Foreign Film Thriving in Pandemic, Says Michael Mann

US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
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Foreign Film Thriving in Pandemic, Says Michael Mann

US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP
US director Michael Mann spoke at the launch of Los Angeles-based French film festival COLCOA Michael TRAN AFP

The growth of streaming and binge-watching during the pandemic have switched more audiences onto foreign cinema, veteran director Michael Mann said Monday at the launch of Hollywood's French film festival.

"Heat" and "The Last of the Mohicans" director Mann was speaking at the 25th anniversary opening night of COLCOA, which celebrates French movies in Los Angeles, but was canceled last year due to Covid-19.

This year's edition is somewhat scaled back, in part as a ban on European travelers imposed at the start of the pandemic remains in place until next week. But COLCOA still boasts a field of 55 movies and series designed to showcase the best in Gallic cinema, AFP reported.

It opened Monday with "Between Two Worlds," in which Oscar-winner Juliette Binoche -- alongside a largely non-professional cast -- goes undercover to expose the insecurity of the gig economy.

"I think the combination of streaming and Covid, where people spend so much time watching video on-demand and streaming, has opened up the whole world of cinema in a really terrific way," Mann told AFP on the red carpet.

The debut earlier this year of French-language TV mystery "Lupin" became Netflix's third most-watched season. Even that was recently dwarfed by the success of South Korea's "Squid Game," watched by 111 million accounts less than a month after its September release.

Thanks to a new generation of filmmakers and streaming platforms, "there is a way to consume, to discover and to be interested in different genres, and so effectively the American public is opening up to the world," said COLCOA festival director Francois Truffart.

In a year that also saw French television shows such as "Call My Agent" gain global fans, COLCOA is putting increased emphasis on series such as Emile Zola adaptation "Germinal," and Julie Delpy's middle-age comedy "On The Verge."

Films include "Lost Illusions," adaptated from Honore de Balzac's novel, and "Onoda: 10,000 Nights in the Jungle," about a Japanese soldier who refuses to believe World War II has ended and fights on for decades.

COLCOA, which stands for "City of Lights, City of Angels" -- the nicknames of Paris and Los Angeles, respectively -- runs until Sunday.



‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
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‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)

“Lilo & Stich” and “Mission: Impossible—The Final Reckoning” dominated the box office charts again after fueling a record-breaking Memorial Day weekend. Theaters in the US and Canada had several new films to offer this weekend as well, including Sony’s family friendly “Karate Kid: Legends” and the A24 horror movie “Bring Her Back.” According to studio estimates Sunday, it added up to a robust $145 million post-holiday weekend that’s up over 115% from the same timeframe last year.

Disney’s live-action hybrid “Lilo & Stitch” took first place again with $63 million from 4,410 locations in North America. It was enough to pass “Sinners” to become the second-highest grossing movie of the year with $280.1 million in domestic ticket sales. Globally, it's running total is $610.8 million. “Sinners,” meanwhile, is still going strong in its seventh weekend with another $5.2 million, bumping it to $267.1 million domestically and $350.1 million globally.

The eighth “Mission: Impossible” movie also repeated in second place, with $27.3 million from 3,861 locations. As with “Lilo & Stitch,” that's down 57% from its opening. With $122.6 million in domestic tickets sold, it’s performing in line with the two previous installments. But with a reported production budget of $400 million, profitability is a ways off. Internationally, it added $76.1 million (including $25.2 million from China where it just opened), bringing its global total to $353.8 million.

Leading the newcomers was Sony’s “Karate Kid: Legends,” with an estimated $21 million from 3,809 locations. The movie brings Jackie Chan and Ralph Macchio together to train a new kid, the kung fu prodigy Li Fong (Ben Wang). Chan starred in a 2010 reboot of the 1984 original, while Macchio has found a new generation of fans in the series “Cobra Kai,” which just concluded a six-season run.

Reviews might have been mixed, but opening weekend audiences gave the PG-13 rated film a strong A- CinemaScore and 4.5 stars on PostTrak. It also only cost a reported $45 million to produce and has several weeks until a new family-friendly film arrives.

Fourth place went “Final Destination: Bloodlines,” which earned $10.8 million in its third weekend. The movie is the highest-grossing in the franchise, not accounting for inflation, with $229.3 million globally.

The weekend’s other big newcomer, “Bring Her Back” rounded out the top five with $7.1 million from 2,449 screens. Starring Sally Hawkins as a foster mother with some disturbing plans, the film is the sophomore feature of twin filmmakers Danny and Michael Philippou, who made the 2023 horror breakout “Talk to Me.” It earned a rare-for-horror B+ CinemaScore and is essentially the only new film in the genre until “28 Years Later” opens on June 20.

A new Wes Anderson movie, “The Phoenician Scheme,” also debuted in New York and Los Angeles this weekend, where it made $270,000. It expands nationwide next weekend.

The summer box office forecast remains promising, though there’s a long way to go to get to the $4 billion target (a pre-pandemic norm that only the “Barbenheimer” summer has surpassed). The month of May is expected to close out with $973 million – up 75% from May 2024, according to data from Comscore.