Dystopia, ‘She-Cession,’ TikTok Dances: We’re over You, 2021

This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
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Dystopia, ‘She-Cession,’ TikTok Dances: We’re over You, 2021

This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)
This image released by Netflix shows a scene from the popular Korean series "Squid Game." (Netflix via AP)

The pandemic, politics, pervasive anxiety over the climate and the economy. Did 2021 leave us any time to ponder anything else? As we limp our way into a new year, there are a few more things we’d like to leave behind, from pop culture’s obsession with all things apocalyptic to the well meaning but exhausting lay dancers on TikTok.

A list of what we’re over as we look for renewal and hope in 2022:

Dystopia palooza

War, destruction, disaster: Popular entertainment has certainly reflected, expanded upon and imagined the very doom of it all. But must it continue at the same rapid clip? The latest, “Squid Game,” was a huge score for Netflix. Its creator can’t imagine a future without a second season of the deadly Korean series. Fans rejoiced. Dystopia is merely one genre, however, one storytelling technique. Would we not benefit from an equally heavy dose of stories that focus on solutions and, dare we say it, inspiration? We’re talking that middle ground between zombies and “The Great British Baking Show.” Just think about it.

TikTok danceathon

You seem like a nice person, but you’re a registered dietitian, not a dancer. And, quite sadly, you never will be. Yes, we could scroll right on by and not gaze on your barely there moves. Yes, we realize you’re having a great time and simply trying to entertain. But there are just so darn many of you. TikTok was built on wacky dance trends (remember the Floss?), but the short-video platform has grown into much, much more as millions signed on during the pandemic. So where does that leave all that dancing? Slightly and thankfully muted for the dance-craze weary.

The she-cession

There’s little doubt the pandemic touched all our lives in different ways and continues to wreak havoc around the globe. There’s also little doubt that women were disproportionately impacted as they struggled to make it all work from home. And, yes, men did things but women had higher job losses and increased responsibilities. The economic fallout was dubbed the “she-cession.” The thing is, what’s the alternative, a “he-cession?” Nope. Some women find the gender-specific term demeaning and ask that the media and economists cut it out. And while we’re on the subject, can we rid ourselves of the term Great Resignation, aka the Great Quit, for all those folks who voluntarily left the workforce? Good luck to them.

Shapewear

It made Kim Kardashian West a pile of money to go with her other piles of money. Her Skims shapewear brand, which branched into loungewear during the pandemic, is valued at $1.6 billion, according to The New York Times. It comes in a range of styles, colors and sizes. Oprah Winfrey and Reese Witherspoon are among new investors in Spanx. But hasn’t life lived largely at home taught us to embrace our bulges, bumps and whatever else it is we’re trying to hide with shapewear? Can’t we all just march back into our old lives feeling good in our own skins? Let alone the idea there are some health risks to intensely compressing our organs for prolonged periods. Let it fly, people! Don’t let the old constraints of the fashion elite take over after all those months in cozy duds and the de-escalation of underwire. #FreeOurBodies.

NFTs

Will they be over before oh so many people have figured out exactly what they are? So some naysayers predict while stans fuel headlines and the little buggers sell for millions. Non-fungible tokens are, basically, digital art or just about anything else in digital form. They’re stored on blockchains (digital ledgers). The point, you ask? Good question. NFTs are effectively digital certificates of authenticity, like the declaration in the physical world that your original van Gogh is one of a kind. The rest of us will be heading to the non-digital gift shop for the poster or fridge magnet as the world figures out the metaverse. On offer: The NFT of the Merriam-Webster definition of NFT, with net proceeds going to the global nonprofit Teach for All. Hallelujah.

Level up

There’s a whole lotta leveling up going on in a world where level off and level out already reside. And by level up, we’re talking the gamer term for making it to the next level. The phrase has gone mainstream in a range of contexts. The perfectly good and universally understood alternatives? How about advance, develop, improve, evolve, grow and, we venture, ameliorate. Can we just celebrate our work successes, our upgrades, our escalations, our impressive pushes onward without reinvention for reinvention’s sake? As Ciara sings: five, four, three, two, one ...

Billionaires in space

The billionaires in space boys club got plenty of attention in 2021 as the rest of us navigated our topsy-turvy lives here on Earth. There’s lots to chew on as to the many millions spent to make that happen, in a suborbital, edge of space, floating in microgravity for a few minutes at most kind of way. And there’s the off-color jokes, of course. The ones about size and whether it matters. And there’s the great pondering over Elon Musk and why he isn’t a card carrying club member despite his founding of Space X. Richard Branson went into space aboard his Virgin Galactic rocket July 11. Branson beat out Jeff Bezos, who took his supersonic jaunt aboard his Blue Origin ship July 20. Billionaire Jared Isaacman led the first all-private orbital mission that splashed down in September after three days in orbit thanks to Space X. Because, commercial space travel is the future, don’t ya know. So are food insecurity, income insecurity, health care access barriers and homelessness for folks without a ticket to ride. Aim higher.

