Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook
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Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook

In his latest movie "Barra El Manhag” that took part in the first edition of Saudi Arabia's Red Sea International Film Festival, Egyptian director Amr Salama recalls childhood memories with the story of a 13-year-old orphan who wins his peers' respect when he courageously enters an abandoned house nearby his school. There, he meets an old man hiding, and the two build a friendship that takes them on a journey of self-exploration.

Maged El-Kedwany, Ahmed Amine, Ahmed Khaled Saleh, and child Omar Sherif starred in the movie.

In an interview with Asharq Al-Awsat, Salama said his movie "is an emotional story." "I hope it could please the audience. It’s inspired by true events that I lived, and always wanted to tell."

Speaking about his childhood interests, Salama says: "I think it's mainly related to psychological reasons. I believe childhood is characterized by an innocence that ensures easy communication. I also love the maturity theme, during which a person grows and turns from a child into a man."

The Egyptian director chose Majed al-Kadwani to star in “Barra El Mahag” alongside the kid Omar Sherif. "I thought about Majed for this role since I had the idea of the movie 10 years ago. And after I wrote the script, I realized he was the best fit for the character, but choosing the child was challenging, but after seeing many kids I eventually settled on Omar Sherif," explains Salama.

Although he wrote the script of his film, Salama denies his bias to the "screenwriter cinema," saying: "It doesn't necessarily mean that I support the scriptwriter cinema, it's just a coincidence. I might have many ideas that I would like to write and direct, but that doesn't mean I won't direct works of other screenwriters. I am an open-minded person, and I directed many productions by other screenwriters like 'Taye'’ and ‘Bimbo,’ scheduled to screen soon on Shahid platform."

The young director said he was delighted to partake in the Red Sea Film Festival, noting that "a film festival held in Saudi Arabia is a major step for cinema in the Arab world in general.

"This will lead to a significant boost in the Arabic cinematic and cultural scene. Saudi Arabia has a great cinema audience and I expect a new generation of young Saudi filmmakers who will uplift the Arabic cinema industry within the few coming years."

Salama has recently entered a production partnership with screenwriter and producer Mohamed Hefzi, however, he said his works won’t be exclusively produced by his company. "This doesn't mean I will be working exclusively with this company, and it won't necessarily produce all my works. Yes, the production experience is tough, and I am not sure I can handle it perfectly, but I am learning a lot from it, as it makes me see the direction from a different perspective. This will be a good experience even if it seemed challenging in the beginning."

Many of Salama's works have been streamed on digital platforms including "Paranormal" on Netflix, and Bimbo, scheduled to be aired son on Shahid. The young director does not fear the streaming platforms' experience, stressing that "such platforms will never replace cinema.

"The same thing was said when the television emerged, and then with the satellite and digital streaming outlets. The charm of cinema will never fade, but the digital platforms offer a different experience. Some stories are better seen on these platforms, others fit the cinema theater, while others are television material. The choices are many and this would contribute to the prosperity of the cinema industry."



The Oscar Nominations are Being Announced. Here's Who's Nominated So Far

This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
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The Oscar Nominations are Being Announced. Here's Who's Nominated So Far

This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)
This image released by Netflix shows Karla Sofia Gascon as Emilia Perez in a scene from "Emilia Perez." (Shanna Besson/Netflix via AP)

In the wake of devastating wildfires in Los Angeles that struck at the heart of the movie industry, the nominations to the 97th Academy Awards are being announced.

The Academy of Motion Pictures Arts and Sciences began announcing the nominations Thursday at 8:30am Eastern via a wide array of platforms, including on Oscar.com, Oscars.org, the academy's social network sites, ABC's “Good Morning America,” as well as on Disney+ and Hulu. Bowen Yang and Rachel Sennott are reading the nominees.

The nominees for best supporting actor are: Yura Borisov, “Anora”; Kieran Culkin, “A Real Pain”; Edward Norton, “A Complete Unknown”; Guy Pearce, “The Brutalist”; Jeremy Strong, “The Apprentice.”

The nominees for Best Supporting Actress are: Monica Barbaro, “A Complete Unknown”; Felicity Jones, “The Brutalist”; Ariana Grande, “Wicked”; Isabella Rossellini, “Conclave”; Zoe Saldaña, “Emilia Pérez.”

The nominees for original screenplay are: “Anora”; “The Brutalist”; “A Real Pain”; “September 5”; “The Substance.”

