As Health Concerns Rise, Car Gadgets Proliferate

The Tata Pad by Filo, a smart baby car seat alarm to alert when a child is left in a vehicle, is displayed during the Consumer Electronics Show in Las Vegas, Nevada Patrick T. FALLON AFP/File
The Tata Pad by Filo, a smart baby car seat alarm to alert when a child is left in a vehicle, is displayed during the Consumer Electronics Show in Las Vegas, Nevada Patrick T. FALLON AFP/File
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As Health Concerns Rise, Car Gadgets Proliferate

The Tata Pad by Filo, a smart baby car seat alarm to alert when a child is left in a vehicle, is displayed during the Consumer Electronics Show in Las Vegas, Nevada Patrick T. FALLON AFP/File
The Tata Pad by Filo, a smart baby car seat alarm to alert when a child is left in a vehicle, is displayed during the Consumer Electronics Show in Las Vegas, Nevada Patrick T. FALLON AFP/File

With personal health a rising priority around the world, the auto industry is on the hunt for new gadgets and accessories to make the car cockpit feel safer for the driver and passengers.

Items on display at this week's Consumer Electronics Show (CES) include air purifiers, car seat alarms and intelligent sun visors, AFP reported.

The objective is to transform the automobile "into a sort of health cocoon," Christophe Perillat, deputy chief executive of Valeo said at a press conference at the show held in Las Vegas.

The French auto supplier's wares at CES include devices to monitor drivers' attention and air filters and systems that allow personalized climate controls for passengers.

The company's filtration system for cars and buses clears out more than 95 percent of viruses, including Covid-19.

CabinAir and Marelli also showcased car air purification systems that could be installed inside the cockpit or in a cup holder.

Another offering by Gentex is a sensor composed of nano-fibers capable of surveying the air and identifying contaminants.

The latest generation of technologies comes after earlier efforts focused initially on the trucking industry, where lengthy periods behind the wheel marred physical health, said Carla Bailo, head of the Center for Automotive Research.

After developing more ergonomic seats, auto suppliers have begun focusing on tools to help drivers get ahead of other health problems such as cardiovascular issues, and to maintain driver awareness.

Alerting parents
Some of the systems follow government requirements on autos.

The Italian startup Filo developed an alarm system for children's car seats following a law in its home country intended to prevent kids from being left in the car on hot days.

The company was in Las Vegas to launch the technology for the United States, where there are dozens of casualties each year due to hyperthermia.

"With the hecticness of life, stress, et cetera, sadly, it happens more than we would like to admit that parents actually have on occasion lapsed... and they leave their children in the car," said Rudolf Jantos, who works in marketing for Filo.

The company's Bluetooth-based system will alert if a child remains in the seat when the driver moves away from the vehicle.

Other child-protection devices employ cameras, radars, vibration detection and weight sensors, said Mike Ramsay, a specialist in auto technology at consultancy Gartner.

Many of these products are not brand new, but are "becoming more practical in terms of costs and capabilities," thanks to progress in algorithms and processors, Ramsay said.

These new devices have also been boosted by the rise of autonomous driving systems, which employ cameras and radars, said Jacques Aschenbroich, chief executive of Valeo.

"We had been focusing before more on the comfort of the seats and of the heating," he said. "Now our clients also ask for more visual comfort and safety applications" based on these cameras and radars.

At CES, Bosch demonstrated its "Virtual Visor," a transparent screen which detects the position of the driver's eyes thanks to an internal camera and can darken only the portion of the windshield through which the sun would bother the driver, leaving the rest unobstructed.

"The key point is to use technology to really improve the customer experience, not to seem invasive," Bailo said.

"There's a fine line between 'we're trying to keep you safe, we're trying to keep you healthy,' and 'we're watching what you're doing.'"



How a Viral, Duct-Taped Banana Came to Be Worth $1 Million

Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)
Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)
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How a Viral, Duct-Taped Banana Came to Be Worth $1 Million

Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)
Artist Maurizio Cattelan's piece of art "Comedian" hangs on display during an auction preview at Sotheby's in New York, Monday, Nov. 11, 2024. (AP)

Walk into any supermarket and you can generally buy a banana for less than $1. But a banana duct-taped to a wall? That might sell for more than $1 million at an upcoming auction at Sotheby’s in New York.

The yellow banana fixed to the white wall with silver duct tape is a work entitled "Comedian," by Italian artist Maurizio Cattelan. It first debuted in 2019 as an edition of three fruits at the Art Basel Miami Beach fair, where it became a much-discussed sensation.

Was it a prank? A commentary on the state-of-the-art world? Another artist took the banana off the wall and ate it. A backup banana was brought in. Selfie-seeking crowds became so thick, "Comedian" was withdrawn from view, but three editions of it sold for between $120,000 and $150,000, according to Perrotin gallery.

Now, the conceptual artwork has an estimated value of between $1 million and $1.5 million at Sotheby's auction on Nov. 20. Sotheby's head of contemporary art, David Galperin, calls it profound and provocative.

"What Cattelan is really doing is turning a mirror to the contemporary art world and asking questions, provoking thought about how we ascribe value to artworks, what we define as an artwork," Galperin said.

Bidders won't be buying the same fruit that was on display in Miami. Those bananas are long gone. Sotheby’s says the fruit always was meant to be replaced regularly, along with the tape.

"What you buy when you buy Cattelan’s ‘Comedian’ is not the banana itself, but a certificate of authenticity that grants the owner the permission and authority to reproduce this banana and duct tape on their wall as an original artwork by Maurizio Cattelan," Galperin said.

The very title of the piece suggests Cattelan himself likely didn't intend for it to be taken seriously. But Chloé Cooper Jones, an associate professor at the Columbia University School of the Arts, said it is worth thinking about the context.

Cattelan premiered the work at an art fair, visited by well-off art collectors, where "Comedian" was sure to get a lot of attention on social media. That might mean the art constituted a dare, of sorts, to the collectors to invest in something absurd, she said.

If "Comedian" is just a tool for understanding the insular, capitalist, art-collecting world, Cooper Jones said, "it’s not that interesting of an idea."

But she thinks it might go beyond poking fun at rich people.

Cattelan is often thought of as a "trickster artist," she said. "But his work is often at the intersection of the sort of humor and the deeply macabre. He’s quite often looking at ways of provoking us, not just for the sake of provocation, but to ask us to look into some of the sort of darkest parts of history and of ourselves."

And there is a dark side to the banana, a fruit with a history entangled with imperialism, labor exploitation and corporate power.

"It would be hard to come up with a better, simple symbol of global trade and all of its exploitations than the banana," Cooper Jones said. If "Comedian" is about making people think about their moral complicity in the production of objects they take for granted, then it's "at least a more useful tool or it’s at least an additional sort of place to go in terms of the questions that this work could be asking," she said.

"Comedian" hits the block around the same time that Sotheby's is also auctioning one of the famed paintings in the "Water Lilies" series by the French impressionist Claude Monet, with an expected value of around $60 million.

When asked to compare Cattelan's banana to a classic like Monet's "Nymphéas," Galperin says impressionism was not considered art when the movement began.

"No important, profound, meaningful artwork of the past 100 years or 200 years, or our history for that matter, did not provoke some kind of discomfort when it was first unveiled," Galperin said.