HBO Max's 'Harry Potter' Reunion Special Is Most Compelling at its Most Bittersweet

Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)
Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)
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HBO Max's 'Harry Potter' Reunion Special Is Most Compelling at its Most Bittersweet

Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)
Emma Watson, Daniel Radcliffe and Rupert Grint during the reunion. (HBO Max)

It should become clear within a minute of pressing play on HBO Max's "Harry Potter" 20th Anniversary special ("Return to Hogwarts") whether you're in or out for the nearly 2-hour special to come.

The dreamy opening evokes the canny, warm charm of a Christmas commercial, to the familiar tune of John Williams' iconic score (with an extra helping of jingle bells for good measure).

The camera homes in on actors Emma Watson (who played Hermione Granger), Matthew Lewis (Neville Longbottom), and Robbie Coltrane (Hagrid) enjoying a crisp winter's day at their own quiet leisure before noticing envelopes bearing their names, telltale wax seals, and their precise locations where more typical addresses should be (i.e. "Emma Watson, Secondhand Bookshop"; "Matthew Lewis, Black Cab Stuck in Traffic").

As they open their invitations for the special, they play their parts with the same level of wide-eyed wonder that they brought to the first "Harry Potter" two decades ago.

Depending on whether you're a longtime fan or a skeptical observer of the franchise, this wholehearted embrace of bottled magic may either thrill or bore you right off the bat. For anyone whose loyalties lie somewhere in between (as is the case for this viewer, a onetime "Harry Potter" obsessive whose devotion faded into adulthood), "Return to Hogwarts" manages to unearth enough genuine sincerity, and occasionally even jolts of pathos, to keep from becoming quite as sticky sweet as one of Harry's treacle tarts.

The special traces the franchise's journey through all eight movies, making callbacks to particularly beloved movie moments and staging recreations of elaborate sets for the actors to marvel at together as they reminisce.

Watson sits down with co-stars Rupert Grint (Ron Weasley) and Daniel Radcliffe (Harry Potter himself) for familial talks about their inextricably linked childhood and stardom. Anyone who even vaguely followed the makings of these movies won't be too surprised by many of the "revelations" that come to light, such as the well-trod facts that "Prisoner of Azkaban" director Alfonso Cuaron made the main trio write essays about their characters, or that Watson and Grint felt so much like siblings by the films' end that their eventual kiss scene was, in Watson's words, "the most horrifying thing either of us had to go through." Even all this time later, they still know how to play their greatest hits.

With "Return to Hogwarts," HBO Max has officially cornered the streaming market on nostalgic reunions of beloved franchises past. First it revisited "The Fresh Prince of Bel-Air" for a surprisingly frank conversation about the show's legacy and controversies; then, the service made good on its launch promise to bring the entire cast of "Friends" together as a way of reminding everyone that "Friends" was gone from Netflix for good.

Now that HBO Max has better established itself, it's easy to take the cynical (and inevitably correct) view that this extravagant look back at one of the most successful franchises in entertainment history is mostly just WarnerMedia flexing its content library muscle for all to see. That it ends up charming as much as it does is a testament to its actors, game and charismatic as ever, once again finding a way to engross their audience in more intangible ways than merely following the script.

Besides the core trio, supporting players like Lewis, Tom Felton (Draco Malfoy), Alfred Enoch (Dean Thomas), Evanna Lynch (Luna Lovegood), and Bonnie Wright (Ginny Weasley) chat about their parts in the overwhelming "Harry Potter" whole.

Interviews with those who played the adults in the room underline just how many members of the distinguished class of British actors found a place in this wizarding world -- and, in melancholy moments that go unspoken until later on, those indelible presences like Richard Harris (Albus Dumbledore), Helen McCrory (Narcissa Malfoy), and Alan Rickman (Severus Snape) who have since died. I lost count of how many times someone insists the "Harry Potter" sets were "like a family," and might've cocked a more skeptical eyebrow if the deep understanding between Radcliffe, Watson, and Grint in particular wasn't so palpable.

