Mohammed Al-Issa Receives Bridge Builder Award

Muhammed Al-Issa, Secretary General of the Muslim World League, at the Vatican on Sept. 20, 2017. (AP)
Muhammed Al-Issa, Secretary General of the Muslim World League, at the Vatican on Sept. 20, 2017. (AP)
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Mohammed Al-Issa Receives Bridge Builder Award

Muhammed Al-Issa, Secretary General of the Muslim World League, at the Vatican on Sept. 20, 2017. (AP)
Muhammed Al-Issa, Secretary General of the Muslim World League, at the Vatican on Sept. 20, 2017. (AP)

Dr. Mohammed Bin Abdulkarim Al-Issa, Secretary General of the Muslim World League (MWL) and chairman of the Muslim Scholars Association, has received the Norwegian Bridge Builder Award.

The Oslo-based award committee said Al-Issa has made exceptional efforts to build bridges between people with different religious and cultural backgrounds, and described him as "a leading global force for peace and cooperation between nations and religions, and combating extremist ideologies."

The award distribution ceremony was held at Oslo's Opera Hall, in the presence of a large number of international figures, including religious leaders, scholars, heads of major international organizations, and a wide spectrum of Norwegian political, religious and community leaders including former Prime Minister Kjell Bondevik.

Al-Issa received a cable of congratulations from a number of European officials, saying that he is a clear and distinct voice for peace and cooperation between nations and religions. "This accolade is a recognition and encouragement to continue his great efforts in promoting tolerance, respect and love," they added.

In his speech after receiving the award, Al-Issa said that "building bridges … are the gateway to understanding and cooperation, leading to the peace of our world and the harmony of our societies around the world.”

On conflicts resulting from religious, cultural, political and other divides, Al-Issa said: "Distancing ourselves from each other builds walls of fear, suspicion and misunderstanding. This will raise anxiety, and hatred, and then lead to conflicts, and this has happened around the world unfortunately."

Al-Issa called upon the followers of religions and civilizations to join forces, discarding accusations and combating hate speech and acts of violence and terrorism.

"Nothing is better than recognizing that the difference among humans is a natural aspect of our life, and that hatred and exclusion based on cultural, religious, or political differences cannot be justified."

"Sincere love in its full sense is the greatest peacemaker, and teaching it is the responsibility of the family and education, from childhood to the early stages of youth. The educational process needs to focus on teaching shared values in an interactive way. The world learned how to make weapons of mass destruction but did not learn values," he concluded.

In past editions, the Bridge Builder Award was introduced to many prominent international figures including former US President Barack Obama, King of Norway, and the current head of the World Health Organization. The annual ceremony is attended by the royal family in Norway, prime minister, and a number of ministers and members of parliament.



Milan’s Historic La Scala Cracks Down on Tourist Dress Code

Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
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Milan’s Historic La Scala Cracks Down on Tourist Dress Code

Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)

A historic opera house in Milan has cracked down on patrons and tourists entering the prestigious venue wearing summer attire such as shorts, tank tops and flip flops, warning they will be turned away if not dressed appropriately.

The opera was seen as a symbol of wealth and exclusivity in 19th-century high society, and the bourgeois elite of this time period would have been expected to turn up in tailcoats, cravats and long evening dresses, The Independent newspaper wrote on Monday.

While this opulent attire is not expected of patrons nowadays, it said Milan’s Teatro alla Scala opera house, commonly known as La Scala, has recently reinforced its smart dress code in the wake of opera-goers turning up in casual summer fashion.

“The public is kindly requested to dress in keeping with the decorum of the theater, out of respect for the theater and for other viewers,” La Scala’s policy said.

“People wearing shorts or sleeveless T-shirts will not be allowed inside the auditorium; in this case, tickets will not be reimbursed.”

The venue also has signs around the foyer and on tickets stating the same message, warning patrons that they will not get a refund if they turn up wearing clothes not in keeping with the “decorum.”

The rules over informal clothing were first introduced in 2015 when the summer season coincided with the World Expo in Milan, as a way to deter the influx of tourists turning up in summer wear.

“There are no special dress code requirements at La Scala,” a spokesperson at the theater told The Independent. “We are delighted that some of our audience members consider an evening at La Scala to be a special occasion and dress accordingly, but our priority is to welcome everyone and make sure they feel comfortable.

“This is precisely why, in 2015, we introduced restrictions on clothing that could cause discomfort to other audience members who have to share the often limited space of an 18th-century theater.

“With the return of summer (an especially hot one), we reminded the audience of these rules, which have remained unchanged for ten years.

“It would not be right to tell spectators how to dress, but it is necessary that they do dress, as not to cause discomfort to other people,” the spokesperson added.

La Scala’s spokesman added that there had been a “change in behavior led by visitors who do not follow opera but see La Scala as a landmark.”