It's 'Yesterday Once More' as Richard Carpenter Recalls 1970s Pop Duo

Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)
Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)
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It's 'Yesterday Once More' as Richard Carpenter Recalls 1970s Pop Duo

Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)
Musician and song writer Richard Carpenter poses for a portrait at his home in Westlake Village, California, US, September 10, 2021. Picture taken September 10, 2021. (Reuters)

More than 50 years after "We've Only Just Begun" and "Yesterday Once More," Richard Carpenter is looking back on the California soft pop duo with his sister Karen that ruled the charts but got a rough ride from music critics.

Now he is telling the story his way for the first time in "Carpenters: The Musical Legacy," a book based on hundreds of hours of interviews Richard gave to authors Mike Cidoni Lennox and Chris May. Crammed with photos, posters, programs, reviews and work schedules, it is intended as the definitive story of the 1970s recording stars.

"It covers really from our childhood all the way through our years together, Karen and I, making music, and the legacy. It concentrates more on the music that we made than the personal," said Carpenter from his home near Los Angeles that is packed with gold discs and Carpenters memorabilia.

"Many times, right from the time that Karen and I first hit with 'Close to You,' there was so many beyond nasty, vicious things written about us," said Carpenter, 75, recalling how the music press derided their mellow ballads as square at a time when rock was the dominant force.

After their breakout single "(They Long to Be) Close to You" in 1970, the Carpenters had a run of hits including "Top of the World" and "Rainy Days and Mondays," won three Grammy Awards and had their own TV show. They turned out 10 albums, winning fans as far afield as Japan, Norway and Zimbabwe.

Their career came to a tragic end when Karen died in 1983 of heart failure attributed to complications from anorexia nervosa. She was 32.

Richard Carpenter, who did all the musical arrangements and harmonies, is reluctant to dwell on Karen's death and prefers to focus on her talent.

"She just had a timeless voice, ... Karen was a natural. She didn't have to practice, ... she just sang instantly, impeccably whether it was live or on record," he said. "She was my sister, she was my professional partner, and she was my best friend."

The book will be published on Nov. 16.

It will be followed in January by a new album, "Richard Carpenter's Piano Songbook" in which Carpenter plays classical arrangements on solo piano of some of the duo's hits.

Carpenter, who once had dreams of being a concert pianist but hated practicing, said he was "immensely flattered" to be asked to make the record.



'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
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'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo

James Gunn, writer and director of the off-kilter "Guardians of the Galaxy" films, tussled with various ideas on how to deliver a new take on Superman to the big screen.

Gunn said he was aware of the many ways the noble hero had been approached since his 1938 debut, initially in comic books and then radio serials, television shows and movies.

The challenge was to deliver something fresh that would appeal to a new generation of moviegoers and reinvigorate Warner Bros Discovery's DC Studios.

His vision, in the movie titled simply "Superman," starts rolling out in international theaters on Wednesday and in the United States and Canada on Friday, Reuters reported.

In the opening scene, Superman, played for the first time by David Corenswet, is seen bloodied after a fight, an unusual portrayal for the Man of Steel.

"I wanted to take the character of Superman and just focus on a piece of him that we haven't necessarily seen before," Gunn said.

Gunn surrounded Superman with elements that enthralled him from the comics as a child. Superman lives in a world, Gunn said, with "superhero friends and giant monsters and flying dogs, robots and all this magical stuff."

The new film includes Superman's four-legged sidekick, a superpowered dog named Krypto first introduced in a 1955 comic. The latest version is based on Gunn's real-life, misbehaving rescue mutt.

Warner Bros is counting on "Superman" to start a new era at DC Studios, which has failed to match the superhero success of Walt Disney-owned Marvel. Gunn, who made the "Guardians" movies for Marvel, was named co-CEO of DC Studios, alongside producer Peter Safran, in 2022.

The pair have plotted a long-term slate that features a Supergirl movie for June 2026, a film based on Swamp Thing and TV shows for HBO Max. Wonder Woman and Batman also are expected to return to cinemas.

Gunn said the aesthetic that audiences see in "Superman" will not necessarily foreshadow future DC Studios endeavors. "I want to be really certain that every project has its own unique flavor," Gunn said.

"We're doing Clayface, and that doesn't feel like this movie. It's an R-rated horror movie. We're doing 'Lanterns,' which is an HBO show, which feels very much like an HBO show, very grounded, very kind of brutal. We have 'Peacemaker,' which is an adult show with a lot of emotion and a lot of comedy."

Gunn admitted he has felt the weight of responsibility to produce a hit.
"I've felt pressure all along," Gunn said. "That's been difficult."

But as he started to see initial reaction to the film, "I'm feeling pretty good," he said. "It's pretty fun. I'm seeing the effect the movie has on people."