For the most part, "Return to Hogwarts" focuses more on the physical filming process and emotional aftermath for its stars. There are further insights on the casting process, the brilliance of Stuart Craig's production design and, inadvertently through behind-the-scenes footage of each film, a handy visual representation of how the early movies' pride in practical effects morphed into reliance on green-screen CGI prove compelling on a pure level of "how did this even all happen?" level.

When Radcliffe reunites with Chris Columbus, who cast and directed him as a child in the first two films 20 years ago, there's something undeniably poignant about seeing him now able to interact with Columbus as a true peer. The same holds true for getting to see Radcliffe reunite with the singular Helena Bonham Carter who, much to Radcliffe's utter delight, rips through the special like a mischievous tornado encouraging everyone else to follow her lead. (If this reunion were to have a host, she'd be the only choice worth making.)

So, yes, "Return to Hogwarts" is mostly aiming to envelop fans in a warm and fuzzy blanket of nostalgia. Nonetheless, there are a few revealing moments in which people admit just how overwhelming the entire phenomenon truly was: Grint choking up as he realizes how much his costars meant to him, Radcliffe explaining how growing up on this set became so "foundational" to who they became after leaving it, Watson remembering how "lonely" she felt after the weight of fame descended on her after "Order of the Phoenix" (as Felton, her childhood crush, emphasizes with protective fondness how "gracefully" she dealt with it).

As calculated as this reunion is, these are surprisingly vulnerable admissions from people who have otherwise fiercely guarded their privacy for decades. Such bittersweet scenes, tucked in between the wistful smiles and footage of set hijinks, make for the special's most compelling material by a mile. They can never "return to Hogwarts" as it once was, but they can still see and protect each other in a way that not one of the millions of people watching, despite this reunion's best efforts to explain, will ever truly understand.

"Harry Potter 20th Anniversary: Return to Hogwarts" premieres Jan. 1 on HBO Max.



Johnny Depp Film ‘Ebenezer’ Gets Actor First No. 1 Opening in 8 Years

US actor and cast member Johnny Depp poses at the global premiere of 'Ebenezer' in London, Britain, 09 November 2026.  EPA/NEIL HALL
US actor and cast member Johnny Depp poses at the global premiere of 'Ebenezer' in London, Britain, 09 November 2026. EPA/NEIL HALL
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Johnny Depp Film ‘Ebenezer’ Gets Actor First No. 1 Opening in 8 Years

US actor and cast member Johnny Depp poses at the global premiere of 'Ebenezer' in London, Britain, 09 November 2026.  EPA/NEIL HALL
US actor and cast member Johnny Depp poses at the global premiere of 'Ebenezer' in London, Britain, 09 November 2026. EPA/NEIL HALL

Johnny Depp is back at the top of the box office with his first studio movie in eight years, and since fallout from a contentious libel trial against ex-wife Amber Heard left his future in Hollywood in jeopardy.

But six years after he was asked to leave the “Fantastic Beasts” franchise, and three years after Depp said that he had “no further need for Hollywood,” “Ebenezer,” a Paramount Pictures release, opened in first place with about $19 million in ticket sales, according to studio estimates on Sunday.

Paramount released it in 3,535 theaters, The Associated Press reported.

While it might be a far cry from the heights of the “Pirates of the Caribbean” franchise, which twice opened over $100 million, or even the $62 million opening of “Fantastic Beasts: The Crimes of Grindelwald” in 2018, it is a solid start for the film, which cost a reported $38 million to produce. Internationally, it made $23 million from 63 markets, adding up to a $42 million global debut.

Outside of his franchise fare, Depp more often had openings in the $20 million range (as with “Black Mass” and “Public Enemies”).

The audience for “Ebenezer” was about 52% female and 81% over the age of 25, according to PostTrak exit polls. About 65% of ticket buyers said they would “definitely” recommend the film to friends. Less than half, or 47%, of the “kid” demographic (ages 12 and under) said they would tell their friends they “must see it right away.”

