US Supreme Court Nixes Bid to Reinstate Bill Cosby’s Conviction

Actor and comedian Bill Cosby arrives at the Montgomery County Courthouse for the sentencing hearings in his sexual assault trial in Norristown, Pennsylvania, US, September 25, 2018. (Reuters)
Actor and comedian Bill Cosby arrives at the Montgomery County Courthouse for the sentencing hearings in his sexual assault trial in Norristown, Pennsylvania, US, September 25, 2018. (Reuters)
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US Supreme Court Nixes Bid to Reinstate Bill Cosby’s Conviction

Actor and comedian Bill Cosby arrives at the Montgomery County Courthouse for the sentencing hearings in his sexual assault trial in Norristown, Pennsylvania, US, September 25, 2018. (Reuters)
Actor and comedian Bill Cosby arrives at the Montgomery County Courthouse for the sentencing hearings in his sexual assault trial in Norristown, Pennsylvania, US, September 25, 2018. (Reuters)

Bill Cosby avoided renewed legal jeopardy on Monday when the US Supreme Court declined to hear a bid by prosecutors to undo last year's ruling in Pennsylvania that overturned the 84-year-old actor and comedian's 2018 sexual assault conviction.

The justices let stand the decision by a divided Pennsylvania Supreme Court that Cosby should never have faced the charges because a previous local district attorney had publicly promised in 2005 not to prosecute him, turning away an appeal by prosecutors. The state court's ruling freed Cosby after he spent nearly three years in state prison, angering sexual assault victims and their advocates.

Cosby was sentenced to three to 10 years in prison following his conviction on three counts of aggravated indecent assault for drugging and molesting Andrea Constand, a former employee of his alma mater Temple University, at his home in 2004.

He was the first celebrity to be convicted of sexual abuse since the #MeToo movement began exposing sexual misconduct among powerful men in Hollywood and beyond.

Cosby is best known for his role as the lovable husband and father in the classic 1980s television comedy series "The Cosby Show." He also was an influential stand-up comedian.

His family-friendly reputation was shattered after more than 50 women accused him of sexual assaults spanning nearly five decades. Constand's allegations were the only ones against Cosby that were not too old to allow for criminal charges.

His lawyers argued on appeal that Montgomery County District Attorney Kevin Steele should not have charged Cosby in 2015 in the Constand case because Bruce Castor, who previously held the job, had declined to file criminal charges and issued a press release announcing his decision.

Steele on Monday said appealing to the Supreme Court in a bid to reinstate the conviction was the right thing to do, and expressed his appreciation to Constand.

"All crime victims deserve to be heard, treated with respect and be supported through their day in court. I wish her the best as she moves forward in her life," Steele said.

An attorney for Cosby did not immediately respond to a request for comment.

The earlier refusal to prosecute meant Cosby could not avoid testifying in a civil case Constand had brought against him, which led to a multimillion-dollar settlement. That testimony, in which Cosby acknowledged giving sedatives to women, played a role in Steele's criminal case against Cosby.

The Pennsylvania Supreme Court in June 2021 ruled that the prosecution was fundamentally unfair because Cosby had relied on Castor's promise to his detriment, in violation of Cosby's right to due process of law under the US Constitution.

In appealing to the US Supreme Court, Steele said the state court's "dangerous precedent" wrongly transformed a bare press release into an effective immunity that has "paved the road for thousands of other defendants to raise this issue and to seek similar windfalls."

Cosby's first trial ended with a hung jury in 2017, when jurors could not reach a unanimous decision on his culpability. He was convicted at a second trial after the judge let prosecutors call as witnesses five prior accusers - four more than in the first trial.

Prosecutors argued that Cosby's assault of Constand was a well-rehearsed offense he had honed over decades: befriending younger women and acting as a mentor, only to sexually assault them, often with the assistance of drugs.



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.