Elle Says Will Drop Fur From Magazines Worldwide

Elle will soon be fur-free in terms of both editorial content and advertising - JOEL SAGET AFP/File
Elle will soon be fur-free in terms of both editorial content and advertising - JOEL SAGET AFP/File
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Elle Says Will Drop Fur From Magazines Worldwide

Elle will soon be fur-free in terms of both editorial content and advertising - JOEL SAGET AFP/File
Elle will soon be fur-free in terms of both editorial content and advertising - JOEL SAGET AFP/File

Elle magazine announced on Thursday it will stop using fur in all its editorial and advertising content worldwide, becoming the first major publication to do so.

The monthly lifestyle magazine, which originated in France and is owned by French media group Lagardere, comes out in 45 different editions around the world.

It has some 33 million readers from Mexico to Japan, with 100 million monthly online visitors, AFP said.

But Elle's international director Valeria Bessolo Llopiz told a conference organized by The Business of Fashion publication that fur was no longer acceptable.

"The presence of animal fur in our pages and on our digital media is no longer in line with our values, nor our readers," she said.

"It is time for Elle to make a statement ... rejecting animal cruelty," she told delegates in Chipping Norton, in Oxfordshire, southern England.

Instead, she said the magazine wanted to "increase awareness for animal welfare" and "foster a more humane fashion industry".

The magazine has signed an undertaking to drop fur that is already in force in 13 of its editions.

Twenty more will impose the measure from January 1, 2022 and the rest will start a year later.

Welcoming Elle's decision, PJ Smith, director of fashion policy for the Humane Society of the United States, said he looked forward to other fashion magazines following suit.

"This announcement will ignite positive change throughout the entire fashion industry and has the potential to save countless animals from a life of suffering and a cruel death," he told the conference.

"Fur promotions belong only in the back copies of fashion magazines from days gone by," the UK director of animal rights organisation PETA, Elisa Allen, told AFP.

She welcomed decisions by publications including British Vogue, InStyle USA, Cosmopolitan UK, and the newly launched Vogue Scandinavia for rejecting fur on their editorial pages and expects the move to soon extend to advertising.



Prada Offers Savage, Instinctive Menswear during Milan Fashion Week

 A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
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Prada Offers Savage, Instinctive Menswear during Milan Fashion Week

 A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)

Miuccia Prada and her co-creative director Raf Simons described the latest Prada menswear collaboration unveiled during Milan Fashion Week on Sunday as raw and cinematic.

While the Milan Fall-Winter 2025-2026 runway was full of faux fur collars, Prada went the usual step beyond and created primitive detailing in shearling that looked almost torn from the beast and set askew on outerwear lapels, or patchworked into garments.

“Maybe, it reads as savage, primitive cavemen. I think that our aim was to make it feel warm and human and instinctive, but also kind of beautifully domestic in a way,” Simons said backstage.

Collection hallmarks Cinematic references were broad and not specific to any film, director or even character type, Simons said. Western touches included scuffed cowboy boots and knitwear mimicking a wrangler’s shirt - without creating characters or caricatures.

The silhouette mixed skinny trousers, often in bright rock-and-roll satin, with more ample volumes like pajama tops or slightly ratty sweaters. Suits required no shirts, as the designers advocated instinctive dressing.

One look seemed to distill the collection to its boyish essence: Straight leg jeans with a knit top featuring striped detailing, worn with floral-stamped cowboy boots.

Fashion as meaning

The designers said the collection was meant to offer hope in difficult times, proffering humanity as a form of resistance to whatever may be oppressing.

“It’s a bit of an answer to what of course is happening. We have to resist with our instinct, with our humanity, with our passion, with our romance,” Prada said backstage. Good work, she said, is also a form of resistance.

The message contained in the collection “has to be optimistic by definition and in principle,” Prada said.

The Setting The ever-transforming showroom inside the Prada Foundation’s Deposito contemporary art space was sheathed in Art Noveau carpet, and the runway was set on raised metal scaffolding. Simons said it represented contrasts, decoration and a work-in-progress.

Star power Prada's front row hailed from across the globe and disciplines, including British actor and musician William Gao, arriving with British musician Olivia Hardy, US actor Keith Powers, South Korean actress Kim Tae-ri, Chinese table tennis player Ma Long and British actor Louis Patridge. A crowd of fans waited just beyond a barricade to cheer them all.