Supply clogs

The global supply chain is under the weather. Factories have been forced to close amid COVD surges. The number of shipping containers is short and they’re unattainable to those who can’t afford them. Small businesses can’t pay for alternate shipping methods. Ports and warehouse are backed up. There aren’t enough truckers. Prices are on the rise as US households feeling flush from stimulus checks, booming stock markets and fattened home equity have gone all spendy. Really spendy, with all of the above creating shortages of goods. Oh my. Happy holidays, one and all. Over It.



Guillermo del Toro Almost Lost His Movie Memorabilia in a Wildfire. Now, He’s Letting Some of It Go

Mexican filmmaker Guillermo del Toro arrives for the 34th Annual Producers Guild Awards (PGA) at the Beverly Hilton in Beverly Hills, California, US, Feb. 25, 2023. (AFP)
Mexican filmmaker Guillermo del Toro arrives for the 34th Annual Producers Guild Awards (PGA) at the Beverly Hilton in Beverly Hills, California, US, Feb. 25, 2023. (AFP)
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Guillermo del Toro Almost Lost His Movie Memorabilia in a Wildfire. Now, He’s Letting Some of It Go

Mexican filmmaker Guillermo del Toro arrives for the 34th Annual Producers Guild Awards (PGA) at the Beverly Hilton in Beverly Hills, California, US, Feb. 25, 2023. (AFP)
Mexican filmmaker Guillermo del Toro arrives for the 34th Annual Producers Guild Awards (PGA) at the Beverly Hilton in Beverly Hills, California, US, Feb. 25, 2023. (AFP)

Many fled when wildfires devastated Los Angeles earlier this year, but Guillermo del Toro rushed back in, determined to save his lifelong collection of horror memorabilia.

It's the same loyalty that finds him making another tough decision to protect the items he loves like family: letting some of them go.

Del Toro partnered with Heritage Auctions for a three-part auction to sell a fraction of a collection that is bursting at the seams. Online bidding for the first part on Sept. 26 started Thursday and includes over a hundred items, with more headed to the auction block next year.

“This one hurts. The next one, I’m going to be bleeding,” del Toro, 60, said of the auction series. “If you love somebody, you have estate planning, you know, and this is me estate planning for a family that has been with me since I was a kid.”

Del Toro is one of the industry’s most respected filmmakers, whose fascination with monsters and visual style will shape generations to come. But at his core, the Mexican-born horror buff is a collector. The Oscar-winner has long doubled as the sole caretaker of the “Bleak House”, which stretches across two and a half Santa Monica homes nearly overflowing with thousands of ghoulish creatures, iconic comic drawings and paintings, books and movie props.

The houses function not just as museums, but as libraries and workspaces where his imagination bounces off the oxblood-painted walls.

“I love what I have because I live with it. I actually am a little nuts, because I say hi to some of the life-size figures when I turn on the light,” del Toro told The Associated Press, sitting in the dining room of one of the houses, now a sanctuary for “Haunted Mansion” memorabilia. “This is curated. This is not a casual collection.”

The auction includes behind-the-scenes drawings and one-of-a-kind props from del Toro’s own classics, as well as iconic works like Bernie Wrightson’s illustrations for “Frankenstein” and Mike Mignola’s pinup artwork for “Hellraiser.”

In January, del Toro had only a couple hours, his car and a few helping hands to save key pieces from the fires. Out of the over 5,000 items in his collection, he only managed to move about 120 objects. It wasn't the first time, as fires had come dangerously close to Bleak House twice before.

The houses were spared, but fear consumed him. If a fire or earthquake swallowed them, he thought, “What came out of it? You collected insurance? And what happened to that little segment of Richard Corben's life, or Jack Kirby’s craft, or Bernie Wrightson’s life?”

An auction, del Toro said, gives him peace of mind, as it ensures the items will land in the hands of another collector who will protect the items as he has. These are not just props or trinkets, he said, but “historical artifacts. They're pieces of audiovisual history for humanity.” And his life's mission has been to protect as much of this history as he can.

“Look, this is in reaction to the fires. This is in reaction to loving this thing,” del Toro told the AP.

