Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook
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Egyptian Director Amr Salama Expects New Generation of Saudi Filmmakers

Egyptian director Amr Salama - Facebook
Egyptian director Amr Salama - Facebook

In his latest movie "Barra El Manhag” that took part in the first edition of Saudi Arabia's Red Sea International Film Festival, Egyptian director Amr Salama recalls childhood memories with the story of a 13-year-old orphan who wins his peers' respect when he courageously enters an abandoned house nearby his school. There, he meets an old man hiding, and the two build a friendship that takes them on a journey of self-exploration.

Maged El-Kedwany, Ahmed Amine, Ahmed Khaled Saleh, and child Omar Sherif starred in the movie.

In an interview with Asharq Al-Awsat, Salama said his movie "is an emotional story." "I hope it could please the audience. It’s inspired by true events that I lived, and always wanted to tell."

Speaking about his childhood interests, Salama says: "I think it's mainly related to psychological reasons. I believe childhood is characterized by an innocence that ensures easy communication. I also love the maturity theme, during which a person grows and turns from a child into a man."

The Egyptian director chose Majed al-Kadwani to star in “Barra El Mahag” alongside the kid Omar Sherif. "I thought about Majed for this role since I had the idea of the movie 10 years ago. And after I wrote the script, I realized he was the best fit for the character, but choosing the child was challenging, but after seeing many kids I eventually settled on Omar Sherif," explains Salama.

Although he wrote the script of his film, Salama denies his bias to the "screenwriter cinema," saying: "It doesn't necessarily mean that I support the scriptwriter cinema, it's just a coincidence. I might have many ideas that I would like to write and direct, but that doesn't mean I won't direct works of other screenwriters. I am an open-minded person, and I directed many productions by other screenwriters like 'Taye'’ and ‘Bimbo,’ scheduled to screen soon on Shahid platform."

The young director said he was delighted to partake in the Red Sea Film Festival, noting that "a film festival held in Saudi Arabia is a major step for cinema in the Arab world in general.

"This will lead to a significant boost in the Arabic cinematic and cultural scene. Saudi Arabia has a great cinema audience and I expect a new generation of young Saudi filmmakers who will uplift the Arabic cinema industry within the few coming years."

Salama has recently entered a production partnership with screenwriter and producer Mohamed Hefzi, however, he said his works won’t be exclusively produced by his company. "This doesn't mean I will be working exclusively with this company, and it won't necessarily produce all my works. Yes, the production experience is tough, and I am not sure I can handle it perfectly, but I am learning a lot from it, as it makes me see the direction from a different perspective. This will be a good experience even if it seemed challenging in the beginning."

Many of Salama's works have been streamed on digital platforms including "Paranormal" on Netflix, and Bimbo, scheduled to be aired son on Shahid. The young director does not fear the streaming platforms' experience, stressing that "such platforms will never replace cinema.

"The same thing was said when the television emerged, and then with the satellite and digital streaming outlets. The charm of cinema will never fade, but the digital platforms offer a different experience. Some stories are better seen on these platforms, others fit the cinema theater, while others are television material. The choices are many and this would contribute to the prosperity of the cinema industry."



Gaza Documentary Wins Venice Special Jury Prize

Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)
Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)
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Gaza Documentary Wins Venice Special Jury Prize

Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)
Director Yuval Abraham and Director Rachel Szor winners of the Special Jury Prize for "NAZA" attend a photocall on the red carpet following the closing ceremony of the 83rd Venice Film Festival at Venice Lido on September 12, 2026. (AFP)

A chilling new documentary about Israel's AI-assisted killing of civilians in Gaza by two Israeli directors won a special jury prize at the Venice Film Festival on Saturday.

"NAZA", by Oscar-winning Israeli directors Yuval Abraham and Rachel Szor, had been tipped by some critics for the top Golden Lion prize for best film after a record-breaking 25-minute ovation at its premiere on Thursday.

Receiving the award, Abraham said that in the 10 days since the festival began, "Israel killed six Palestinian children in Gaza at least".

"The Israeli intelligence officers we spoke with talked to us how this mass killing is systemic: not by accident, but by design, actions of murder and policies that are based on the total dehumanization of Palestinians," he told the audience.

The special jury prize is given out each year by the jury to recognize an outstanding work, but it is below the Golden and Silver Lions in the pecking order.

Abraham and Szor won an Oscar in 2025 for their film "No Other Land" about Israeli settler violence in the occupied West Bank.

In their Gaza film, the directing pair used conversations with 24 different Israeli military or intelligence whistleblowers who spoke on condition that their identities be protected.

The 80-minute film left many audience members stunned, with interviewees describing how they felt like they worked in a killing "factory" or a lethal video game while using Israel's AI-powered targeting systems to bombard Gaza.

It was described as an "urgent, gut-punch" by film magazine Screen, while The Hollywood Reporter said it inspired "outrage" and "most certainly disgust, on a profound level, for the current Israeli regime".

The film was the only documentary in Venice's main competition.

