Iraqi Museum Restores Treasures Destroyed by Militants

A worker helps reassemble an artifact bearing cuneiform inscriptions at the Mosul museum in northern Iraq. AFP
A worker helps reassemble an artifact bearing cuneiform inscriptions at the Mosul museum in northern Iraq. AFP
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Iraqi Museum Restores Treasures Destroyed by Militants

A worker helps reassemble an artifact bearing cuneiform inscriptions at the Mosul museum in northern Iraq. AFP
A worker helps reassemble an artifact bearing cuneiform inscriptions at the Mosul museum in northern Iraq. AFP

Left in ruins by militants, Iraq's once-celebrated Mosul museum and its 2,500-year-old treasures are being given a second life thanks to restoration efforts backed by French experts.

Ancient artifacts in the museum were smashed into little pieces when ISIS fighters seized the northern city of Mosul in 2014 and made it their seat of power for three years.

"We must separate all the fragments... It's like a puzzle, you try to retrieve the pieces that tell the same story," said restoration worker Daniel Ibled, commissioned by France's famous Louvre museum, which is supporting Iraqi museum employees.

"Little by little, you manage to recreate the full set."

When the ISIS militants were in control, they filmed themselves taking hammers to pre-Islamic treasures they deemed heretical, proudly advertising their rampage in a video published in February 2015.

The largest and heaviest artifacts were destroyed for the sake of their propaganda, but smaller pieces were sold on black markets the world over.

The scars of their destruction remain today.

On the ground floor of the museum, the twisted iron bars of the foundation poke through a gaping hole.

In other rooms, stones of various sizes are scattered, some bearing etchings of animal paws or wings. Others show inscriptions in cuneiform script.

The smallest of these fragments -- no bigger than a fist -- are lined up on a table, and experts are hard at work sorting through them.

For now, their efforts are focused on a winged lion from the city of Nimrud, jewel of the Assyrian empire, two "lamassu" -- winged bulls with human heads -- and the base of the throne of King Ashurnasirpal II.

These pieces, many dating back to the first millennium BC, are being revived with financing from the International Alliance for the Protection of Cultural Heritage in Conflict Areas (ALIPH).

Alongside the Louvre, efforts are also being made by Washington's Smithsonian Institution, which provides training for the museum's teams, as well as the New York-headquartered World Monuments Fund, which is tasked with restoring the building.

The base of the Assyrian king's throne, covered in cuneiform writing, appears almost fixed.

Some pieces are held together by elastic bands or small metallic rings.

"The base of the throne was pulverized into more than 850 pieces," said museum official Choueib Firas Ibrahim, an expert in Sumerian studies. "We have reassembled two-thirds of them."

For some pieces, writing fragments or straight lines help the teams put them together like a giant jigsaw.

"We read the inscriptions on this base, and we were able to restore the pieces to their place," restorer Taha Yassin told AFP.

But other pieces without "a flat surface or inscriptions" make them virtually indistinguishable and are more complicated, Yassin added.

One year after Iraqi troops recaptured Mosul in 2017, the museum received an urgent grant in a bid to restore it to its former glory.

After delays due to the coronavirus pandemic, museum director Zaid Ghazi Saadallah said he hopes the restoration works will be finished within five years.

But many gaps will remain, and posters on walls identify the lost artifacts.

"Most pieces are destroyed or looted," Saadallah said.

Iraq has suffered for decades from the pillaging of its antiquities, particularly after the US-led invasion in 2003, as well as during the later ISIS takeover.

But the current government says it has made the repatriation of artifacts a priority.

The Louvre has tasked 20 people to help the restoration efforts, said Ariane Thomas, director of the Louvre's Department of Near Eastern Antiquities.

After three missions this year, seven French experts will take turns visiting Iraq to help guide the restoration process, undertaken with about 10 museum employees.

Once the restoration work is complete, an online exhibition will be held to unveil the work.

"When we said that with time, money and know-how, we could revive even the most damaged of works, this proves it," Thomas said.

"Works that were completely destroyed have started to take form once again."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”