“This has certainly been a difficult time for Los Angeles, where many members of our film community industry work and live. But the last several weeks have proven what we already know to be true: our film industry and Los Angeles are resilient, and for almost a century, the Oscars have brought us together to unite and celebrate our global film community,” Janet Yang, the academy's president, said before nominees were announced.

The nominations had originally been planned for Jan. 17. But after wildfires on Jan. 7 began burning through the Pacific Palisades, Altadena and other areas around Los Angeles, leaving behind historic levels of destruction, the academy extended its voting window and twice postponed the nominations announcement.

With so many in the film industry reeling from the fires, some called on the academy to cancel the Oscars altogether. Academy leaders have argued the March 2 ceremony must go ahead, for their economic impact on Los Angeles and as a symbol of resilience for the industry. Organizers have vowed this year's awards will “celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires.”

“We will reflect on the recent events while highlighting the strength, creativity, and optimism that defines Los Angeles and our industry,” Bill Kramer, academy chief executive, and Yang said in an email to members Wednesday.

But much of the usual frothiness Hollywood's award season has been severely curtailed due to the fires, which continue to burn. The film academy canceled its annual nominees luncheon. Other events have been postponed or downsized. On Wednesday, Kramer and Yang said original song nominees won't be performed this year. Conan O'Brien, whose Pacific Palisades home was spared by the fires, is hosting.

Here are some of the things to look for going into Thursday's nominations:

How wide open is it? Usually by this time, one or two movies have emerged as the clear favorites for best picture. Not so this year. Four films have been nominated for the top award from the Producers Guild, the Directors Guild and the Screen Actors Guild: “Anora,” “Conclave,” “Emilia Pérez” and “A Complete Unknown.”

They are likely to be joined Thursday by Golden Globe-winner “The Brutalist,” the musical blockbuster “Wicked” and the sci-fi sequel “Dune: Part Two.” In the category's 10 films, that leaves slots expected for “A Real Pain” and “The Substance.” The last spot could go to the prison drama “Sing Sing,” the journalism drama “September 5” or the POV-shot “Nickel Boys.”

Of them all, Netflix's contender “Emilia Pérez” could land the most nominations of all, and, possibly, set a new high mark for non-English language films.

Who gets left out in best actress? As is often the case, best actress is extremely competitive. Most prognosticators expect nominations for Demi Moore ("The Substance"), Cynthia Erivo ("Wicked"), Mikey Madison ("Anora") and Karla Sofía Gascón (“Emilia Pérez”). Who gets the fifth slot could go to Fernanda Torres (“I’m Still Here"), Marianne Jean-Baptiste (“Hard Truths”) or Pamela Anderson ("The Last Showgirl”). And that still leaves out Nicole Kidman (“Babygirl”) and Angelina Jolie (“Maria”).

Who could make history? Gascón, the star of Jacques Audiard's “Emilia Pérez," is poised to become the first openly transgender actor nominated for an Oscar. Gascón, who plays both a male drug lord in the film and the woman she becomes, has spoken both passionately and sanguinely about the possibility of making Oscar history at a time with trans rights are imperiled.

“If it does happen, I would be so grateful,” Gascón said last fall. “It would be a beautiful thing. But if it doesn’t, whatever. I’d go back to my old life. I’ll do my grocery shopping. I’ll play with cats. I’ll see my family. Maybe I’ll do other jobs and people will like those jobs.”

With Trump now in office, will ‘The Apprentice’ be nominated? Yes.

One of 2024's most audacious films, “The Apprentice,” dramatized the formative years of President Donald Trump' s emergence in New York real estate under the tutelage of attorney Roy Cohn. Both Sebastian Stan (who plays Trump) and Jeremy Strong (Cohn) were borderline contenders for best actor and best supporting actor, respectively. Trump has called those involved with the film “human scum.”

Strong was nominated for best supporting actor Thursday morning.

Will best director be all male again? For most of Oscar history, the best director category has been all male. That's changed somewhat in recent years, with wins by Jane Campion ("The Power of the Dog") and Chloé Zhao ("Nomadland"). But this year may see another all-male group of Audiard ("Emilia Pérez"), Sean Baker (“Anora”), Edward Berger ("Conclave"), Brady Corbet ("The Brutalist") and James Mangold ("A Complete Unknown").

The two most likely female contenders are Payal Kapadia (“All We Imagine as Light”) and Coralie Fargeat (“The Substance”). Also in the mix are a pair of big-budget filmmakers in Jon M. Chu (“Wicked”) and Denis Villeneuve (“Dune: Part Two”).