The Charles Dickens-inspired tale is rated PG-13 and directed by Ti West, who is best known for the horror franchise X. Critics were not as warm as audiences about the film. It’s currently sitting at 52% on Rotten Tomatoes.

Rupert Grint, Andrea Riseborough, Sam Claflin and Daisy Ridley also star.

The question still remains as to whether this marks a major comeback for Depp, but time might tell. In exit polls, 51% of moviegoers cited Depp as their reason for attending the film. Depp's next film, a revenge thriller called “Day Drinker,” is set for a March release from Lionsgate.

“The personal lives of stars generally don’t impact the box office. It really comes down to the movie,” said Paul Dergarabedian, the head of marketplace trends for Rentrak. “The key now will be its long-term playability.”

Sony's “Ghost Soldier” and Amazon MGM Studios’ “How to Rob a Bank” also opened this weekend to less fanfare. “Ghost Soldier,” an action film starring Jim Caviezel, debuted in sixth place with $5.2 million from 2,558 theaters.

“How to Rob a Bank” landed in seventh place with just under $5.2 million from 2,810 theaters. Internationally, it made $5.1 million. The film from “The Fall Guy” director David Leitch had a reported net production budget of $40 million. Starring Nicholas Hoult, Zoë Kravitz and Pete Davidson, “How to Rob a Bank” did not receive good reviews.

“The Cat in the Hat” landed in second place in its second weekend in theaters with $11.4 million, followed by “Godzilla Minus Zero” in third place with $8.3 million (down a whopping 73% from its opening). Fourth place went to “Ramayana: Rise of a Legend,” also in its second weekend, with $5.5 million.

And the Elizabeth Holmes documentary “You Can See Everything” rounded out the top five with just under $5.5 million, bringing its domestic total to $89 million.

“The ‘You Can See Everything’ phenomenon continues,” Dergarabedian said. "It has become the ‘have you seen’ movie of the moment."

“Wild Horse Nine” also added 1,075 theaters in its second weekend, where it earned $4.6 million. Jordan Firstman's “Club Kid” had one of the best limited expansions of the year with $756,060 on 27 screens. And James Gray's acclaimed crime thriller “Paper Tiger” opened in six locations in New York and Los Angeles to $215,009 before it expands nationwide next week.

Overall it was a slower weekend than last with around $86 million in total ticket sales from North American theaters. Business should pick up next weekend, however, with the release of “The Hunger Games: Sunrise on the Reaping.”


‘We’re Still Standing’ King Charles Jokes with Elton John in Birthday Clip

Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)
Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)
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‘We’re Still Standing’ King Charles Jokes with Elton John in Birthday Clip

Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)
Britain's King Charles and Elton John pose for a photograph in this photo taken at Apple Music Studios, where they were recording Elton John's Rocket Hour, in London, Britain, October 2026. (Courtesy Apple Music/Handout via Reuters)

Britain's King Charles ‌joked that he and Elton John were "still standing" in a clip recorded for the singer's radio show which was aired on Saturday - the monarch's 78th birthday.

Charles had joined John for a special edition of the singer's "Elton John's Rocket Hour" on Apple Music to celebrate 50 years of The King's Trust and musicians who have supported his youth charity.

During the episode, which was first broadcast on Saturday ‌to coincide with the ‌king's birthday, the pair discussed ‌benefit concerts ⁠held in support ⁠of the Trust including a Rock Gala held at Wembley Arena in 1986 where John performed his hit "I'm Still Standing".

"I know people in all kinds of circumstances find this song inspiring, not only for its marvelous spirit, but also its message of ⁠resilience," Charles said. "And certainly 40 years ‌on from that remarkable ‌concert, we and the Trust are definitely still standing."

John, who ‌is 79, replied, "I'm still sitting now, though", prompting ‌laughs from the king.

"With occasional bits dropping off here and there," Charles said. "I know this is a terrible problem as we get older."

Both men have suffered ‌well-documented health problems in recent years, with the king still undergoing treatment for cancer ⁠and John ⁠suffering problems with his eyesight.

