Martin Scorsese Institute to Be Established by NYU

Martin Scorsese appears at the 2020 AFI Awards in Los Angeles on Jan. 3, 2020. (AP)
Martin Scorsese appears at the 2020 AFI Awards in Los Angeles on Jan. 3, 2020. (AP)
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Martin Scorsese Institute to Be Established by NYU

Martin Scorsese appears at the 2020 AFI Awards in Los Angeles on Jan. 3, 2020. (AP)
Martin Scorsese appears at the 2020 AFI Awards in Los Angeles on Jan. 3, 2020. (AP)

Martin Scorsese’s alma mater, New York University, is establishing a film institute in his name after a gift from George Lucas and Mellody Hobson.

The formation of the Martin Scorsese Institute of Global Cinematic Arts was to be announced Tuesday by NYU’s Tisch School of the Arts. The institute will include a virtual production center, the Martin Scorsese Department of Cinema Studies and support for student scholarships — with tuition assistance for those selected as “Scorsese scholars.”

A large donation from the Hobson/Lucas Family Foundation — the nonprofit run by the “Star Wars” filmmaker and his wife, Hobson, co-chief executive of Ariel Investments and chairwoman of Starbucks Corporation — made the new institute possible.

“This is such a singular and remarkable honor for me, and I thank my old, dear friend George Lucas, his wife Mellody Hobson and their remarkable foundation for this honor,” Scorsese said in a statement. “Their generosity of spirit and deed is deeply moving for me, and doubly so since this state-of-the-art institute will be housed at my beloved alma mater, NYU’s Tisch School of the Arts. I only wish that my parents were around to see this. They would have been so proud.”

Scorsese has a long history with NYU’s film program. As a student, he made his first short films there, including 1967′s “The Big Shave,” a six-minute Vietnam War allegory in which a young man shaves his face until it’s a bloody mess. Scorsese earned his masters at NYU in 1968 and continued after teaching undergraduate filmmaking. The school also gave him an honorary degree in 1992, and Scorsese currently sits on Tisch’s Dean’s Council.

Virtual production is a fast-evolving mode of moviemaking that endeavors to immerse filmmakers in a real-time digital sandbox by using technologies like game-engine software, motion capture and augmented or virtual reality. It puts actors and filmmakers into a soundstage environment where digital meets physical. While such effects are more closely associated with more spectacle-driven filmmakers, Scorsese used some of its tools in the de-aging process in “The Irishman.” He says virtual production represents “a quantum leap forward.”

“George and I have known one another for what seems like a lifetime, and he has always been driven to create new, imagined worlds on screen,” said Scorsese. “His urge — his obsession — is part of a tradition that begins with the cinema itself and the films of Georges Méliès. I suppose you could say that my own obsession grows out of the cinema’s other parallel tradition, which originates with the Lumière Brothers: exploring the mystery and the beauty and the strangeness of the world before us, of ongoing life.”

Lucas studied film at the University of Southern California and in 2006 gave the school’s film program gifts totaling $175 million — then USC’s richest donation ever. The Hobson/Lucas Family Foundation declined to share the amount of the NYU donation. The Scorsese institute is expected to launch next year, with the production center to follow at a later date.

In a joint statement, Hobson and Lucas said the Scorsese institute “deservedly highlights his legacy as a quintessential American filmmaker and will inspire generations of diverse, talented students.”



‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
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‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)

Superman is often called upon to save the world from evildoers, but in his latest big-screen incarnation, he's also being asked to swoop in and save a franchise.

James Gunn's "Superman," which opened in theaters worldwide this week, is a reboot aimed at relaunching the so-called DC Universe of comic book-based superhero movies, which also features Wonder Woman and Batman.

The celluloid efforts of Warner Bros. and DC Studios have been widely eclipsed by Disney's Marvel Cinematic Universe -- the world of Iron Man, Thor, Black Panther and the Fantastic Four, who are getting their own reboot later this month.

"Warner Bros. has invested a lot of energy and money in trying to refocus and renew DC Studios, and this is going to be the big release from that," analyst David A. Gross from Franchise Entertainment Research told AFP.

The heavy task falls on the shoulders of Gunn, the writer-director who won praise from fans of the genre with Marvel's "Guardians of the Galaxy" trilogy.

The movie's rollout has already encountered several headwinds, including a right-wing backlash to Gunn's comments on Superman's role as an immigrant, and skepticism from fans of the previous Superman films helmed by director Zack Snyder.

Gunn has shrugged off the high stakes surrounding the movie's box office success.

"Is there something riding on it? Yeah, but it's not as big as people make it out to be," he told GQ Magazine.

"They hear these numbers that the movie's only going to be successful if it makes $700 million or something and it's just complete and utter nonsense."

The hype around the movie is real -- the White House even superimposed President Donald Trump onto one of the movie's official posters with the caption "THE SYMBOL OF HOPE. TRUTH. JUSTICE. THE AMERICAN WAY. SUPERMAN TRUMP."

- 'A diminished genre' -

Warner Bros. hopes the DC Universe can catch up with Marvel which -- after years of huge successes with the "Avengers" movies -- has seen more muted box office returns with the recent "Thunderbolts" and "Captain America: Brave New World."

Gross explained that superhero films hit a peak right before the Covid-19 pandemic, with box office earnings and audience enthusiasm waning ever since that time.

"It's really a diminished genre," Gross said.

However, the analyst said early buzz for "Superman" was "really good."

The film stars up-and-comer David Corenswet as the new Superman/Clark Kent, with "The Marvelous Mrs. Maisel" star Rachel Brosnahan playing love interest Lois Lane and Nicholas Hoult as arch-villain Lex Luthor.

The story follows the Man of Steel coming to terms with his alien identity as he finds his place in the human world.

The supporting cast boasts a selection of other DC Comics characters, from the peacekeeping Green Lantern (Nathan Fillion) -- who is scheduled to reprise the role in upcoming TV series "Lanterns" -- to the mace-wielding Hawkgirl.

Gross noted that July "is the top moviegoing month of the year," leading tracking estimates to forecast a total of more than $100 million for the film's opening weekend in North America.

- 'The story of America' -

DC Studios however must shake off a reputation for producing mediocre films that did not score well with audiences.

The last round of "DC Extended Universe" films included the well-liked "Wonder Woman" (2017) starring Gal Gadot -- but also box office flops like "Shazam! Fury of the Gods" (2023) and the under-performing "Aquaman" sequel with Jason Momoa.

"The success was mixed, and they were spending a lot of money on some of the new spinoff characters who were not working particularly well," Gross said, pointing at 2021's "The Suicide Squad" -- directed by Gunn -- as an example.

The last films featuring Superman, starring Henry Cavill and directed by Snyder, were relatively successful for Warner Bros. until "Justice League" -- DC's effort at recreating the "Avengers" vibe -- which lost millions of dollars.

Fans of Snyder have stirred up negative buzz for the new "Superman" movie, voicing hope online that the reboot fails out of a sense of loyalty to the previous films.

The backlash was further widened after right-wing pundits groaned about Superman's specific characterization as an immigrant, lamenting the superhero had become "woke."

Gunn addressed the criticism, telling The Times newspaper that "Superman is the story of America," with the character reflecting those who "came from other places and populated the country."

"I'm telling a story about a guy who is uniquely good, and that feels needed now," he added.

Ultimately, time will soon tell if Corenswet's chiseled looks and Gunn's directorial vision will be the superpowers that DC Studios need -- or prove to be its Kryptonite.