Abraham called it "really, really, especially important for us that Israelis watch this film."

"It's our country that is doing these crimes," he said.

Israel's bombardment of Gaza has left around 73,500 Palestinians dead and 174,500 wounded since October 2023, according to Gaza's Hamas-run health ministry, whose figures the United Nations deem reliable.

The pounding of the territory followed an attack on Israel by Hamas on October 7, 2023, that resulted in the death of 1,219 people, according to an AFP tally based on official figures.

The Israeli military has criticized the use of anonymous testimonies in the film, saying on Friday the identities of the whistleblowers "cannot be verified".

Israel denies deliberately targeting civilians.

Asked by a journalist following the awards ceremony about the military's reaction, Abraham responded that "it seems like an attempt to not face reality".

Abraham defended the film's reporting, done in partnership with Britain's The Guardian newspaper, calling it "rigorous" and its findings reported by other mainstream journalists as well.

He added that the filmmakers had received threats but did not go into more detail.


Stallone Biopic ‘I Play Rocky’ Receives Standing Ovation at TIFF

Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)
Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)
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Stallone Biopic ‘I Play Rocky’ Receives Standing Ovation at TIFF

Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)
Director Peter Farrelly attends the premiere of "I Play Rocky" at the Princess of Wales Theatre during the Toronto International Film Festival on Saturday, Sept. 12, 2026, in Toronto. (AP)

"I Play Rocky," a new film which traces the path of a then-unknown Sylvester Stallone fighting to create the movie that would make him a star, premiered Saturday at the Toronto International Film Festival, where it garnered a standing ovation.

Directed by Peter Farrelly, who won an Oscar for the 2018 film "Green Book," the film recounts Stallone's initial struggles as he tried to break into Hollywood.

His big break came when he wrote a screenplay about a boxer who, against all odds, gets his moment in the ring and seizes the opportunity -- a story that reflected his own reality.

Poor to the point that he had to sell his dog because he could not afford to feed it, Stallone turned down studio offers for the script over one condition: he would only sell it if he could star in it.

"The depth that Stallone had gone to before he made this movie, and the battle was even when he was shooting the movie, it all got me, because I didn't know it all," Farrelly told AFP on the red carpet in Toronto.

- 'Just hang in there' -

The filmmaker said he aimed to convey the same message in his film as the 1976 original: "Just hang in there, be tough, you take some shots, but if you have integrity, you will win in the end."

Shot on a shoestring budget, "Rocky" ended up becoming the highest grossing film of 1976, catapulting Stallone to stardom and garnering 10 Academy Award nominations, winning three, including Best Picture.

Before the movie screened, Farrelly personally thanked Stallone for giving his blessing to make the film.

"I said from the beginning I'm not going to make the movie unless Sylvester Stallone signs off on it," Farrelly told AFP.

"And he read the script and said 'go ahead,' and he saw the movie, he was very happy, thank God."

The film stars 27-year-old actor Anthony Ippolito as Stallone, who landed the role by sending in an audition tape before casting even began, Farrelly said.

"The movie shows that it's not really that easy to be an actor sometimes, and it's just...absolutely surreal," Ippolito said.

TIFF concludes on September 20.


K-Pop Superstar Lisa Sparks Fan Frenzy at TIFF Documentary Premiere

 Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)
Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)
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K-Pop Superstar Lisa Sparks Fan Frenzy at TIFF Documentary Premiere

 Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)
Lisa poses for a photograph on the red carpet for "Always Lalisa" at the Toronto International Film Festival in Toronto, Ontario, Friday, Sept. 11, 2026. (The Canadian Press via AP)

K-pop ‌star Lisa was met by piercing screams from fans as she walked the red carpet at the Toronto International Film Festival for the premiere of her new documentary, "Always Lalisa."

Lisa rose to fame as a member of the K-pop girl group Blackpink, and the film follows a year in her life after taking a break from the band to embark on a solo career.

"I ‌just tried ‌to find new things — like ‌what ⁠can I do ⁠more than this?" she told Reuters in an interview after the Friday premiere.

The star, whose full name is Lalisa Manobal, said she initially thought a year would be long enough, but is still trying to figure out what she loves and ⁠her next challenge.

"Always Lalisa" captures ‌her triumphs and setbacks ‌between 2024 and 2025, documenting the release of her ‌debut solo album "Alter Ego," her acting debut ‌in HBO's hit series "The White Lotus" and preparations to perform on her own before huge crowds at the Coachella music festival.

The documentary was directed by Sue ‌Kim, an executive producer on Apple TV's 2024 documentary series "K-Pop Idols."

"This is this ⁠incredible ⁠opportunity to get to know someone who we're only ever given a very specific image of because of the music system that she comes from. We get to have this unprecedented access, proximity and exposure to her ... It's not the world of K-pop,” Kim told Reuters.

After Lisa's return to the group, Blackpink in February made a return with the mini-album "DEADLINE," their first release in more than three years.

"Always Lalisa" opens in cinemas on October 12.