The Cosmos Beckons for Snoopy Onscreen and in Real Life

This image released by Apple TV+ shows a scene from "Snoopy in Space." (Apple TV+ via AP)
This image released by Apple TV+ shows a scene from "Snoopy in Space." (Apple TV+ via AP)
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The Cosmos Beckons for Snoopy Onscreen and in Real Life

This image released by Apple TV+ shows a scene from "Snoopy in Space." (Apple TV+ via AP)
This image released by Apple TV+ shows a scene from "Snoopy in Space." (Apple TV+ via AP)

A new rocket designed to launch humans to the moon, Mars and beyond will launch next year from Kennedy Space Center in Florida. On board, will be a familiar fuzzy figure — Snoopy.

A 5-ounce plush toy version of the daydreaming beagle — wearing a space suit designed according to NASA’s strict specifications — has an important job for the Artemis I unmanned mission.

NASA uses stuffed animals on flights because when the little guys start to float, it indicates that the spacecraft has entered space’s zero gravity. Since the toys are soft and light, they won’t break anything or accidentally strike a button.

The Artemis I mission is scheduled to circle the moon and then return to Earth in February as a dry run without astronauts, making sure all systems are working for future crewed missions. Also aboard will be two Lego figurines, part of an educational series.

The upcoming mission announcement coincides with the release Friday of the second season of “Snoopy in Space,” the Emmy-nominated animated series on Apple TV+. Season one saw Snoopy become an astronaut and land on the moon. Season two sees him go further in what showrunner Mark Evestaff calls an “epic road trip.”

“We have taken a bit of a step further so that Snoopy is able to go to some of these places that we haven’t been, like Mars or the moons of Jupiter or visiting an exoplanet,” he says. “And he does it through his imagination, but it’s also based on actual science from NASA.”

Stephanie Betts, chief content officer at media company WildBrain, said season one was the perfect foundation. “Snoopy became an astronaut and was able to go to space. Well, now what do you do with that? Well, let’s go explore. Let’s have that search for life.”

Back closer to home, the plush Snoopy’s gravity-monitoring task — it’s officially called the zero gravity indicator — will be far from the first stuffed toy used by astronauts. Soviet cosmonaut Yuri Gagarin, the first human in space, had a small doll when he launched on Vostok 1.

Since then, an owl doll and an Angry Birds toy have been on the International Space Station, a plush R2-D2 was used as the talisman on a Soyuz mission in 2015 and a stuffed snowman Olaf from the movie “Frozen” has gone up. A plush Snoopy has also been on the space station.

Snoopy has a long history with NASA, starting when the Apollo X astronauts Thomas Stafford, John Young and Gene Cernan chose “Peanuts” characters as nicknames — the command module was called Charlie Brown, and the lunar module was Snoopy.

“Someone had the idea of trying to bring more interest into the space program. By the time they got to Apollo 10, they felt that the program was going to become a little stale,” said Craig Schulz, son of “Peanuts” creator Charles Schulz. “For my dad, it was probably one of the biggest, if not the biggest honor, that could ever be bestowed upon his comic strip.”

Charles Schulz, for his part, drew strips with Snoopy walking on the lunar surface. “I did it! I’m first beagle on the moon! I beat the Russians... I beat everybody... I even beat that stupid cat who lives next door!” says Snoopy in one.

NASA and “Peanuts” have frequently been interwoven. The space agency honors its best employees with the Silver Snoopy Award, and a Snoopy doll was aboard Boeing’s CST-100 Starliner spacecraft in 2019.

The plush 10-inch-by-7 inch Snoopy that is being readied for the Artemis I mission was not the kind you’d find on a Target shelf. It’s a one-of-a-kind work and painstakingly designed using only NASA-approved materials. Stress-testing it is due in December.

“The spacesuit had to meet all the requirements and be of the same quality that the astronauts would be wearing, both in the materials and what got approved. So it was a months-long process of going back and forth and back and forth as they considered all the materials used on the spacesuit,” said Craig Schulz.

In many ways, the reuniting of Snoopy and NASA in 2021 mirrors the way the two initially worked together to generate interest in space exploration.

“Space travel is almost become so normalized now,” said Schulz. “People’s attention span is a little weak, for the most part. So when you inject some of that entertaining Snoopy, you’re going to capture the audience.”



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."