French-language TV mystery "Lupin" became Netflix's third most-watched season. Even that was recently dwarfed by the success of South Korea's "Squid Game," watched by 111 million accounts less than a month after its September release.

Thanks to a new generation of filmmakers and streaming platforms, "there is a way to consume, to discover and to be interested in different genres, and so effectively the American public is opening up to the world," said COLCOA festival director Francois Truffart.

In a year that also saw French television shows such as "Call My Agent" gain global fans, COLCOA is putting increased emphasis on series such as Emile Zola adaptation "Germinal," and Julie Delpy's middle-age comedy "On The Verge."

Films include "Lost Illusions," adaptated from Honore de Balzac's novel, and "Onoda: 10,000 Nights in the Jungle," about a Japanese soldier who refuses to believe World War II has ended and fights on for decades.

COLCOA, which stands for "City of Lights, City of Angels" -- the nicknames of Paris and Los Angeles, respectively -- runs until Sunday.



Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
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Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)

It’s Netflix’s resolution every new year to give viewers a headscratcher in January.

Since 2020, the streamer has released a UK miniseries based on thriller book by Harlan Coben over the holidays. It seems to have paid off: “Fool Me Once,” starring Michelle Keegan, Adeel Akhtar and Joanna Lumley, launched this past January and became what Netflix says was one of their most watched shows of the year, amassing 108 million views.

2025’s seasonal suspense series is “Missing You,” based on Coben’s 2014 New York Times bestseller. It stars Rosalind Eleazar (“Slow Horses”) as Detective Inspector Kat Donovan, a police officer who specializes in finding missing people — apart from the fiance that vanished 11 years earlier.

“They know Jan. 1 is the sweet spot for them,” says actor Richard Armitage, who has appeared in each winter Coben adaptation, which relocates the stories from the books' America to the north of England. “People have ownership over the show now, so like, ‘I want my Harlan Coben show on New Year’s Day. Give me my Harlan Coben fix.’”

“It’s perfect timing for the release, to be honest,” says co-star Ashley Walters. “Most people are going to be hung over or, you know, just not have anything to do with the day.”

The show opens with the shock of Donovan's ex-fiance (Walters) popping up on a dating app, over a decade after she came home one day to find him gone.

“I’ve ghosted people before,” laughs Armitage. “Just people you don’t want to talk to anymore. Not digitally though.”

Another star, Jessica Plummer, isn’t a fan of those who disappear without saying goodbye, though.

“I’d just feel too guilty,” she admits, calling it “cowardly and lazy — sorry Richard!”

Eleazar promises twists and turns along the way, adding that the actors weren’t initially given the final two scripts and had to turn to the book to find out what happens.

Coben “really is a genius at taking you up the wrong track,” says Eleazar. “You’re so sure that this time you’ve got it right and it’s this person or this thing, but you are inevitably always wrong.”

“I would love to know, actually, how he starts a book, you know? Does it start with an idea or does he think of the most inconceivable idea and go, ‘That’s how it’s going to end’?” she adds.

Armitage agrees that “Missing You” does justice to the “hair-raising” shock ending of the book; “It’s like the rug is pulled away at the last minute.”

And while audiences at home can binge-watch the whole five-part series as 2025 is still finding its feet, the cast will be busy with a variety of pastimes.

Lenny Henry, who portrays Kat’s father, jokes that he usually wakes up to a new year surrounded by roast potatoes, while wearing pajamas.

Armitage likes to be outside and start fresh by skiing down a mountain, while Eleazar has plans to celebrate in style: She and a group of friends have a tradition where they rent a castle and dress up in themed costumes.

Past New Year's Eve parties have included donning 18th century garb in France and last year’s Versace-themed fete.

“I will be celebrating and really hoping that everyone loves this show on the 1st,” she says.