‘Avatar’ Director James Cameron’s Inspirations Laid Bare in Art Book

‘Avatar’ Director James Cameron’s Inspirations Laid Bare in Art Book
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‘Avatar’ Director James Cameron’s Inspirations Laid Bare in Art Book

‘Avatar’ Director James Cameron’s Inspirations Laid Bare in Art Book

Movie director James Cameron has created some of the most striking images on screen, from the sinking of the ocean liner in "Titanic" to Sigourney Weaver battling with an extraterrestrial creature in "Aliens."

The original concepts and characters stem from his early days as a young artist in Canada, as revealed in the book "Tech Noir: The Art of James Cameron," which shows how his early ideas evolved into films.

Researchers collected Cameron's sketches and paintings as a young man and compiled them into thematic chapters. When Cameron first read the book, he was astounded.

"I think those strong thematic threads were the surprise or the revelation to me, because I'd just always thought it was all scattershot," he said.

Cameron began drawing as a child, and as a young man he focused on scenes based on his favorite sci-fi stories and comic books.

One of his first forays into movies was creating the fantasy world of "Xenogenesis," a film that never saw the light of day but a pilot can be seen on YouTube.

The book shows pages of concept art from the unproduced film with much of the imagery foreshadowing scenes from "Terminator," "Aliens" and "Avatar."

"Every idea I ever had for a plant or an animal or a planet or a piece of technology or a robot or anything, I just stopped my life for a year and a half and drew it all up. It's really all the things I was playing around with, kind of in the sidelines of my life," Cameron said.

"The Terminator" was based on a dream in which he saw a robotic man emerging from flames; an entire sequence in "Aliens" was based on a nightmare; and the blue Na'vi humanoids from "Avatar" originated from a dream his mother told him about.

Cameron ground his fantasy designs in reality, creating anatomically correct aliens, fully operative machinery and aerodynamic spacecraft.

"There's a sense that what's happening is very real and very immediate. You can kind of project your mind into the screen and into the story because ... what's happening looks like it could be real," he said.

"Tech Noir: The Art of James Cameron," published by Insight Editions, is available in bookstores now.



‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
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‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

In the box office showdown between a deadly assassin and a chaotic CG alien, “Lilo & Stitch” still had the edge. The Disney juggernaut celebrated a third weekend at the top of the charts, while the John Wick spinoff “Ballerina” did not jeté as high as expected.

According to studio estimates Sunday, “From the World of John Wick: Ballerina” earned $25 million from 3,409 theaters in the US and Canada, The Associated Press reported. Several weeks ago it was tracking to open in the $35 to $40 million range, but that was adjusted down several times. Ultimately, it still came in lower than forecasts. The movie, directed by Len Wiseman, makes a sideline character out of Keanu Reeves’ John Wick and focuses on Ana de Armas. It takes place during the events of “John Wick 3.”

The box office performance is a bit perplexing result considering that “Ballerina” got good critic reviews and audience exit polls. Conventional wisdom would say that word of mouth might have given it a boost over the weekend. But, recently, opening weekend isn’t the end all that it used to be. “Ballerina” could be in the game for the long haul.

The Lionsgate release, a Thunder Road Films and 87Eleven Entertainment production, had a hefty production price tag reported to be in the $90 million range. But much of that cost has already been offset by foreign pre-sales. Internationally, it earned $26 million from 82 countries, bringing its global opening to $51 million.

As the first spinoff, it’s the second lowest opening of the five-film franchise – above only the first film which opened just over $14 million in 2014, which does not account for inflation. The franchise overall has grossed more than $1 billion worldwide.

First place once again went to “Lilo & Stitch,” which added another $32.5 million in North America, bringing its domestic total to $335.8 and global tally to $772.6 million. In just 17 days, it's already made more domestically than the live-action “The Little Mermaid” did in its entire run ($298 million).

“Mission: Impossible — The Final Reckoning” slid to third place with $15 million, bringing its worldwide total to $450.4 million. “Karate Kid: Legends” earned $8.7 million to take fourth place. And “Final Destination: Bloodlines" rounded out the top five with $6.5 million.

The new Wes Anderson movie “The Phoenician Scheme” expanded beyond New York and Los Angeles to 1,678 theaters nationwide. The Focus Features release starring Benicio del Toro made an estimated $6.3 million and landed in sixth place.