When he was the heir, Charles founded the Prince's Trust in 1976 using his Royal Navy severance pay to help disadvantaged young people prepare for work, find jobs or start businesses.

It was renamed the King's Trust after Charles became king in 2022 and the charity says it has supported more than 1 million young people since its launch.

John's Rocket Hour is a weekly show that has aired globally on Apple Music 1 since 2015.


Music World to Celebrate Newest Rock Hall Members Including Oasis, Wu-Tang Clan, Sade

Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
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Music World to Celebrate Newest Rock Hall Members Including Oasis, Wu-Tang Clan, Sade

Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)
Liam Gallagher, right, and Noel Gallagher pose for photographers upon arrival at the “Oasis: Don't Look Back In Anger” UK premiere in London, England, Monday, Sept. 7, 2026. (AP)

Music's A-listers will celebrate the newest group of luminaries entering the Rock and Roll Hall of Fame on Saturday -- though several of the inductees including Sade and Oasis have opted not to attend.

They join British rocker Billy Idol, rhapsodic hip-hop transformers Wu-Tang Clan, versatile rock star Phil Collins, English heavy metal band Iron Maiden, post-punk and electronic dance music renegades Joy Division/New Order and the velvet-voiced late Luther Vandross in the performer class of 2026.

The Cleveland-based Hall of Fame -- which surveyed more than 1,000 musicians, historians and industry members to choose the entrants -- will honor the acts in a star-studded gala concert on Saturday at Los Angeles's Peacock Theater.

But who will show up and who will perform remains iffy.

Often inductees perform themselves -- the evening can serve as a way to reunite the long estranged -- or fellow musicians take the stage to showcase an act's legacy.

Several of the 2026 artists have already said they'll skip.

Sade -- the group whose sensual, captivating rhythms have endured as fan favorites for decades with hits including "Smooth Operator" and "No Ordinary Love" -- said they were bowing out in a statement on their website.

"Sorry we can't be there in person to celebrate with the other artists. Please know that our absence takes nothing away from how much this recognition means to us," said the group, fronted by the singer Sade Adu.

Britpop's one-time feuding brothers Liam and Noel Gallagher of Oasis -- who recently announced a 2027 world tour -- also declined to make the trip.

Noel Gallagher is scheduled to perform solo in London. Liam Gallagher had previously voiced disdain for the institution, and earlier this week said in an X reply to a fan: "It's too far to be going for the night."

Iron Maiden said they will miss the ceremony as they're on tour in Australia.

- 'Tremendous honor' -

The two British rock bands Joy Division and New Order will get a rare joint induction. New Order formed from the ashes of Joy Division after the original group's lead singer, Ian Curtis, died in 1980.

New Order went on to pioneer the future of alternative dance, with signature tracks including "Blue Monday,True Faith" and "Bizarre Love Triangle."

But it's unclear which members will attend, or if New Order will perform.

Collins -- one of rock's great drummers, whose signature hits include "In the Air Tonight" and "Sussudio" -- has said health problems will keep him from taking the stage.

Staten Island's own Wu-Tang Clan -- the ragtag group of New Yorkers who paired raw production with streetwise rhymes and martial arts influences to create cinematic hip-hop that changed the game -- recently wrapped a tour they billed as their last.

The Clan -- known for songs like "C.R.E.A.M" and "Protect Ya Neck" -- doesn't always appear at events or even on tour as a full unit, but receiving an honor from the Rock Hall could be an apt moment for a reunion.

Ahead of Idol's induction, Los Angeles named Friday, November 13 as "Billy Idol Day," making it seemingly likely the rocker who came up in London's punk scene and put out radio hits including "Dancing With Myself" will attend Saturday's ceremony.

When his induction was announced, Idol called it "a tremendous honor."

Eligible nominees into the Rock Hall must have released their first commercial recording at least 25 years prior to being nominated.

The Rock Hall also inducts new members with awards doled out by committees.

Five artists will receive an "early influence" honor: Queen Latifah, Celia Cruz, MC Lyte, Fela Kuti and Gram Parsons.