Omicron Thwarts Grammys, Sundance amid Variant Surge

Paramedics unload a patient from an ambulance after arriving at Leeds General Infirmary hospital in Leeds, northern England on January 5, 2022; official data shows one in 15 people in England were infected with the coronavirus in 2021's final week. Oli SCARFF AFP
Paramedics unload a patient from an ambulance after arriving at Leeds General Infirmary hospital in Leeds, northern England on January 5, 2022; official data shows one in 15 people in England were infected with the coronavirus in 2021's final week. Oli SCARFF AFP
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Omicron Thwarts Grammys, Sundance amid Variant Surge

Paramedics unload a patient from an ambulance after arriving at Leeds General Infirmary hospital in Leeds, northern England on January 5, 2022; official data shows one in 15 people in England were infected with the coronavirus in 2021's final week. Oli SCARFF AFP
Paramedics unload a patient from an ambulance after arriving at Leeds General Infirmary hospital in Leeds, northern England on January 5, 2022; official data shows one in 15 people in England were infected with the coronavirus in 2021's final week. Oli SCARFF AFP

The Grammy music awards and the renowned Sundance film festival fell victim Wednesday to Omicron's relentless march, as the variant's surge gathered pace in Europe.

Citing "uncertainty" surrounding the new coronavirus variant, the Recording Academy indefinitely postponed the music awards, while Sundance organizers said the festival would go virtual with infection numbers reaching new highs.

The heavily mutated Omicron variant, the most transmissible to date, accounted for around 95 percent of US cases in the week ending January 1.

According to the latest CDC figures cases stateside are running at nearly 500,000 a day, with new hospitalizations rising, AFP reported.

And in the UK, official data shows one in 15 people in England were infected with the virus in 2021's final week.

But Prime Minister Boris Johnson said travel curbs beefed up last month to contain the new strain were now ineffective, and his government scrapped the need for visitors to have pre-departure tests and quarantine on arrival until testing negative.

Italy's government, meanwhile, said Wednesday it would make vaccination against Covid-19 compulsory from February 15 for everyone over the age of 50 -- nearly half of its population -- in its bid to battle surging infections.

The new decree obliges people over 50 who do not work to get vaccinated, and those who do work to obtain a vaccine pass -- which effectively covers all over-50s.

France on Wednesday set a record for new Covid cases over a 24-hour period, according to the latest official figures, with more than 332,000 additional infections recorded.

It was the first time that French cases breached 300,000, smashing the previous record established on Tuesday when 271,686 new Covid cases were recorded.

The government is currently debating replacing the current health pass -- which contains proof of vaccination, a negative test or recent recovery -- with a "vaccine pass" for which only people with full vaccination qualify.

President Emmanuel Macron has warned the government would squeeze those who continued to refuse Covid shots.

"As for the non-vaccinated, I really want to piss them off," he said. Around five million people in France remain unvaccinated.

- Hong Kong bans flights -
The Omicron outbreaks spiraling across Europe and the United States prompted Hong Kong to ban flights from eight nations as part of strict new virus curbs.

Flights from Australia, Canada, France, India, Pakistan, the Philippines, Britain and the United States will be banned for the next two weeks.

Like mainland China, Hong Kong has maintained some of the world's harshest controls -- including weeks-long quarantine periods, targeted lockdowns and mass testing.

China has stuck to a rigid approach of stamping out Covid cases when they appear, with tight border restrictions and targeted lockdowns, since Covid-19 first emerged in the country in 2019.

But with less than a month to go until the Beijing Winter Olympics, a series of small outbreaks across the country has put the strategy under pressure.

The struggle to square health measures with major sporting events also hit Australia, where controversy is mushrooming after the country canceled the entry visa of tennis world number one Novak Djokovic over a paperwork snag.

Djokovic, an outspoken vaccine skeptic, had received a Covid jab exemption in order to play at this month's tournament in Melbourne, sparking fury among Australians.

But when the Serb landed, state officials refused his visa application for failing to meet strict entry requirements.

While Omicron has spread rapidly worldwide and triggered containment measures, rates of deaths and hospitalizations have been lower across the world.

Numbers of new deaths have remained largely flat, likely due in part to vaccine availability.

The Omicron variant is also milder than previous variants, raising hopes the virus could be evolving into a relatively benign seasonal illness.