The initial auction uncovers who del Toro is as a collector, he said. Upcoming parts will expose how the filmmaker thinks, which he called a much more personal endeavor. The auction isn't just a “piece of business,” for him, but rather a love letter to collectors everywhere, and encouragement to think beyond a movie and “learn to read and write film design in a different way. That's my hope.”

Caring for the Bleak House collection feels like being on “a bus with 160 kids that are very unruly, and I'm driving for nine hours,” del Toro said. “I gotta take a rest.”

The auction will give the filmmaker some breathing room from the collection's arduous maintenance. The houses must stay at a certain temperature, without direct sunlight — all of which is monitored solely by del Toro, who often spends most of his day there.

He selects the picture frame for every drawing, dusts all the artifacts and arranges every bookshelf mostly himself, having learned his lesson from the handful of times he allowed outside help. One time, del Toro said, he found someone “cleaning an oil painting with Windex, and I almost had a heart attack."

“It's very hard to have someone come in and know why that trinket is important,” he said. “It's sort of a very bubbled existence. But you know, that's what you do with strange animals — you put them in small environments where they can survive. That's me.”

Each room is organized by theme, with one room dedicated to each of his major works, from “Hellboy” to “Pacific Rim.” Del Toro typically spends his entire work day at one of the houses, which he picks depending on the task at hand. The “Haunted Mansion” dining room, for instance, is an excellent writing space.

“If I could, I would live in the Haunted Mansion,” he said. “So, this is the second best.”

In selecting which items to sell, del Toro said he “wanted somebody to be able to recreate a mini version of Bleak House.”

Auction items include concept sketches and props from del Toro’s 1992 debut film, “Cronos,” all the way to his more recent works, like 2021's “Nightmare Alley.”

The starting bids vary, from a couple thousand dollars up to hundreds of thousands. One of Wrightson's drawings for a 1983 illustrated version of Mary Shelley’s “Frankenstein” is the highest priced item, starting at $200,000.

The auction also includes art from comic legends like Richard Corben, Jack Kirby and H.R. Giger, whose work del Toro wrote in the catalog “represent the pinnacle of comic book art in the last quarter of the twentieth century.”

Other cultural touchstones in illustration that are represented in the auction include rare images from the 1914 short film “Gertie the Dinosaur,” one of the earliest animated films, and original art for “Sleeping Beauty” by Eyvind Earle and Kay Nielsen.

“As collectors, you are basically keeping pieces of culture for generations to come. They're not yours,” del Toro said. “We don’t know which of the pieces you’re holding is going to be culturally significant ... 100 years from now, 50 years from now. So that’s part of the weight.”


Christopher Nolan to Lead Directors Guild of America

Christopher Nolan wins the Oscar for Best Director for "Oppenheimer" during the Oscars show at the 96th Academy Awards in Hollywood, Los Angeles, California, US, March 10, 2024. REUTERS/Mike Blake
Christopher Nolan wins the Oscar for Best Director for "Oppenheimer" during the Oscars show at the 96th Academy Awards in Hollywood, Los Angeles, California, US, March 10, 2024. REUTERS/Mike Blake
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Christopher Nolan to Lead Directors Guild of America

Christopher Nolan wins the Oscar for Best Director for "Oppenheimer" during the Oscars show at the 96th Academy Awards in Hollywood, Los Angeles, California, US, March 10, 2024. REUTERS/Mike Blake
Christopher Nolan wins the Oscar for Best Director for "Oppenheimer" during the Oscars show at the 96th Academy Awards in Hollywood, Los Angeles, California, US, March 10, 2024. REUTERS/Mike Blake

Christopher Nolan has been elected to lead the Directors Guild of America, the organization said late Saturday. The Oscar-winning “Oppenheimer” filmmaker said in a statement that it is, “one of the greatest honors of my career.”

The guild represents the interests of some 19,500 film and television directors in the United States and abroad, in addition to hosting the DGA awards annually.

“Our industry is experiencing tremendous change, and I thank the Guild’s membership for entrusting me with this responsibility,” said Nolan, a well-known champion of the theatrical experience and film stock.

The box office success of “Oppenheimer,” which was shot entirely on large-format film, and made over $976 million worldwide made many in the industry reconsider the mass audience appeal of a format that not too long ago was in danger of extinction. Earlier this year, Ryan Coogler’s “Sinners” helped prove the point again.

Nolan will take over for outgoing president Lesli Linka Glatter, who led the group for four years through the Hollywood strikes of 2023. He said he looks forward to collaborating with Glatter and the board “to achieve important creative and economic protections for our members.”

