‘Desert Kite 2022’ Debuts at Desert X AlUla

Saudi artist Sultan bin Fahd, Asharq Al-Awsat
Saudi artist Sultan bin Fahd, Asharq Al-Awsat
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‘Desert Kite 2022’ Debuts at Desert X AlUla

Saudi artist Sultan bin Fahd, Asharq Al-Awsat
Saudi artist Sultan bin Fahd, Asharq Al-Awsat

Mythical creatures have always been a popular topic in art and literature, perhaps because they provoke a desire for discovery and imagination, and this is what attracted the Saudi artist Sultan bin Fahd to form his dazzling artwork, Desert Kite 2022, at the Desert X AlUla exhibition.

At first glance, it seems strange that the work of art is attributed a name for an object that flies despite it not resembling any traditional winged aircraft. Fahad here recalls how the camel is called the “ship of the desert” without it sailing in water.

This presses the observer to ponder about the meaning that stands behind Fahad’s artwork.

Speaking to Asharq Al-Awsat, Fahad clarifies that his mud structure shaped like a desert kite exceeds 40 meters in length and needs to be viewed from an altitude to be fully appreciated.

Fahad indicated that the idea of the work is based on evoking the memory of archeological traps that were discovered in several sites in Saudi Arabia by planes several decades ago.

Some of those traps were hundreds of meters long and could only be fully observed from the air.

He points out that historians have suggested that these relics can either be animal traps or used for burial. Nevertheless, Fahad said it was the idea of animal traps that got him thinking and inspired his creation.

“When I received the invitation to participate in (Desert X AlUla), which comes this year under the title (Mirage), I thought of a work in line with the nature and beauty of AlUla, with my belief that no artwork can match the beauty of God’s creation in AlUla,” Fahad told Asharq Al-Awsat.

The artist was inspired by viewing the four animals and mythical creatures placed over the historic tombs of AlUla to protect their owners in the post-mortem stage, as the Nabateans and the ancient Arabs who settled in AlUla believed.

These creatures are the eagle, the lion, the medusa, and the sphinx.

In his work, the artist tries to create a unique experience for the viewer. Once inside the work, the viewer feels isolated from the world around him. When reaching the end, a meditation space can be found next to an urn-like sculpture embossed with four protective symbols traditionally used in Nabatean tombs.

“I tried to have viewers enter a place completely isolated from the desert and the outside world… to have them sit quietly and experience a meditation trip,” noted Fahad.

Desert X AlUla is an international art exhibition that puts incredible works against the gorgeous backgrounds of AlUla.

This year’s theme is Sarab which explores ideas of mirages and the oasis, which is part of desert culture.

Desert X AlUla is free and open for all to feast their eyes on. The exhibition draws inspiration from the original Desert X which is held in California’s Coachella Valley.

Desert X AlUla is inspired by the principles of land art and aims to give visitors the chance to experience art on a monumental scale in dialogue with nature.

The artist line-up boasts 15 local as well as international talents.



Lithuania Bids to Save Baltic Seals as Ice Sheets Recede

Lithuania Bids to Save Baltic Seals as Ice Sheets Recede
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Lithuania Bids to Save Baltic Seals as Ice Sheets Recede

Lithuania Bids to Save Baltic Seals as Ice Sheets Recede

The grey seals slide out of their cages into the Baltic Sea near the Lithuanian coast, swimming off to new lives imperiled by climate change, pollution and shrinking fish stocks.

The seals have been nurtured at a rehabilitation center in the Lithuanian port of Klaipeda.

Survival rates for cubs in the wild can be as low as five percent, according to local scientists.

The Baltic Sea, which is shared by the European Union and Russia, rarely freezes over now, depriving seals of sanctuaries to rear their cubs, AFP reported.

"Mothers are forced to breed on land in high concentration with other seals," said Vaida Surviliene, a scientist at Vilnius University.

"They are unable to recognize their cubs and often leave them because of it," she said.

Rearing cubs ashore also leaves them exposed to humans, other wild animals, rowdy males, as well as a higher risk of diseases, according to Arunas Grusas, a biologist at the center.

Grusas began caring for seals in 1987 when he brought the first pup back to his office at the Klaipeda Sea Museum, which now oversees the new rehabilitation center built in 2022.

"We taught them how to feed themselves, got them used to the water –- they had to get comfortable with the sea, which spat them out ashore practically dying," Grusas said.

The very first cubs were placed into makeshift baths set up in an office.

"It was a sensation for us, there were practically no seals left then," Grusas said.
The scientists had to learn how to nurse the cubs back to health.

First, the cubs were treated to liquid formula before moving onto solid food.

At the time in the late 1980s, the seals were close to extinction –- there were just around 4,000 to 5,000 left in the sea from a population of around 100,000 before the Second World War.

"The population began to decrease drastically in the 1950s due to hunting amid competition with fishers," said Surviliene.

The 1960s also saw the use of pesticides in agriculture that were "incredibly toxic for predators", the scientist said.

The seals at the top of the food chain in the Baltic Sea absorbed the pollution, leaving the females infertile and the entire population with a weak immune system, unable to ward off parasites and resist infections.

After a ban on toxic pesticide use, the population survived, with the current estimates putting the number of grey seals in the Baltic Sea at 50,000 to 60,000.

In a response to overfishing, the European Commission also finally banned commercial cod fishing in the eastern Baltic Sea in 2019.

"Over 80 percent of fish resources in the Baltic Sea have been destroyed, the seals have nothing left to eat," said Grusas.

The ban has yet to show a positive result.

"There has been no fishing of eastern Baltic cod for around five years, but it's not yet recovering -- and it's one of the main sources of food" for the seals, said Darius Daunys, a scientist at Klaipeda University.

Recently a growing number of adult seals have been washing up on Lithuanian beaches.

Scientists like Grusas point the finger at near-shore fishing nets, where seals desperate for food end up entangled and ultimately drown.

Out in the Baltic Sea, the nine released seals took their first swim in the wild.

Previously, GPS trackers showed they favored a route north toward the Swedish Gotland island in the middle of the Baltic Sea, where fish are more plentiful.

Others, however, needed a gentle push from the biologists.

In previous years, the released seals would even follow the boat back to shore, scared to venture off alone.

Eventually they all find their way in the wild.

Grusas is now preparing to retire after dedicating his life to saving animals.

He will leave at a time when the grey Baltic seal population has stabilized, but remains highly vulnerable.

"I've spent my whole life with seals," he said. "I'm tired of the tension –- you just don't know what can happen to them."