Yet the World Health Organization in Europe sounded an ominous note of caution this week, warning the soaring infection rates could have the opposite effect.



‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
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‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo

Marvel is back on top with “Deadpool & Wolverine.” The comic-book movie made a staggering $205 million in its first weekend in North American theaters, according to studio estimates Sunday. It shattered the opening record for R-rated films previously held by the first “Deadpool” ($132 million) and notched a spot in the top 10 openings of all time.
Including international showings, where it’s racked up an addition $233.3 million from 52 markets, “Deadpool & Wolverine” is looking at a global opening of over $438.3 million, The Associated Press reported.
Fittingly for both characters’ introduction to the Marvel Cinematic Universe, “Deadpool & Wolverine” played less like earlier X-Men or Deadpool movies and more like an Avengers pic. In the top domestic opening weekends ever, “Deadpool & Wolverine” is seated in 8th place between “The Avengers” ($207.4 million) and “Black Panther" ($202 million), bumping “Avengers: Age of Ultron” ($191.3 million) out of the top 10.
It’s by far biggest opening of the year, unseating Disney’s “ Inside Out 2 ” ($154.2 million) and the most tickets a movie has sold in its debut weekend since “Barbie” ($162 million) stormed theaters last July. Playing in 4,210 locations, “Deadpool & Wolverine” also surpassed 2019’s “The Lion King” ($191.8 million) to become the biggest July opening ever, and is the 34th consecutive MCU movie to debut in first place. And these are numbers previously thought impossible for an R-rated film.
The Walt Disney Studios release arrived at a pivotal time for an industry grappling with box office returns that continue to run at a double-digit deficit from last year. The success is also an important moment for Marvel Studios, which has had several high-profile disappointments lately; Most notably in “ The Marvels ” which opened to an MCU low of $47 million last November.
Superheroes have been struggling even more elsewhere: Sony, which reached a high point with “Spider-Man: No Way Home” ($1.9 billion worldwide) had a new low with “Madame Web,” which barely crossed $100 million. Warner Bros. Discovery, after a string of disappointments with “The Flash” and “Blue Beetle,” is currently working on restarting their DC universe under the supervision of James Gunn.
Marvel's savior came in the form of two characters who got their start outside of the MCU, and carried a Motion Picture Association rating that seemed to have an earnings cap.
Both Deadpool and Wolverine, played by Ryan Reynolds and Hugh Jackman, existed previously under the 21st Century Fox banner which for two decades had the rights to Marvel characters like the “X-Men” and “Fantastic Four.” That changed when Disney acquired the studio’s film and TV assets in early 2019 and plans started to take shape of how all these characters would fit into Kevin Feige’s MCU. In some cases, as with “Fantastic Four,” Marvel Studios is starting fresh. With “Deadpool & Wolverine,” the stars were as crucial as their characters.
Going into the weekend, $200 million domestic seemed like a pipe dream. Analysts were more conservative with predictions in the $160 million range. But from the start of the 3 p.m. Thursday preview screenings it was clear that “Deadpool & Wolverine” was more powerful. By the end of Friday, it had already made $96 million and received a coveted A CinemaScore from audiences. Critics, too, have been mostly positive. Premium screens, including IMAX and other large formats, accounted for 18% of the total box office.
The top domestic opening of all time still firmly belongs to “Avengers: Endgame” with $357.1 million. It’s followed by “Spider-Man: No Way Home” ($260.1 million), “Avengers: Infinity War” ($257.6 million), “Star Wars: The Force Awakens” ($247.9 million) and “Star Wars: The Last Jedi” ($220 million).
Second place went to Universal's “Twisters,” now in its second weekend with $35.3 million. The standalone sequel to “Twister” has now earned $154.9 million in North America. Universal also claimed third place with “Despicable Me 4,” which added $14.2 million in its fourth weekend, bringing its domestic total to nearly $291 million.
“Inside Out 2” landed in fourth place with $8.3 million. The Disney and Pixar release this week became the biggest animated release ever with $613.4 million domestically (surpassing “Incredibles 2”) and $1.5 billion globally. It also passed “Top Gun: Maverick” to become the 12th highest-earning global release of all time.
It all adds up to one of the top 10 domestic grossing weekends of all time, with around $280 million, according to Comscore. That puts it ahead of this weekend last year, when “Barbie” and “Oppenheimer” helped propel the box office to over $216.9 million in their second weekends.