The DGA’s current three-year basic agreement with the Alliance of Motion Picture and Television Producers, which bargains on behalf of studios and streamers about rates and benefits, expires next year. The AMPTP congratulated Nolan in a statement and wrote that they “look forward to partnering with President Nolan to address the issues most important to DGA members while ensuring our member companies remain competitive in a rapidly changing industry.”

Officers elected to serve alongside Nolan include Ron Howard, Gina Prince-Bythewood, Laura Belsey and former president Paris Barclay, The Associated Press reported. Among the board members are Steven Spielberg and Phil Lord.

Since its founding in 1936 when it was then known as the Screen Directors Guild, presidents have included the likes of Frank Capra, George Stevens, Joseph L. Mankiewicz, Robert Wise, Michael Apted and Martha Coolidge.

Nolan has been a member since 2001 and has served on the DGA’s National Board and Western Directors Council since 2015, in addition to chairing the guild’s theatrical creative right and artificial intelligence committees. He won the guild’s top prize in 2024 for “Oppenheimer,” and was previously nominated for “Dunkirk,” “Inception,” “The Dark Knight” and “Memento.”

Nolan’s next film, a starry adaptation of Homer’s “The Odyssey,” opens in theaters July 17.


Host Austria Seeks to Avoid Eurovision Boycott over Israel Participation

The Wiener Stadthalle is seen on September 19, 2025, in Vienna. (AFP)
The Wiener Stadthalle is seen on September 19, 2025, in Vienna. (AFP)
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Host Austria Seeks to Avoid Eurovision Boycott over Israel Participation

The Wiener Stadthalle is seen on September 19, 2025, in Vienna. (AFP)
The Wiener Stadthalle is seen on September 19, 2025, in Vienna. (AFP)

Austria's foreign minister has appealed to countries not to boycott next year's Eurovision Song Contest - due to be held in Vienna - over Israel's participation and concerns about the war in Gaza.

Spanish state broadcaster RTVE's board voted on Tuesday to withdraw from the 2026 event if Israel takes part, becoming the fifth country to make such a pledge.

The Netherlands, Slovenia, Iceland and Ireland have made similar pledges, while Belgian broadcaster VRT has said it supports their stance.

Austrian Foreign Minister Beate Meinl-Reisinger wrote to colleagues in the six countries on Friday, saying she was concerned about boycotts creating division and not improving the situation in Gaza.

"As foreign minister of the host country, I am deeply concerned about the risk of a rift between the members of the European Broadcasting Union on this issue," she wrote in the letter that has been seen by Reuters.

"Such a rift would only deepen the discord and preclude opportunities for important dialogue between artists and the public without improving the situation on the ground in Israel and Gaza," Meinl-Reisinger added.

Although conflict and humanitarian suffering could not be ignored, Eurovision was not a suitable arena for sanctions, she wrote.

"Excluding Israel from the Eurovision Song Contest or boycotting the event would neither alleviate the humanitarian crisis in Gaza nor contribute to a sustainable political solution," Meinl-Reisinger wrote.

Eurovision, which stresses its political neutrality, has faced controversy this year linked to the war in Gaza.

Several countries urged the European Broadcasting Union, an alliance of public broadcasters that organizes and co-produces the annual event, to exclude Israel from the 2025 edition. Israeli contestant Yuval Raphael ended up finishing second.

The European Broadcasting Union is set to decide whether Israel will take part in the 2026 edition at its general assembly in December. 

Austrian singer JJ, who won this year, has also called for Israel's exclusion in 2026.

Germany slams boycott threats 

Meanwhile, Germany's culture minister slammed the boycott threats as politicizing a cultural event.  

"Eurovision was founded to bring nations together through music. Excluding Israel today goes against this fundamental idea and turns a celebration of understanding between peoples into a tribunal," said Wolfram Weimer in a statement.  

"It's precisely because Eurovision was born on the ruins of war that it should not become a scene of exclusion." 

 "Eurovision is based on the principle that artists are judged on their art and not on their nationality. The culture of cancellation is not the solution -- the solution is diversity and cohesion," Weimer said. 

"It's precisely because Eurovision was born on the ruins of war that it should not become a scene of exclusion," he added. 

This year's edition in Basel in Switzerland drew in 166 million viewers across 37 countries.  

Pro-Palestinian activists protested in Malmo, Sweden in 2024 and in Basel in May over Israel's participation amid its devastating offensive in Gaza.  

The war was sparked by Hamas's October 2023 attack on Israel that resulted in the deaths of 1,219 people, most of them civilians, according to an AFP tally of official figures.  

Israel's retaliatory campaign has killed at least 65,174 people, also mostly civilians, according to figures from the territory's health ministry that the United Nations considers reliable.